1884. The samurai days have come to an end. Capitalism and democracy flourished across Japan. But in Chichibu, an area just north of Tokyo, samurai spirits still lived. Out of the many schools that taught Japanese swordsmanship, the school of Ono and Kogen were most dominant. Every year, they each selected a master swordsman to fight a dedicatory match held at the Chichibu Shrine. Gengo (Hideki Takahashi) represented the school of Ono. His opponent Danhichiro of the Kogen school was feared by many as the "Devil".
1884. The samurai days have come to an end. Capitalism and democracy flourished across Japan. But in Chichibu, an area just north of Tokyo, samurai spirits still lived. Out of the many schools that taught Japanese swordsmanship, the school of Ono and Kogen were most dominant. Every year, they each selected a master swordsman to fight a dedicatory match held at the Chichibu Shrine. Gengo (Hideki Takahashi) represented the school of Ono. His opponent Danhichiro of the Kogen school was feared by many as the "Devil".
1965-09-04
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The film is inspired by Miyamoto Musashi who was one of the most famous Japanese ronin and warrior philosophers. This very alternate and visual interpretation of the fate of Miyamoto is brought into a mixture of contemporary Yakuza underworld and a hypnotic Samurai after-life. We flow seamlessly between through life, death, rebirth and the afterlife and challenge our traditional definition of the past, present and future. The film explores the agonizing and painful processes that go through the shattered mind of Miyamoto, as he desperately tries to hold on to the only thing he has left - The rapidly fading memories of his undying love for a woman named, Otsu. A love that for a Yakuza-Samurai is strictly forbidden and which will prove to have catastrophic consequences.
After being excommunicated from the yakuza, Ginya Yabuki returns from the shadows as leader of his own crime syndicate known as the Tokyo Mafia.
Zoushu Hirate was the acting master of Chibashusaku Dojo in the Hokushinitto style. His wife was dead and had drunk a lot every day. For the sake of money for alcohol, he chased Kanji Amakasa who killed an office worker of Daikansho. While, Kanji hid in the house of Shigekura Sasagawa in a town along the Tone River. Sasagawa family was looking for a good swordsman for the coming fight with the Iioka family.
Arikawa runs a transport company. But this is only a front for his gambling house. Yuriko is a regular on the scene, and she is fascinated by the dice and the one who throws them. A year before, Yuriko's father died in mysterious circumstances; she decides to go in search of the truth.
Yukiko is on her way to meet Boss Gunji. Judging by her appearance, no one would suspect that this beautiful young woman, sitting quietly in a suburban train, is the only woman able to beat the best professional players in Japan; or that she is wearing the tattoo of the man that loved her and died for her...
A trio of teenage tarts try to earn money through shoplifting and prostitution scams and get into deep trouble.
A young leader of the Yamazaki family of Nagasaki, Takida (Ken Takakura) is an A-bomb survivor. He fiercely battles violent elements in southern Japan like there is no tomorrow.
As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
A lethal assassin for a secret Chinese organisation, who sheds tears of regret each time he kills, is seen swiftly and mercilessly executing three Yakuza gangsters by a beautiful artist. She is captivated by the grace of his kill and later falls in love with him. An intense power struggle for the leadership of the Yakuza Clans ensues as they seek vengeance for the death of their leader.
Taken in by the yakuza at a young age, Kenji swears allegiance to his old-school boss, pledging to adhere to the family code amid ever-changing times.
Priests from a temple solving problems caused by yakuza, taiwanese mafia and hitmen with their fists.
Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
Financially troubled, a newbie hitman reluctantly takes the job of finding the plotted killer of a Japanese tycoon.
Bent on revenge, a traumatized ex-police officer must infiltrate a yakuza organization by befriending one of the group's most unhinged members.
When Kanako, a model daughter and a brilliant student, disappears, her mother asks her ex-husband, a violent former policeman, to find her. As his investigation progresses, his idealized image of Kanako cracks: the girl hides a dark life that her father can not even imagine.
Marc Schrader, a rookie cop caught red-handed with drugs in a police raid of an illegal rave, joins a homicide investigation conducted by Chief Inspector Minks. The victim is a naked young woman with the skin stripped off her back, killed as she staggered into traffic. As Schrader and Minks investigate the murder, the case is complicated by a finger found in the stomach of the victim. Forensic examination proves the finger belongs to Nobert Günzel, who was previously convicted of rape and assault. The police raid Günzel’s residence, and discover a blood-stained table with restraints and bits of human flesh in his basement. They also find video equipment and preserved, tattooed skin from the victim’s back. Soon, they found dead bodies buried in the garden. Günzel then goes missing.
Ryūichi and his small gang of Triad vie for control of the Japanese underworld in a crime-ridden Shinjuku quarter while Detective Jojima tries to bring it down.
Part 4 in a long running (8+1 films) action/comedy/melodrama series about a pair of short tempered, amoral, but not evil chinpira (Bunta Sugawara and Tamio Kawachi) thinking too big of themselves. Sugawara tries to overcome a traumatic experience of getting in bed blindfolded with a girl who turned out to be an old granny. Later he and Kawaji try to settle down in a neighbourhood harassed by businessman yakuza Bin Amatsu.
Part 5 in a long running (8+1 films) action/comedy/melodrama series about a pair of short tempered, amoral, but not evil chinpira (Bunta Sugawara and Tamio Kawachi) thinking too big of themselves. After serving four and a half years in prison, Masa and his brother Katsuji leave Kobe to go to Nagoya to help a hostess get her daughter back from her mother. As they arrive in Nagoya, they get into a scuffle with the local yakuza affiliate. Sugawara and Kawaji's chemistry is even more evident here than usual, the storyline is alright if melodramatic. Delightful start with Tatsuo Endo as a nice guy prison guard! How many times have you seen that? And we got Kyosuke Machida (henchman) with cool beard and the always good Tsunehiko Watase (young hood) on board as well. One of the best films in the series.