The homeless, underground residents at a post-communist train station and their intimate confessions. A film not about misery, but the lust for life and color even at the depths of human despair.
The homeless, underground residents at a post-communist train station and their intimate confessions. A film not about misery, but the lust for life and color even at the depths of human despair.
1992-01-01
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The narrative unfolds from the point-of-view of a single character named Roach. As part of the filmmaking process, he's been given a camera to document his world. The footage he gets is urgent, because there's a war against squeegee kids. This documentary is from the point of view of the kids themselves, in order to provide alternative voices. Roach's camera is positioned behind "enemy" lines: living in derelict buildings, squeegeeing for money, being hunted by police.
To mark the centenary of the Russian Revolution, the International Marxist Tendency and In Defence of October campaign present this original documentary celebrating the life and accomplishments of one of the revolution’s main leaders: Leon Trotsky. Alan Woods (editor of the In Defence of Marxism website) narrates Trotsky’s extraordinary career; from his early years as a revolutionary writer and activist, to his leading role alongside Lenin in the October Revolution and Russian Civil War, to his expulsion from Russia and eventual assassination by the murderous Stalinist regime. Featuring footage from the Trotsky museum in Coyoacán Mexico, and first-hand accounts from Trotsky’s grandson, Esteban Volkov, this film is a testament to one of history’s great revolutionaries – whose deeds and ideas are a “shining beacon to all of humankind.”
The film presents the life and work of two sisters Grażyna and Violetta, who run a center for homeless men. The heart and unconventional approach to their children makes them build a real home together.
Brest, 1950. The war ended five years ago and nothing remains of the city. Massive bombings and intense fighting lasting more than a month turned the city, its docks, its arsenal, into ashes. Thousands of workers will build it up again, brick by brick. But with awful work conditions protests quickly arise and a strike begins. Violent confrontations happen during manifestations. Until one man falls. The next day René Vautier lands at Brest clandestinely to make a movie about the movement.
Leon Trotsky is considered one of the most controversial revolutionary figures of his time. Was he a practical revolutionary or a naive idealist? On the practical side, he was the mastermind behind the Bolshevik seizure of power in 1917, and was totally ruthless during the ensuing Civil War. As an idealist, he was committed to the pursuit of international revolution, but created many political enemies. After Lenin's death, Trotsky lost in a power struggle with Stalin, and later was expelled from the Communist Party. Trotsky was exiled from the Soviet Union, eventually finding refuge in Mexico. In 1940, Stalin ordered his assassination, and Trotsky died after being struck in the head with an ice-pick. History records that Trotsky was a master theoretician, a skillful propagandist and a brilliant orator.
This film examines Trotsky, the revolutionary; venerated and reviled, loved, hated, feared. Archive material compiled from all over the world, citations and new shoots create an electrifying proximity to the historical person and to the man Leo Trotsky. Stages in his life and eventual flight are carefully examined, from St. Petersburg, to Mexico City. This is the riveting political biography of the Revolution's onetime hero.
Tibetan writer Tsering Woeser's efforts to document and present the reality of Tibet were considered a "political problem" by the Chinese Party-state and she was fired from her job. Since then, she has persevered as an independent writer and has continued to speak out for the sufferings of Tibetan people. Zhu Rikun, the director, came into possession of Tsering's official dossier which then became the main thread of this film. The first half of the movie is centred around her reading of the dossier; be patient as the theme grows and her interviews document the changed direction her career took including footage from Tibet.
1968, The Socialist Republic of Romania. Women catch up on the latest tendencies in beachwear, the young hippies of Hamburg are harshly criticized by Romanian students, while Nicolae Ceaușescu reads the famous defiance speech against the intervention of the Warsaw Pact troops in Czechoslovakia. Floating solemnly over all this is The Internationale, sung on a stadium by a crowd of pioneers dressed in white shirts and red ties. A certainty for each probability: the documentary is at the same time a history lesson and an ideological warning sign, the director’s endeavour permanently draws our attention to the functions of the propaganda film, yet without tarnishing the fascination that dwells in the core of the images, that of the figures that wave at us from a past buried in commonplaces and political parti pris.
