2006-03-27
0
It shows the most important moments in the life of Agustin "El Tin" Delgado, maximum scorer of the Ecuadorian soccer team. Through testimonies of his relatives, friends and enemies, Red Card shows the story of this exceptional sportsman and the reality of how the Ecuadorians have penalized the African descents with a “red card”, not only within the stadiums, but in everyday life.
A single-channel, nonlinear performance video and diegetic sounds. Exploring the ground of the reenactments of intimacy and the public display of these reenactments through video projections.
Hansjürgen Pohland's short documentary is an audiovisual study that captures events and people on the streets on film. The special feature of the work is that the people and objects are portrayed exclusively through their shadows.
FRANKREICH WIR KOMMEN is a highly enjoyable documentary, obviously intended for TV, but showing at film festivals. It shows us the highlights of the 1998 World Cup Championships in France through the eyes of several interesting and diverse fans of the Austrian national team. Entertaining, even for those not interested in football.
Between the French La Nouvelle Vague and the Italian Neorealismo, Europe had been undergoing a continuous cinema transformation since the 1950s, while the ailing American studio system groaned under its own weight and inertia. New Hollywood had arrived with Bonnie and Clyde in 1967, and already by 1968 it was changing how Hollywood thought and acted. The student film scene was getting ready to explode, and it knew it.
Ricky Tomlinson sits back in his chair and takes a fond look back at the much-loved comedy series The Royle Family, sharing his memories of playing head of the family Jim Royle and his experiences working with the show’s co-creator Caroline Aherne, who, as well as writing the show with co-star Craig Cash, also played Jim’s daughter Denise. Ricky talks about how a chance encounter helped him get the part of Jim, recounts what it was like filming some of the show’s most iconic moments, and tries to get the bottom of the origins of Jim’s famous, below-the-belt catchphrase.
A feature-length documentary going behind-the-scenes on the making of the 2015 film Tangerine.
The subject matter of Memory Room 451 is the cultural and historical significance of 20th-century hairstyles – the Afro, the conk, dreadlocks – in Black communities on both sides of the Atlantic. Akomfrah has disguised this exploration as a science fiction story – in the manner of the groundbreaking writers profiled in The Last Angel of History – while providing a bravura display of the aesthetics of video art in the 1990s. The tale of visitors from the future who gather dreams from unwitting subjects in order to construct a history of the Black diaspora both defamiliarizes Akomfrah’s ongoing project and points to the danger that extracting history from memory can be a kind of expropriation.
Kana Nishino’s second DVD featuring an unplugged live, a documentary and an interviews. This is meant to run as a film with the unplugged live, interviews, and documentary all playing together intertwining.
In Finland, a small child is waiting for his time to begin. His heart is broken. A major heart surgery is expected. There is a fight against time. The boys parents are wandering in the corridors of the hospital. The heart is stopped during the surgery operation. Le Locle, a village in Switzerland acts as the heart of watch industry. Narrow streets of the village carry vital parts to watches and nowdays also into human bodies, for example pacemakers. Village is formed as a big factory line and appears as a time-twisting machine. There pieces are refined and workers hands turns the time on and off.
In Buenos Aires a group of acclaimed dancers create the first Contemporary National Company of Dance under their collective leadership. This is the story of four talented dancers, Ernesto, Bettina, Victoria and Pablo, along six years of their journey. We follow their lives, we attend their rehearsals and performances in the emblematic building of the National Library, along with their premiere and backstage in the historical National Theatre of Cervantes. They expose their dreams as dancers, individuals and members of our society, as we observe the fulfilment of their biggest dream: the demand of a National Dance Law. Amazing choreographies, beautiful folklore songs and original Latin-American contemporary music reveal the beauty of dance becoming life.
Coming back during Winter, Alex Powell explores both the places and personal connections found in his hometown and how they've changed. “Guide to a Midwest Hometown” explores what makes the barren places at home feel sentimental and special, and the good and bad feelings that come when being back home. Inspired by "How To With John Wilson".
Breast cancer survivors find support and friendship in a unique sport: Dragon Boat Racing.
Aldo has always felt like a being from another planet, stranded on Earth. His autism and long struggle to speak fluently alienated him from others. Now, he searches for meaning in the esoteric and for connection with people like himself.
Where did the universe come from and did a creator have a hand in making it? As scientists learn more about the universe, our ideas about exactly what God made (the earth, the universe, the multi-verse even nothing but empty space) have come into question.
BALL is an investigative and humorous film about the supporting roles of football. What happens when you turn the camera beyond the pitch? We get caught up in rituals among judges and linemen, follow the zealous accuracy of the material and that of the photographers looking for the perfect image. We study the audience up close, big and small emotions build a mood at least as exciting as what happens on the pitch. On site in a football arena, we get to follow a match from different points of view but we never see the ball. A consideration of everything that happens around at a football game.
Edwin Debrow Jr. murdered a cab driver when he was 12. He was sentenced to 40 years in prison.