Dinanath Shastri (Madanpuri) is a devout Hindu firefighter. One day his son, Shankar (Mithun Chakraborty) brings home a young girl, Salma (Rameshwari) as he felt sorry for her. Dinanath thinks she is Hindu and calls her Shanti, and thinks of making her his daughter-in-law, as she nurses him and looks after the entire household after he has an accident. One day Dinanath meets with a blind man who he recognizes as Dr. Varma (Om Shivpuri), who he has known for many years. Dr. Varma's daughter, Neetu (Ranjeeta Kaur) and Shankar were childhood sweethearts. This news breaks Salma's heart but she does not let anyone know. Dr. Varma's arch enemy the wealthy, powerful, and seemingly generous Agnihotri (Amrishpuri) finds out he is alive and sets his goons out to kill him. Why would a rich and generous man want to kill a harmless blind man? What will be the reaction of the devout Dinanath when he finds out that Shanti is Muslim?
Dinanath Shastri (Madanpuri) is a devout Hindu firefighter. One day his son, Shankar (Mithun Chakraborty) brings home a young girl, Salma (Rameshwari) as he felt sorry for her. Dinanath thinks she is Hindu and calls her Shanti, and thinks of making her his daughter-in-law, as she nurses him and looks after the entire household after he has an accident. One day Dinanath meets with a blind man who he recognizes as Dr. Varma (Om Shivpuri), who he has known for many years. Dr. Varma's daughter, Neetu (Ranjeeta Kaur) and Shankar were childhood sweethearts. This news breaks Salma's heart but she does not let anyone know. Dr. Varma's arch enemy the wealthy, powerful, and seemingly generous Agnihotri (Amrishpuri) finds out he is alive and sets his goons out to kill him. Why would a rich and generous man want to kill a harmless blind man? What will be the reaction of the devout Dinanath when he finds out that Shanti is Muslim?
1982-07-02
9.8
Vishal (Rishi Kapoor) comes from a wealthy Hindu family. His father is well known Chandraprakash Singh (Amrish Puri), and his mom is a housewife, Sharda (Asha Parekh). Vishal falls in love with a young Catholic girl, Ruby Miranda (Farha). While Ruby's dad (Alok Nath) approves of the marriage, Chandraprakash does not, and will not even hear of his son marrying someone not of equal status in wealth, leave alone a different religion. He is all the more enraged when he learns that Vishal is not really his son.
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Conglomerated Assets, a brokerage firm is sinking fast as its CEO checks out and leaves the company to his inept film school drop out son. Enter Quincy, Waverly, Erica, Rudy, Tina and Yasmine. Team QWERTY--six sexy secretaries that must save the day.
A grieving young inventor finds solace in repairing an antique typewriter.
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Jonard is having trouble making ends meet. His mother is suffering from depression, and he and his sister are forced to quit school in order to take care of her. One day, Jonard meets up his friend Rodel, and Rodel introduces him to the world of massage parlors. Rodel teaches him massage, and brings him to Heavenly Touch, a syndicate-run massage parlor that mostly caters to homosexuals.
Morbius Jr, now an OId Man, is nearing the end of life, when he finds the last hope for all Morbkind. However, as he fights to protect the future of Morbheads, he finds himself facing off against an unlikely of enemy... HIMSELF.
In this prequel to the animated series The King's Avatar, Ye Xiu enters into the pro gaming world of Glory, and competes in the first Pro League series tournament.
Before introverted word-nerd Zoe gains the courage to enter the National Scrabble Championship, she meets her emotional match in Marty, an irascible recluse. She finds him equally pitted against the opposing forces in her life - other people - including family, co-workers and a couple of particularly irksome adversaries standing in the way of her dream to become the world's second female National Scrabble Champion.
Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.
A man lurks the night alleys, killing people at random, he feels nothing, no emotion, and no pain; when he meets a graceful widow he must confront what it means to be human.
A heroic true story of Major Mukund Varadarajan, an Indian Army officer who displayed extraordinary bravery during a counterterrorism mission in Kashmir’s Shopian district. The film captures his courage in protecting his nation and the devotion of his wife Indhu Rebecaa Varghese.
International action star Jackie Chan is invited to the adoption ceremony of a rare baby panda, but after an international crime syndicate attempts to kidnap the bear, Jackie has to save the bear using his stunt work skills.
While working a case as an interpreter, a hearing-impaired police detective must confront a group of criminals trying to eliminate a deaf murder witness in her apartment building.
At midnight on his 10th birthday, a boy scours the lesser-known Kolkata streets in search of a father he’s never met, carrying a letter he can’t read.
In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.
The bravery of Lieutenant Triveni Singh, a young soldier who gave his own life to protect over 300 people who were caught in the cross firing at the Jammu railway station in a terrorist attack in 2004.
A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.
A classic crime narrative in the backdrop of Delhi merges a dysfunctional, mafia family at war with each other as an undercover officer fights his demons by assisting in their downfall.
When their mother takes off on a business trip, two bickering brothers unite to secretly attend the hottest party of the year before she returns.
The film, set in the 1980s and 90s, chronicles the transformation of Bombay to Mumbai. The story is a cat and mouse game between a deadly don, Amartya Rao, who doesn’t think twice before killing, and there’s nobody who could stop him and a cop, who is dogging his every step.
A caretaker is trapped in a time loop with her husband on one hand, and his brother and ruthless sister-in-law on the other.
Taking an experimental approach to the relationship between the written text and moving image, Mani Kaul has a series of texts read aloud in voice-overs (poetry, essays, and stories), while the characters within the texts walk through real or imaginary landscapes.
This is the story of Amit and Samara - two souls in Mumbai, a city of millions and how the universe conspires to bring them together. This is a coming of age film about how two people are destined to meet but only when their individual lives are ready for each other. Through a chance encounter, a series of coincidences and fates helping hand, Amit and Samaras lives intersect and affect each other. Whether they can find their true paths or not, only time will tell.
A man and a woman come from two very different cultural backgrounds, and decide that they won't get married until they convince their parents. As feared, differences between the families pose a hurdle.
A Crime Branch Special Officer Investigates serial disappearances of high profile individuals in a state capital.
The 25-year-old love story of a couple is told through the lens of their teenage daughter after she is diagnosed with pulmonary fibrosis.
Shri Krishna Leela is a 1971 Hindi religious film directed by Homi Wadia. It was produced by his Basant Pictures banner. Written by B. M. Vyas, the story and dialogue were by S. N. Tripathi.
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After a whirlwind marriage with social media influencer Akhil Chadha that ends in divorce, chef Saloni Bagga meets hotelier Gurbir Pannu. One night with Gurbir – and then also with Akhil – leads to Saloni getting pregnant. But who's the father? By a one-in-a-billion twist of fate, Saloni is carrying twins – and not just any twins, each child has a different father!
Paro, her mother, and her brother, Natwar, find an unconscious man near their town. They bring him over to their house, nurse and nurture him back to good health, only to find out that he has the mind of a 12 year of old child, and name him Bhola. Years pass by, Paro has fallen in love with Bhola, for he rescued her from a molester, and both would like to get married. Before that could happen, Bhola is viciously attacked and left for dead by Paro's molester, and is hospitalized. While in hospital, Police Sub-Inspector Abhimanyu Verma finds out that Bhola is not who he claims to be but a homicidal maniac, wanted for killing three policemen - named Bhisma - and is possibly masquerading as a 12 year old child to hide from the police.