Forty-year-old Joanne Guiberry runs a modest hairdressing salon in Saint-Pierre-et-Miquelon. Twice a year, at each solstice, she brightens up her rather dull life by meeting up with her lover. Twice a year, on the other side of the sea, on the banks of the immense St. Lawrence River, three hundred thousand snow geese land with a thunderous roar for a few weeks of feasting during their migration. Like a bridge between the time of the solstices and the time of the birds, there is Manon, a twenty-year-old student, and Louise, a large, wounded goose. Louise and Manon, each in their own way, will experience love and give Joanne a new lease on freedom.
Manon
Hosokawa
Elodie
Sylvette
Elise
Forty-year-old Joanne Guiberry runs a modest hairdressing salon in Saint-Pierre-et-Miquelon. Twice a year, at each solstice, she brightens up her rather dull life by meeting up with her lover. Twice a year, on the other side of the sea, on the banks of the immense St. Lawrence River, three hundred thousand snow geese land with a thunderous roar for a few weeks of feasting during their migration. Like a bridge between the time of the solstices and the time of the birds, there is Manon, a twenty-year-old student, and Louise, a large, wounded goose. Louise and Manon, each in their own way, will experience love and give Joanne a new lease on freedom.
2005-01-18
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An actress, Céline, is hired by the famous director Milan Zodowski to star in a mysterious film shooting in Saint-Pierre et Miquelon. She arrives there to discover that the crew consists only of a sound engineer and a unit manager and that Milan stubbornly refuses to leave the cabin where he has locked himself in. Céline realizes that the shoot won’t be happening. She then chooses to face her destiny. This plunge into reality forces her to open up to herself and to others…
In Saint Pierre et Miquelon, a tiny French archipelago in the North Atlantic, a group of teenagers have just graduated from high school. Urged to continue their studies, it's time to leave for mainland France and Canada. Manon, Evie, Enguerrand and their friends are about to spend their last summer on the islands together. In the turmoil that precedes this leap into the void, these budding adults, like previous generations, are confronted with this particular moment in their lives. They'll have to leave. But they are islanders, and this departure has the air of exile, of uprooting with no certainty of return. As they leave adolescence, they will be uprooted from their land, crossing a border that is both symbolic and physical. The idea is that something happens here that is more observable than elsewhere, something that concentrates and accelerates the transformations of the teenagers' personalities.
Alexandra Hernandez is a child of the sea. She sings about Saint-Pierre-et-Miquelon, a small archipelago off the coast of Newfoundland, a French enclave on the American continent. The sea, the wind and the fog ooze through her lyrics, which sing of love in an omnipresent natural setting. She takes us back to the places that populated her childhood imagination, to a small archipelago where everyone knows everyone else, and where the unknown resonates in the wind that beats down on the islands.
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