
Using his failed attempts at creating profitable stock footage, a filmmaker reflects on the absurd, mundane and funny side of being trapped inside your own head as an out of work, self-employed freelancer.

5.5A clueless man finds a bomb on the street and keeps throwing it to the crowd around him. The sketch then moves with the clueless nerd getting involved in all sorts of troubles until he accidentally gets into a hideout from a terrorist group that will complicate things for him more than he ever hoped.
6.5A boys first weekend with the father after the divorce of his parents. Together with his friends, he makes a plan to turn that weekend into a horror trip, to punish his father. But then everything changes
Documentary about the Szymon Wiesenthal Center and the obstacles, often set by governments not interested in providing any help for the Center's project, it encounters.
A B'nai B'rith delegation visits the town of Oberammergau to meet with its mayor and the monk who is responsible for the passion play which is presented every ten years. The group discusses their efforts to eliminate the antisemitic tone of the play.
6.7Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
7.0A young couple finds themselves lost in their own relationship. Brought to frustration and confusion one of them shares the idea of an open relationship. Reluctantly the partner agrees and actually travels a new road learning about themself. Perhaps they just needed to find each other, in someone new.
6.0A woman makes a powerful connection with a surprising stranger on her 30th birthday.
0.0Comedian Jack Rooke narrates his first sexual encounters as a gay man.
0.0Jonas is desperately trying to get to a job interview, but the world seems to fight against him — or rather, it seems oblivious to him.
At the age of 13, James now disagrees with his best friend and defends the girl against him. He fell in love with her and wants to spend all his time with her. James takes her to the river where he and his friend used to hang out. James is now a teenager and the girl is his whole life.
6.5An ex-soldier encounters many dangers in the small town he lives in.
7.1An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
0.0After a brief and disturbing trip to the future, a teenager records what might be her final vlog.
7.1A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
7.2Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Documentary on the making of Hammer's adaptation of "The Hound of the Baskervilles".