It was women who closed the gates and launched the Solidarity strike when, on a Saturday in August 1980, workers, satisfied with a raise, stopped their protest and wanted to leave the Gdansk shipyard. If it had not been for the initiative of several determined women, perhaps there would not have been any August 1980 in Polish history. Under martial law, with the men in prisons, the women took on their role. They were not interested neither in joining the union’s power structure, nor in particular posts. The most important thing was their work and its results. When communism in Poland came to an end on June 4, 1989, the vast majority of women in Solidarity disappeared from the political stage. They let themselves be forgotten when their colleagues were taking over the most important posts in power in a free Poland. This documentary by Marta Dzido and Piotr Śliwowski reminds us about these forgotten heroines, giving us a new perspective on the last 30 years of Polish history.
A documentary film about Martta Koskinen, the last executed woman in Finland during the war in 1943. Martta was a Seamstress who lived in Helsinki during the Second World War. She was one of the post-civil war (in 1918) generation for whom the war had meant a disappointment in the system and failure in unity of the Finnish nation. The legacy of the civil war had left systems of persecution in place for those with socialist ideals. Martta and her fellow revolutionaries were determined to continue the resistance movement although they knew that at worst it could cost their lives. Martta was imprisoned twice before she was shot. She was an idealist, whose seemingly harmless, naive beliefs in peace and justice were the most dangerous traits a person could have at the time.
This film details how the domestic and foreign economic elite, by creating despotic rule under the guise of Liberalism, use and control socialist and capitalist revolutions.
The building of blast furnaces Magnitogorsk and the Kubas Basin by Komsomol, the Communist Union of youth, as part of Stalin’s first five-year plan.
What if democracy fails citizens by not serving them all equally? What if inequality becomes the norm and the most vulnerable citizens are left behind with no money, no home, no rights, and no country of their own? In Hungary, the government has slashed social benefits and criminalized homelessness, but a group of activists, homeless and middle class, is confronting authorities to defend social justice and their right to be citizens. After the tragic death of two of its founding members, the group feels that Hungary is growing more hostile and their struggle is more important than ever. Despite all odds, their own community keeps them going—a mini-society with democracy and solidarity at its heart, an island of hope, belonging and dignity in a society gradually shifting the other way.
Hong Kong, 1978. South Korean actress Choi Eun-hee is kidnapped by North Korean operatives following orders from dictator Kim Jong-il.
The documentary AMERICAN REDS provides a historical overview of 20th century Communism and the growth, decline and contemporary relevance of the Communist Party, USA (CPUSA). Since its founding in 1919, the CPUSA has championed the struggles for democracy, labor rights, women’s equality, and racial justice. During its heyday in the 1930s and 1940s, it attracted millions of Americans to support its causes and almost 100,000 men and women to enlist in its ranks. The film begins with the Party's emergence as a small militant sect in the 1920s and documents its rise to the foremost radical group in the United States during the Great Depression, fighting against racism, sexism and fascism, as well as for the rights of workers to organize. It ends with the decline of the Party during the Cold War under the assaults of the FBI and anti- communist crusades.
Russia, 1917. After the abdication of Czar Nicholas II Romanov, the struggle for power confronts allies, enemies, factions and ideas; a ruthless battle between democracy and authoritarianism that will end with the takeover of the government by Vladimir Lenin and the Bolsheviks.
"Busch singt" consists of 6 films "About the first part of our century" and does not present Ernst Busch only as a singer but is a film with and about Busch as a chronicler and fighter for communist ideals of his time. Konrad Wolf died during the production, he directed part 3 "1935 oder Das Faß der Pandora" and part 5 "Ein Toter auf Urlaub".