In this follow-up to his 2003 film, Totem: the Return of the G'psgolox Pole, filmmaker Gil Cardinal documents the events of the final journey of the G'psgolox Pole as it returns home to Kitamaat and the Haisla people, from where it went missing in 1929.
Narrator
In this follow-up to his 2003 film, Totem: the Return of the G'psgolox Pole, filmmaker Gil Cardinal documents the events of the final journey of the G'psgolox Pole as it returns home to Kitamaat and the Haisla people, from where it went missing in 1929.
2007-01-01
8
After the passing of his wife, a man remarries and he and his new wife begin to suspect the old wife's spirit isn't at peace.
An evil scarecrow slumbers until its evil cannot be retained.
Triller Fight Club presents Triad Combat on Saturday, November 27 at Globe Life Stadium, in Arlington, TX with a the main card featuring former champion Frank Mir competing against Kubrat Pulev in the Heavyweight Division and a special live Heavy Metal Concert by Metallica.
"Maintenance by any Means" is about two maintenance men vying for the position of maintenance supervisor in an apartment complex. The maintenance men must compete with each other in order to get the job left open by the former Maintenance Supervisor. They need evaluations by the people who live at the apartments for every work order they finish. The problem is the renters themselves. Each one they run into has their own set of interesting problems. The maintenance men soon discover that a positive review may be hard to come by. Fixing broken down items in the apartments is the least of their worries. Finally one of the maintenance men must win the contest, by any means.
Let’s get SICK’NING for the Holidays! RuPaul’s Drag Race legend Laganja Estanja is here for Hey Qween’s Very Green Christmas Special!
UFC 105: Couture vs. Vera was a mixed martial arts event held by the Ultimate Fighting Championship (UFC) on November 14, 2009 in Manchester, England at the Manchester Evening News Arena. This event aired on the same day, via tape delay, on Spike in the U.S.
Rome, 1968. A football passionate PE teacher formed the first woman team. Thirty eight years later, these women players remember with proud and a tinge of nostalgia how they stood up against all prejudices at a time when a woman wearing shorts was absolutely outrageous.
From this popular series that counts 37 works, the 6th compilation of episodes carefully selected by the staff.
HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.
The story of Charlotte Brown,a waitress and young single mother who will do anything for her daughter Jenny, and when push comes to shove, she does. With a menacing figure on the other end of the phone and a time limit of two hours,she must raise enough money to ensure that she sees the smiling face of her child again. Charlotte's customers are her only hope. The clock is ticking as we see the desperate young mother dealing with one eccentric customer after the next, displaying her charming vulnerability and inspiring strength through all the chaos. With her feet firmly planted on the ground, Charlotte maintains her focus and attempts to beat the clock and save the day.
Kumar Agnihotri belongs to a wealthy family, consisting of his dad, Madan, and mom, Janki. He is in love with beautiful Mala Bajpai, and they hope to marry soon with the blessings of their respective parents. Kumar's other passion is boxing, which Janki loathes, and hopes that he will give this up soon. When the Agnihotris bring home a woman named Ganga, and introduce her to Kumar as Janki's childhood friend, Kumar finds out that Ganga is his biological mother, and his father, Ajay Kumar, was the National Champion in boxing, who was killed by three men for refusing to lose a fight. While Janki is afraid that she is going her son to Ganga, Kumar has decided to avenge his biological's father's death by any means, little realizing that he may face the same fate his father did years ago.
Spooky Scary horror 5
Through eloquent portrayals of four different life experiences — birth, aging, marriage and the death of a parent — Home addresses how the dissolution of the nuclear family and the increasing control of daily life by institutions have affected the individual. The subjects of this verité documentary include a ninety-four year-old woman in a nursing home and a young man caring for his terminally ill mother at home.
Elvis! Elvis! Elvis! Yes it's the King of Rock & Roll as never seen before in this collection of rare outtakes and negatives from the fabulous MGM vaults. "Elvis: The Lost Performances" includes footage which was filmed for "Elvis: That's the Way It Is" (1970) and "Elvis on Tour" (1972) but was never used in those films. Included are clips of Presley singing such hits as "Teddy Bear," "Heartbreak Hotel," "All Shook Up" and more.
Spooky Scary horror 3
In 1832 the government of Van Diemen’s Land sent the last Aboriginal resistance fighters into exile at Wybalenna on Flinders Island, bringing an end to the Black War and opening a new chapter in the struggle for justice and survival by Tasmanian Aboriginal people. Black Man’s Houses tells a dramatic story of the quest by Aboriginal people to reclaim the graves of their ancestors against a background of racism and denial. Documenting a moving memorial re-enactment of the funeral of the great chief Manalargenna, the film also charts the cultural strength and resilience of his descendants as they are forced to fight for recognition in a society that is not ready to remember the terrible events of the past.
Psychologist and anthropologist Alberto Villoldo talks with traditional healers of Madre de Dios, a department within in Peruvian Amazonia. They and Dr. Villoldo explain aspects of ayahuasca, a powerful, plant-based medicine of crucial importance.
Benito Arévalo is an onaya: a traditional healer in a Shipibo-Konibo community in Peruvian Amazonia. He explains something of the onaya tradition, and how he came to drink the plant medicine ayahuasca under his father's tutelage. Arévalo leads an ayahuasca ceremony for Westerners, and shares with us something of his understanding of the plants and the onaya tradition.
