Carmen(2018)

The Metropolitan Opera - Puccini: Madama Butterfly(it)

Anthony Minghella’s beautiful, atmospheric production enhances Puccini’s drama of unfortunate, doomed love. Soprano Kristine Opolais brings all of her passionate commitment to her portrayal of Cio-Cio-San, the teenage geisha who gives up everything for Lt. Pinkerton. Roberto Alagna is the American naval officer who does not understand the depth of Cio-Cio-San’s love, and whose subsequent marriage to an American woman precipitates Butterfly’s suicide. Maria Zifchak is Suzuki, Cio-Cio-San’s faithful servant, and Dwayne Croft plays the American consul Sharpless, who tries to avert the tragedy. Karel Mark Chichon conducts.

Return(en)

Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.

Moments: Six(en)

A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.

Return(en)

RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.

RETURN(en)

‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.

Return to Rajapur(en)

A doomed love affair blooms against the beautiful and exotic backdrop of the deserts of India in this romantic drama. Samantha Hartley (Kelli Garner) is a woman in her early twenties who travels to Rajapur in India to visit a resort where her mother stayed years ago. While tracing the steps of her mother, Sara (Lynn Collins), Samantha learns the true story about her mother's stormy marriage to Jeremy (Justin Theroux), a charming but moody alcoholic. Only a few days after their wedding, Sara began to wonder if marrying Jeremy was a mistake, and while visiting India on their honeymoon, Sara met Jai Singh (Manoj Bajpai), a handsome and sensitive widower living in Rajapur. Jai Singh, who speaks fluent English, soon strikes up a friendship with Sara that quickly grows into a romance, but both are aware of the transgressive nature of their love, and their affair takes a tragic turn, leaving its scars on all parties involved.

Return(hy)

The main character of the film is an outstanding physicist who was invited to Armenia from Russia to head a lab. He comes across many troubles in his homeland, but nevertheless finds his true love there.

Longe da Vista(pt)

In order to make some much-needed cash for himself, 65-year-old Portuguese prison inmate Eugenio impersonates a young woman and begins a romantic correspondence with a lonely Portuguese truck-driver living in Boston, convincing him that her tragic life has culminated in financial dire straits so he will send money. At first Eugenio's sister Idalina assists him in creating the character of Maria da Luz. Touched by her sweetness and apparent loving nature, the trucker willingly sends her money. When Idalina starts fearing they will be caught, she backs out of her arrangement with Eugenio who then convinces his young cellmate Vasco to help write the letters and even sends a picture of himself at age seven to "prove" that Maria has a young son. As prison life exacts an increasingly heavy toll upon Eugenio's health, his feminine alter-ego helps sustain him.

RETURN(ja)

8mm work directed by Norihiko Morinaga.

Bring Me the Head of Lance Henriksen(en)

When '80s B-movie icon Tim Thomerson wakes up one day to realize the acting roles are not coming his way any more, he sets out on a quest to find his former co-star Lance Henriksen to discover his secret of Hollywood longevity and gets more than he bargained for in the process.

Box Cutters(nl)

A young woman recalls a day when she was attacked by three men on her way home, but daily life must resume its course.

eFîmERo(es)

Triller Fight Club Presents: Triad Combat - Pulev vs. Mir(en)

Triller Fight Club presents Triad Combat on Saturday, November 27 at Globe Life Stadium, in Arlington, TX with a the main card featuring former champion Frank Mir competing against Kubrat Pulev in the Heavyweight Division and a special live Heavy Metal Concert by Metallica.

Forevers 2: Age of Teeth(en)

After making peace with the Forevers, things change for everyone as the Repigeonator discovers Iki's secret multiverse.

Kill to Cure(fa)

12(en)

After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.

Return(fr)

You(fr)

Michèle shares her life with Paul, her husband and work colleague. She has a lover, Thomas, a musician with whom she has been having a passionate affair for some time. Attracted by Thomass non-conformity and lust for life, Michèle abandons her husband, her son and her profession to live this frenzy through to its conclusion. A quest for freedom and change that sends Michèle on a turbulent drift, but remains, nevertheless, intimate and personal.

The Road to Eden(ky)

A retired writer is living his last days as a famous and poor writer in a society increasingly concerned by wealth. A widower, he has no children and his only wish is that literature continues to bring enlightenment to his small and disillusioned nation.

