Professor Bettany Hughes investigates the story of Bacchus, god of wine, revelry, theatre and excess, travelling to Georgia, Jordan, Greece and Britain to discover his origins and his presence in the modern world, and explore how 'losing oneself' plays a vital role in the development of civilisation. Bettany begins in Georgia where she discovers evidence of the world's oldest wine production, and the role it may have played in building communities. In Athens she reveals Bacchus's pivotal role in a society where his ecstatic worship was embraced by all classes, and most importantly women. On Cyprus she uncovers startling parallels between Bacchus and Christ. Finally, Bettany follows the god's modern embrace in Nietzsche's philosophy, experimental theatre and the hedonistic hippie movement to conclude that, while this god of ecstasy is worthy of contemporary reconsideration, it is vital to heed the warning of the ancients - "MEDEN AGAN" - nothing in excess.
Professor Bettany Hughes investigates the story of Bacchus, god of wine, revelry, theatre and excess, travelling to Georgia, Jordan, Greece and Britain to discover his origins and his presence in the modern world, and explore how 'losing oneself' plays a vital role in the development of civilisation. Bettany begins in Georgia where she discovers evidence of the world's oldest wine production, and the role it may have played in building communities. In Athens she reveals Bacchus's pivotal role in a society where his ecstatic worship was embraced by all classes, and most importantly women. On Cyprus she uncovers startling parallels between Bacchus and Christ. Finally, Bettany follows the god's modern embrace in Nietzsche's philosophy, experimental theatre and the hedonistic hippie movement to conclude that, while this god of ecstasy is worthy of contemporary reconsideration, it is vital to heed the warning of the ancients - "MEDEN AGAN" - nothing in excess.
2018-04-11
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MEDEN AGAN - nothing in excess.
Dr. Savaş Arslan directs a documentary portraying the story of Sigmund Weinberg, who was one of the pioneers of the history of cinema in Turkey. Illustrating the social life of Istanbul at the turn of the 20th century, the documentary follows the technological developments of the period from the camera to the gramophone, and from cinema to automobiles, as it traces Weinerg’s family members who have been scattered across five different continents, and portrays the opening of Istanbul’s first cinema theater in 1908. A Sigmund Weinberg Docu-commentary provides an in-depth study of Sigmund Weinberg, the official photographer, film producer and director of both Sultan Abdülhamid II and Sultan Mehmed V Reşad, a century ago during a period of constant transformations. Using a witty language, the filmincludes interviews with film historians Burçak Evren and Giovanni Scognamillo, while comparing and contrasting shadow play and cinema through the examples of Karagöz and Weinberg.
Two images by unknown authors and unknown times share the war.
A personal account of the COVID-19 pandemic in America and its effects on an immigrant family as seen through the eyes of a student quarantined at his barren university.
After his serious fall in Kitzbühel, Aksel Lund Svindal decides to continue his career despite possible consequential damage. This documentary follows the last seasons of Aksel, his family and his team, with all the ups and downs of one of the best skiers of all time.
"Fathers and Sons" is a short documentary project of Kaan Müjdeci that was shot in 2012 during the research for director's first feature film entitled SIVAS. Fathers and Sons tells the story of kangal dogs and their owners. Kangal is a breed of shepherd’s dog, unique to the land of Anatolia. The owners fight their kangals and make money off them from bettings. However, they treat and take care of their dogs like their sons, sometimes even better. Even though their sons may get hurt, a father still takes pride in having sent his son to the military, doesn’t he? Fathers and Sons is about the duality of this father-son relationship. But after all, every father would like to be proud of his son.
In this short documentary, Vedat Milor tries to uncover the complex processes behind some of the traditional Turkish dishes that seem simple at first glance.
During the last dictatorship and in the first years of return to democracy in Argentina, the under movement suffered attacks, exiles, arrests, ridicule and disqualification for a large part of society and applause from a minor group of people. In that underworld, Transformism was located as a form of expression cultural and artistic. Bernarda is the homeland, deconstructs the gender binary from Lorca and those movements of culture of the 80 '.
Naihati, a suburb more than 30 km north of Kolkata, is a silent observer, of the days old and new.
Haunted by the tragic death of his father, Juan Martín Hsu, a young Argentinian filmmaker of Taiwanese origin, returns to Taipei to film the reunion with his mother. Reality and fiction blend in a moving personal quest in which an incredible portrait of a Mother Courage stands out from the picture of a family saga marked by uprooting.
The film was about a group of Polish ice skaters at the slide of the Warsaw Ice Skating Society. The film was filmed using a pleograph which was an early type of the movie camera invented by Kazimierz Prószyński.
Considering the geographical conditions of Grabag, a district in Magelang, that surrounded by mountains and highlands that include the 'Blank Spot Area', Local Government granting a broadcast tower to relay the private TV stations. Instead of these reasons, the people itself use Grabag tower to establish a community television. With all the limitations, this is where they create to meet the needs of the information is not from outside Grabag, but instead from their own world.
This expository documentary is shedding some light on the southeast Asian elephant industry. What is this dark secret? And why is it harmful for the elephants? What is behind the latest trend “no riding”? What are the ethical elephant parks, and are they really in favor with their beloved animals?
A look back at the last fifty years in African American art, Colored Frames is an unflinching exploration of influences, inspirations and experiences of black artists. Beginning at the height of the Civil Rights Era and leading up to the present, it is a naked and truthful look at often ignored artists and their progenies.
Lost film by Kazimierz Prószyński. A shot of people walking on Ujazdow Avenue.
Lost film by Kazimierz Prószyński. The film presented about street traffic in front of Mickiewicz’s monument in Warsaw.