Wylie carries a telescope through the streets of Los Angeles to offer passersby a new and closer look at a familiar object: the moon. Because everyone needs to keep looking up. Because it is a beautiful and wondrous sight to behold the body of the moon.
Himself
Young Irish immigrant, Alan Cooke contemplates the great metropolis New York City, and the very meaning of home itself. A vivid moving and poetic portrayal of life in contemporary New York featuring a host of celebrities, native New Yorkers and immigrants via candid interviews.
Camera iris opens to six ponies with decorated harnesses and plumed halters, standing in the center of a stage with a painted backdrop of mountains. Cuts to two ponies on a seesaw, with a moustached man in a white uniform with dark piping and a white cap holding their leads. A second trainer in a dark suit can also be seen occasionally with the ponies. Individual ponies perform a variety of tricks, including rolling a slatted barrel across the stage with front legs and then with a nose, knocking over the barrel, "limping" across the stage with one front leg held off the ground, and pushing the trainer over with a nose-butt.
The SD Gundams are at it again: first with a race among all of the prior SD Gundam characters, then the SD Zeons run a space travel agency in the second episode.
Complete highlights of the 2005/2006 season. Featuring all the goals from all the games plus exclusive interviews with the players.
This comedy revolves around two brothers, both wonderful chefs, who fall out catastrophically. At the climax of their dispute they rip the family recipe book in half - one brother gets the starters and the other gets the main courses. They set up rival restaurants, across the road from each other, and spend the next twenty years trying to out-do each other. Neither brother will admit it but they both know they are not entirely successful in the 'other half' of the menu. It takes a daughter - a successful corporate lawyer marrying a man from a very different background - to reunite them. She is planning her marriage and is determined that they will both cook the wedding banquet.
Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.
Daisy is the love of Ken's life - she is also large... and very pretty... and on the dole. But Ken is a dreamer, all his dreams to make a fast buck ending up where they started - as dreams. With the rent unpaid, the bailiffs at the door and Ken's dreams in tatters, Daisy sets out to bring home the bacon and gets a job in the local factory. There she meets Marlene and half a dozen other large women who are all united in a secret passion - Sumo wrestling! Ken doesn't know what's hit him.
Depicts the isolation and brutalization of humans in modern bourgeois society. Although being broadly in line with other art-as-propaganda of the era, censors felt it could easily be read as a criticism of the party, leaving this subversive short as the only animated film to be banned in the Soviet Union.
A newly married gay couple, still in their honeymoon phase, are disturbed when an old school-friend of the younger guy moves near by, and wants to re-establish their friendship. The older, more insecure partner, is immediately jealous, and asks another friend his age what he should do. However everything is not the way it seems.
This Classic Seductive tale of two snakes who assume human forms will send chills of pleasure down viewers' backs. The Lovely Linda Lin Dai (Les Belles, The Kingdom And The Beauty) and margaret Tu Chuan (The Dream of The Red Chamber) play the two sister serpents, Pak Su-cheng and Ching Ching. Su-cheng meets Hsu Hsien (Chao Lei) one day and recognizes him as her savior in another life 1,000 years ago. She marries him to reward him but the snake-human union brings about problems beyond imagination.
French pop diva Dalida candidly discusses a number of the songs that made her a phenomenal success across Europe, the Middle East and Japan in this celluloid chronicle of the beguiling singer. Dalida -- who earned 45 gold records -- talks about "J'attendrai," "Besame Mucho," "Paroles Paroles" and other hits. The video also includes previously unreleased pictures shot in exotic locales and footage spanning the singer's 30-year career.
The Photographer is an elusive serial killer operating in modern-day Moscow. He leaves numbered tiles at the scenes of his crimes, similar to those placed at crime scenes by forensic teams. The investigation points to the old Red Army barracks in Legnica, and to events dating back to the 1970s. One of the people involved in the investigation is Natasha - the only person to have survived an encounter with The Photographer.
Two men on the brink of divorce are thrown together, yet everything opposes them: their tastes, habits, personalities. They have only one thing in common: their desire to get their wives back.
Marine officer Rob Cutter and his wife Barbara have a son named Johnny. Rob discovers that two newly delivered helicopters in his squadron have crashed because a defective part, a C-ring, has been made of a weaker, less expensive alloy. Before Rob can go public with this, Rob is killed on the orders of corrupt General Howard, who did not want Rob to go public with the defective part. Howard believes that Barbara, who is also a marine, now has the part, so Howard and his henchmen set out to kill Barbara and Johnny and get the part, but Howard is underestimating what Barbara is willing to do to protect Johnny.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Demonstration of the rapid poisoning of a cat hung up in a cloth, strychnine as a trigger of the tonic form of convulsions.
The movie shows the consequences of total and partial removal of the epithelial bodies in a cat
Two cats housed in a glass box, one of which had received a small amount of atropine in the preliminary experiment, are exposed to ether vapors with the result that only the animal which had not been pretreated began to salivate (profusely).
Compulsory locomotion and continuous circular movement to the operated side without orientation in case of a onesided removal of the cerebrum and corpus striatum. In case of a doublesided removal there are no spontaneous movements with a normal posture and movement coordination. The dogs' reaction towards external stimuli only.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Documentary on how the osprey catches its prey. The film shows the search for prey, the launch maneuvers, take-off maneuvers and the fights with the fish.
Benjamin and Awad run Sudan's national film archive. The two men, who have worked together for more than 40 years, are devoted to protecting their country's visual memories. Home to some 13,000 films, the archive preserves pivotal moments of Sudan's turbulent history and is one of the largest in Africa. But the archive is in a fragile state. Following years of neglect and poor storage, many film reels are turning to dust in Sudan's unforgiving tropical climate. The two friends are determined to turn it around and embark on a mission to save the old films. Will they succeed in preserving Sudan's visual history for future generations before it's too late?
Crossed by greed, two hundred and seventy-two people were buried by tailings from the Vale mining company in Brumadinho (MG), Brazil. The emptiness that now crosses those who try to carry on will never be filled. This tribute film is dedicated to the victims of the irresponsible mining tragedy that continues to take its toll with blood and devastation.
The remarkable, forgotten story behind David Bowie’s biggest-ever hit record – and how an unlikely journey, deep into the Australian outback, led to its unprecedented success.
Since second grade Matt and Ryan have shared the bond of speech impediments, weapons, and things that go fast. But as their last days of high school speed by, the two friends find that their go-carts, dirt bikes, and RC cars can’t outrun adulthood.
Charles Santore, in an expansion of his discussion in “Oz: The American Fairyland” (1997) (V), tells about his experience making an abridged storybook of “The Wizard of Oz”. He tells of his inspirations, the little girl who modeled for Dorothy, the tin man in folk art, and a left to right progression in a journey of identity, with opposing forces pushing the movement in art back to the left.
Panorama of Nice from the deck of a ship.
An impression of the funeral parade for Victoria, Queen of England, filmed in London (via https://catalogue-lumiere.com/le-char-funebre/)
Elaborate floats and costumes parading the streets of Nice.