WSU Control(en)

The latest show for WSU (the next one will take place on September 12 and will be called Excellence) with some interesting matches on the program. We have the sequel and end of the tournament for the Spirit Title, defending the team titles against the Dollhouse of pas-Mia Yim and not-Marti Belle, and finally Cherry Bomb defends its title for the first time against Tessa Blanchard. This show begins - with a promo of the Office. We have a sudden break from the beginning, then Stephie announces that Allysin Kay is not present and that Hania replaces her in the tournament because why not. Yeah, I do not know if it was planned or not, but it is perhaps time not to book Kay who magnifies a show on two (she was at a house show of GFW instead). She also announces that Shanna has not been able to move and that Cataldo is left without a match, but music sounds and here it is. In short, he gets excited for a moment and wants a match against Stephie for later that she accepts. After that

Toscanini in His Own Words(en)

This film is a docufiction on the great Toscanini directed by well-known filmmaker Larry Weinstein; who pushes the boundaries of conventional documentary storytelling by borrowing tools from fiction films; including dramatic reconstructions and historical cinematic stylings.

Massenet: Thaïs(fr)

When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.

Gounod: Faust(fr)

Tenor Jonas Kaufmann is riveting as the title character of Gounod’s popular opera, seen in this Live in HD presentation of Des McAnuff’s thrilling 2011 production that places the mythical and timeless story in an early 20th-century setting. René Pape as Méphistophélès is menacing and elegant in equal measure, and Marina Poplavskaya delivers a searingly intense portrayal of the innocent Marguerite. Russell Braun as her brother, Valentin, shines in his Act II aria. On the podium, Yannick Nézet-Séguin brings out all the lyricism and drama of Gounod’s score.

The Nutcracker(en)

This version of "The Nutcracker" gives the classic ballet a tragic spin, with Masha (instead of Clara) now the unloved, unappreciated daughter of the Town Council President. At a Christmas party, Masha is given a seemingly alive Nutcracker by her Uncle Drosselmeyer, and Masha instantly is enchanted with it. The toys come to life at midnight, and after Masha helps the Nutcracker defeat attacking mice, he takes her to his kingdom, where he is later revealed to be a handsome Prince. The Prince and Masha fall deeply in love, but their "happy ending" has a morbid twist not found in any other "Nutcracker".

La Traviata(en)

Few singers have plumbed the depths of the role of Violetta as did she incomparable soprano Renata Scotto. Her interpretation surprises with fresh insights at every turn, illuminating aspects of the character that are latent in the libretto and the schore but rarely dramatized with such completeness. For example, when Germont meets Violetta, he is immediately struck by her strong bearing ( Quai modi! , he exclaims in an aside).

Giuseppe Verdi - Un Ballo in Maschera(en)

Verdi - Un ballo in maschera / Domingo · Barstow · Quivar · Jo · Nucci · Rydl · Chaignaud · Wiener Phil. · Solti · Schlesinger · Salzburg Festival 1900

The Metropolitan Opera: Boris Godunov(en)

Stephen Wadsworth’s production of Mussorgsky’s epic masterpiece brilliantly captures the suffering and ambition of the Russian people at a critical time in their nation’s history. René Pape is riveting as the Tsar of the title, giving a commanding and charismatic performance of one of the greatest bass roles in the repertoire—his Boris is dominating, tortured, flawed and utterly unforgettable. The extraordinary cast and the Met Orchestra and Chorus are led by Russian maestro Valery Gergiev, the foremost Mussorgsky interpreter of our time.

The Metropolitan Opera: Così Fan Tutte(en)

Met Music director James Levine conducts a cast of youthful stars in Mozart’s sophisticated comedy about testing the ties of love. Susanna Phillips and Isabel Leonard are the sisters Fiordiligi and Dorabella, who are led to believe their fiancés have gone off to war. Matthew Polenzani and Rodion Pogossov are Ferrando and Guglielmo, the lovers who return in disguise to test their girls' fidelity. Danielle de Niese sings the scheming maid Despina and Maurizio Muraro is Don Alfonso, the philosopher and mastermind pulling the strings.