Herlinda Augustin is a Shipibo healer who lives with her family in Peruvian Amazonia. Will she and other healers be able to maintain their ancient tradition despite Western encroachment?
In El Salvador, Chelino tells about the indigenous massacre of 1932, of which he survived, while he teaches the melodies of traditional Salvadoran dances.
In 2018 Japan’s NHK television network was given unprecedented access to the Freer Gallery of Art’s collection of works by Katsushika Hokusai so they could film the details of paintings using a state-of-the-art 8K video camera. The resulting documentary is hosted by actor Iura Arata and features commentary from the James Ulak, former curator at the National Museum of Asian Art, and Tim Clark, former curator at the British Museum. The film’s intended premiere in April 2020 was canceled due to the pandemic. We are proud to finally screen it. Explore masterpieces at a never-before-seen level of detail and enjoy new insights into the artist’s genius.
An exploration into the creative process, following Native Hawaiian slam poet Jamaica Heolimeleikalani Osorio, as her art is reinvigorated by her calling to protect sacred sites atop Maunakea, Hawai`i.
INAATE/SE/ re-imagines an ancient Ojibway story, the Seven Fires Prophecy, which both predates and predicts first contact with Europeans. A kaleidoscopic experience blending documentary, narrative, and experimental forms, INAATE/SE/ transcends linear colonized history to explore how the prophecy resonates through the generations in their indigenous community within Michigan’s Upper Peninsula. With acute geographic specificity, and grand historical scope, the film fixes its lens between the sacred and the profane to pry open the construction of contemporary indigenous identity.
On August 9, 2016, a young Cree man named Colten Boushie died from a gunshot to the back of his head after entering Gerald Stanley's rural property with his friends. The jury's subsequent acquittal of Stanley captured international attention, raising questions about racism embedded within Canada's legal system and propelling Colten's family to national and international stages in their pursuit of justice. Sensitively directed by Tasha Hubbard, "nîpawistamâsowin: We Will Stand Up" weaves a profound narrative encompassing the filmmaker's own adoption, the stark history of colonialism on the Prairies, and a vision of a future where Indigenous children can live safely on their homelands.
In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.
The essence of progress in civilization has always been handiwork. In traditional Chinese civilization, the emperor was supreme. Vested with the authority to enjoy the best of handiwork, all crafts used for residence, clothing, food, and travel were the most refined and splendid.
In the town of San Miguel Tzinacapan, in Puebla’s Nahua Mountain Range, a family lost its father. His absence transforms the lives of those who were so deeply connected to him. Tere, now in charge of the family, must make money by selling crafts. Jorge is about to finish school and will soon have to choose his own path. Chayo, 16, must make an important decision. A year has passed, and the members of the family have been able to redefine themselves, finding their own destiny while always venerating their father’s memory.
A documentary exploring the controversial use of blood quantum in determining Native American identity.
Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.
In the '60s, the Mushuau Innu had to abandon their 6,000-year nomadic culture and settle in Davis Inlet. Their relocation resulted in cultural collapse and widespread despair.
Sensationalized in the media as a high profile catfishing case involving an NBA superstar and an aspiring model, Shelly Chartier was portrayed as a master manipulator who used social media as her weapon. Through the sensitive and intelligent lens of Indigenous directors Lisa Jackson and Shane Belcourt, the sensationalism is swept aside to reveal something much more compelling and complex - the story of a young woman caught in historical circumstances beyond her control and how she struggles to rebuild her life after incarceration.
In this feature-length documentary, 8 Inuit teens with cameras offer a vibrant and contemporary view of life in Canada's North. They also use their newly acquired film skills to confront a broad range of issues, from the widening communication gap between youth and their elders to the loss of their peers to suicide. In Inuktitut with English subtitles.
Renowned Haida artist Bill Reid shares his thoughts on artistry, activism and his deep affection for his homeland in this heartwarming tribute from Alanis Obomsawin to her friend's life, legacy and roots.
Every winter in a cemetery near Stockholm, activists gather to keep the memory of Fadime Sahindal alive. A Kurdish immigrant to Sweden who was murdered by her father in 2002, Fadime has become an international symbol of the debate over cultural traditions that accept the use of violence to control women's behaviour. In Crimes Without Honour, four extraordinary activists risk everything to publicly challenge these traditions and tell their own stories of physical and emotional violence. While they practice different faiths, hail from different parts of the world and have immigrated to different countries, all make it crystal clear that the justification for these crimes is an entrenched family power structure of male supremacy—one that crosses borders, cultures and religions. Raymonde Provencher has crafted a vital addition to a growing body of films about crimes related to patriarchal traditions of family honour.
Stories of hope and homecoming intersect as Indigenous multimedia changemakers learn and document the teachings of their Elders. Ecko Aleck of the Nlaka'pamux Nation (Lytton, BC,) Alfonso Salinas of the shíshálh Nation (Sunshine Coast, BC,) and Charlene SanJenko of Splatsin of the Secwépemc Nation (Shuswap, BC,) are learning and documenting the traditional cultural teachings and legacies of their Elders, including the impacts of genocide resulting from Canada's Indian Residential School (IRS) system. Calling the audience's attention to the filmmaking process of narrative collaboration between an Indigenous and settler team, this character-driven documentary connects the transformative stories of three Indigenous multimedia changemakers and their four Elders. Infused by Indigenous ceremony, s-yéwyáw: Awaken walks alongside the process of intergenerational healing.