Salvador Martinha: Centro das Atenções(2018)

La Crayon(pt)

Bad Vibes, Brown Eyes: The Redemption Story(en)

Being a black filmmaker and creating films with a mostly black cast in an industry that rarely supports such work comes with challenges. This compelling documentary follows Sean Reid and Brian White as they

Rheme Maining Sources(pt)

A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

La leyenda(es)

Set in the dizzy world of TC 2000 racing La Leyenda tours the action genre overflowing with adrenaline and speed...

Gwiazda Piołun(pl)

Box(en)

The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..

Box(en)

8mm film by Swiss artist Roman Signer.

Far Out(en)

Two friends attempt to reconnect.

Taarka(et)

The first film in the Seto language in the world speaks about the brightest heroine of a small people, the folk singer Hilana Taarka, a woman who lived her whole life as an outcast in a small chimney-less hut; as an unmarried mother of children in poverty, begging her bread, doing odd jobs and singing. She always sang the truth, sometimes bitter, sometimes funny, sometimes cruel. She was feared, despised and coveted. Taarka sang throughout her remarkable life, throughout her fate, from a small Seto village to international fame. And she sang well. Really well. Taarka became the Mother of the Song, a legend. But as a woman, as a member of the community, the Seto people never really accepted her. Taarka - a despised woman and a worshiped singer.

性戏观：堕落 Sexy Twins(zh)

I.M.(nl)

Intersection: The Story of Josh Grant(en)

Intersection is a philosophical journey detailing the extreme highs and the extreme lows of such a mentally driven sport; we explore professional Supercross and motocross racer, Josh Grant's, humble beginnings and introduction to motocross, all the way to his professional career and personal battles on and off the track in detail not yet known to the public. From dropping out of school at only 14-years-old, to being blind-sided with financial ruin shortly after the birth of his son, Wyatt... Intersection focuses on struggles of searching for the right path along his journey to not only find self-preservation but also to find the path back to his winning ways.

Musume Bugyo On-na Ro Hisho(ja)

A woman calling herself Princess Oryu enters the woman's prison. She is Kasumi, the daughter of the famous magistrate, Ooka Echizen, who slowly after hearing each of the prisoner's stories begins to realize the mystery that lies behind what it could be a big conspiracy.

The Exhibition Sausage Seller and the Billposter(cs)

A fight breaks out over a poster.

Girls Don't Cry(sl)

After an assassination attempt, a broke mob wife takes over his husband's dirty work and collects her husband's debt with the help of her best friend - a hairdresser and her step daughter.

Carriage Trade(en)

Carriage Trade was an evolving work-in-progress, and this 61-minute version is the definitive form in which Sonbert realized it, preserved intact from the camera original. With Carriage Trade, Sonbert began to challenge the theories espoused by the great Soviet filmmakers of the 1920’s; he particularly disliked the “knee-jerk’ reaction produced by Eisenstein’s montage. In both lectures and writings about his own style of editing, Sonbert described Carriage Trade as “a jig-saw puzzle of postcards to produce varied displaced effects.” This approach, according to Sonbert, ultimately affords the viewer multi-faceted readings of the connections between individual shots. Preserved by the Academy Film Archive in partnership with Estate Project for Artists with AIDS in 1998.

Wales: Great Britain's Wild West(de)

Love in 3-D(de)

Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.