Rangana is a young musician from the working classes who dreams big. His aim is to rise above his station, even as he toils the low-rent barroom circuit with his band, playing night after night to under-appreciative crowds to make a frugal living. Tanya is the love of his life, the woman whom all this will be worth achieving. She is just finishing school. As he toils through the nights, his need of a mode of transport - a motor bicycle - becomes more and more apparent. He dreams of one day collecting enough money to buy one, finally buying a second hand motorbike despite his mother's great protest. He now wants to taste his new found freedom with his beloved Tanya, along the city streets of Colombo. As Rangana and Tanya embark on this motorbike journey across the city, questions about their present, challenges to their future and the very essence of their lives is brought to the fore, in "Motor Bicycle."
Shalitha
The son of a newly rich industrialist becomes embroiled in a murder cover-up.
"Loku Duwa" depicts an attractive and self-sacrificing daughter of the middle class in the city who is trapped in a family of traditional values.
Girl escaped from the police under thundering rainy night hidden in old man house spark a conversation on their past, revolutionary traits with sharing ideologies in arts, culture, feminism and revolution.
A new teacher, Uma (Anasuya Subasinghe), arrives at a school with her first appointment in a remote village near Dambulla in Sri Lanka. The school has few students, with only the principal (Lucian Bulathsinghala) and Uma as the teacher. With the help of Uma the pupils gradually start to dream of bigger things than they ever imagined. One day Upuli, a blind girl, shares her unseen dream with school friends Sukiri and Ukkun. It gradually becomes the dream throughout the village. The children and Uma encounter perils in their venture to realise this dream. The children of the school start to focus on something they have never seen before. This target gives rise to a small revolution.
Fifty-six-year-old Perianayaki contends with the difficulties of fitting into her new home, especially at the local supermarket where she works. Eye-opening and brimming with compassion, the latest film from director Bala Murali Shingade is a slice-of-life character study that provokes questions about multiculturalism and our assumptions about the people we encounter in daily life.
Three war-torn strangers posing as a family flee Sri Lanka’s civil war to start over in a troubled Paris suburb, but their past traumas resurface as they struggle to survive in their new environment.
Two friends, Bhanuka and Kalana, arrive in a remote village where Bhanuka falls for Samadhi, the beautiful daughter of the revered Ayurvedic healer, Mr. Wickramasinghe. As their stay unfolds, they uncover a hidden crime in the village.
A little girl is told by her parents that she is adopted. Determined to find her birth mother, her family eventually agrees to take her to Sri Lanka, where they encounter the militant group known as the Tamil Tigers.
An Indian tourist couple arrive in the hill country of crisis ridden Sri Lanka to celebrate their 5th wedding anniversary. But, when things take an unexpected turn, conflicts deepen revealing cracks in their relationship.
This mythological film depicts the romantic relationship between Hindu god Kartikeya and the aboriginal princess Valli.
Two friends, Manoj (Gihan De Chickera), a bartender, and Stanley (Dharmapriya Dias), a fruit vendor, wish to immigrate to the West to seek their fortune, but have difficulties getting their visa applications approved. They come across an application to a handball tournament in Bavaria, and not even knowing what the game is, they submit themselves and a group of friends as the "Sri Lanka National Handball Team". For appearance's sake, they begin minimal training and then seek travel visas from the German Embassy. Their plans to simply escape into the West upon arrival in Germany are thwarted by the quick appearance of the tournament organizers and an arena of fans eager to see the prowess of the Sri Lanka National Handball Team.
This is a tale weaving love, betrayal, and adventure. "Mandara" unfolds around the lives of sports star Mandara, engineer Vishwa, orphan heiress Yashora, and her uncle Bharatha. After Mandara and Vishwa's romance leads to heartbreak, their paths cross with Yashora, on the run from her murderous uncle, aiming to seize the family fortune. Their fates intertwine in a story of love, loss, and resilience, leading to a dramatic showdown and a heartwarming conclusion, all set against the backdrop of Sri Lanka's stunning landscapes and accompanied by a captivating soundtrack.
A father and his daughter came to India as refugees post-war in their country. Few good hands help them to rebuild their lifestyle.
After getting through the O/L Examination with outstanding results, Anuththara with his friends eagerly look forward to experience their final years in school as seniors in the A/L class. They befriend Ahinsa and the other new girls who join their school. Ahinsa draws everyone’s attention for her smartness as well as her cheerful yet mysterious behaviour. Her irregular school attendance and the rumours circulating about her, make the others suspect that there’s a hidden story behind her cheerfulness.
(Eka Dawasaka Api / එක දවසක අපි) The day Parami appeared on Vimukthi’s eyes he found out that she is the one who he needed to his life. Later, a day with a tension mood these two soul mates get into a train with tears on their faces to ride their last train journey together. But Vimukthi’s family is strongly against to approve Parami as their daughter in law. The reason for disapproving Parami is her cast and status.
Vaishnavee (The Goddess), (Sinhalese: වෛෂ්ණාවී) is a 2018 Sri Lankan Sinhala drama thriller film directed by veteran director Sumitra Peries and produced by Mano Nanayakkara. 1930’s, Sri Lanka. Partly a compelling domestic drama, and a demonic love story, the narrative follows a puppet-maker who’s set to be married to a young girl. Unfortunately, the girl elopes with her secret lover. Devastated, the grieving puppet-maker ends up carving a puppet in her likeness, which eventually comes to life, setting in motion a fantastical chain of events.
Wassanaye Sanda (Moon of the Autumn) (Sinhalese: වස්සානයේ සඳ ) is a 2018 Sri Lankan Sinhala romantic drama film directed by Udayakantha Warnasuriya. It follows the story of two young lovers Mihiri & Sandesh and struggles they face.
An innocent father and his blind daughter with a doll spend their days within the walls of a bunker during the final stages of civil war in Sri Lanka. The surprising third character connects the father, daughter and the doll in a sorrowful manner. The blood tears they shed during the darkest hours are unheard by many. The characters represent the current stages of the tamils in Sri Lanka. The ones who died, disappeared and the living dead.
Sangele (Dulani) is a girl who lives alone in a village of people . People in the city are trying to get close to her some even making sexual advances. Punchi Malli (Sanath) is very attracted to Sangile, even though he is married. Meanwhile, a hard working young Sunimal (Saranga) falls in love with Sangile. Punchi Malli was falsely accused in due to a rumor and sent to jail. During this time, Punchi Malli raped Sangile and Punchi Malli's wife (Veena) get to know about the hidden truth. She tried to blame Sangile for dirty works, however Punchi Malli punished her. Sangile gets pregnant and story continues.