Don Pasquale(it)

This John Dexter production, designed by Desmond Heeley, was a parting gift to the great American soprano Beverly Sills, who bid farewell to the Met as Norina, the smart young widow at the center of Donizetti’s comedy. The sensational Alfredo Kraus sings her beloved Ernesto. Håkan Hagegård, in his Met debut role and season, is Dr. Malatesta, the man who helps the young couple trick the crusty old bachelor of the title (Gabriel Bacquier at his comical best) into a fake marriage. This being a Donizetti comedy, it all turns out perfectly well at the end—and getting there is pure operatic fun.

Amadeus(en)

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.

Rossini: Il Barbiere di Siviglia(en)

Audiences went wild for Bartlett Sher’s dynamic production, which found fresh and surprising ways to bring Rossini’s effervescent comedy closer to them than ever before. The stellar cast leapt to the challenge with irresistible energy and bravura vocalism. Juan Diego Flórez is Count Almaviva, who fires off showstopping coloratura as he woos Joyce DiDonato’s spirited Rosina—with assistance from Peter Mattei as the one and only Figaro, Seville’s beloved barber and man-about-town.

Rossini: Armida(it)

It is a rare opera indeed that calls for one soprano diva and no fewer than six tenors. Mary Zimmerman’s fanciful production of Rossini’s drama, designed by Richard Hudson and with choreography by Graciela Daniele, provides the perfect setting for superstar Renée Fleming’s captivating performance of the title role. A beautiful but evil sorceress in the times of the Crusades, Armida sets out to regain the love of the Frankish knight Rinaldo (Lawrence Brownlee) by putting her magical spells on him. She at first succeeds to draw him into her web of sorcery, but ultimately divine intervention—and his fellow soldiers—free Rinaldo from his enchantment—much to the vengeful fury of Armida and her demons.

Salzburg Marionette Theatre: The Magic Flute(de)

The Queen of the Night has begged Prince Tamino to free her daughter Pamina from the clutches of the High Priest Sarastro, who has abducted her. Together with the bird-catcher Papageno, Tamino enters Sarastro's realm to seek her. When he finds her, the two fall in love, but they have to have to undergo ordeals before they can be together. At the end, Papageno is also rewarded with his Papagena.

Norma: Live from the Royal Opera House(it)

The priestess Norma loves Pollione, leader of the occupying force suppressing her people, and has borne two children by him. But Pollione’s love has withered, and he now loves Norma’s fellow priestess Adalgisa. Meanwhile, the people urgently look to Norma to lead their rebellion.

The Metropolitan Opera: Tristan und Isolde(de)

Met audiences were fascinated by Mariusz Treliński’s gripping, visionary production of Wagner’s epic opera. In the daunting title roles of the doomed lovers, Nina Stemme and Stuart Skelton are passionate, overwhelming, and heartbreaking as they battle every obstacle that separates them from their true destiny. René Pape is King Marke, betrayed not only by Isolde but by Tristan, the man he most trusts and loves like a son. With Ekaterina Gubanova as Isolde’s confidante Brangäne and Evgeny Nikitin as Kurwenal, Tristan’s loyal lieutenant. Simon Rattle conducts a surging, shimmering account of Wagner’s monumental score.

Eugene Onegin(ru)

A filmed version of Tchaikovsky's opera. Onegin visits a friend, his fiancee and her sister Tatiana, who believes Onegin is her fated love. She writes a note telling him so, but he rejects her. Years later he returns, finding her married, but now he's smitten with her.

Stravinsky: The Rake’s Progress(en)

The Rake's Progress is an English-language opera from 1951 in three acts and an epilogue by Igor Stravinsky. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings A Rake's Progress (1733–1735) of William Hogarth, which Stravinsky had seen on 2 May 1947, in a Chicago exhibition. Filmed in Aix-en-Provence, 1992.

Madama Butterfly - Teatro alla Scala(it)

Prodaná nevěsta(cs)

The Metropolitan Opera: Don Giovanni(en)

Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure. Adam Plachetka is his occasionally unruly servant Leporello. It’s when Giovanni tangles with Donna Anna (Hibla Gerzmava) that things start to unravel, aided by the reappearance of Donna Elvira (Malin Byström), who is determined not to let her seducer go. With Paul Appleby as Don Ottavio, Donna Anna’s eternally steadfast fiancé. Principal Conductor Fabio Luisi leads the Met Orchestra and Chorus.