The Rejected is a made-for-television documentary film about homosexuality, the first of its kind to be broadcast on American television. It was first shown on KQED on September 11, 1961, and was later syndicated to National Educational Television (NET) stations across the United States, receiving positive critical reviews.
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The powerful and inspiring true story of the controversial human rights campaigner whose provocative acts of civil diso bedience rocked the British establishment, revolutionised attitudes to homosexuality and exposed world tyrants. As social attitudes change and history vindicates Peter's stance on gay rights, his David versus Goliath battles gradually win him status as a national treasure. The film follows Peter as he embarks on his riskiest crusade yet by seeking to disrupt the FIFA World Cup in Moscow to draw attention to the persecution of LGBT+ people in Russia and Chechnya.
A behind-the-scenes look inside the case to overturn California's ban on same-sex marriage. Shot over five years, the film follows the unlikely team that took the first federal marriage equality lawsuit to the U.S. Supreme Court.
A former U.S. Navy Seal seeks life, liberty and the pursuit of happiness living life as a transgender woman.
This documentary tells the story of the LGBTTI communities who have suffered persecution, prison and torture for their sexual condition under different military dictatorships in recent decades. The idea borns from the photographic and archival project for the recovery of the historical memory of the different LGBTTI communities in the world, a chapter of history too often hidden and forgotten. This first chapter is a journey around Spain, Chile, Argentina, Uruguay, countries where the dictatorship has strongly marked the history of the LGBTTI community, oppressed by police regimes and social intolerance.
Scott Mills travels to Uganda where the death penalty could soon be introduced for being gay. The gay Radio 1 DJ finds out what it's like to live in a society which persecutes people like him and meets those who are leading the hate campaign.
There is a store in Palermo unlike any other called Quir, a place of love defying any convention. The owners are Massimo and Gino, who have been together for forty-two years, perhaps the longest-lasting gay couple in Italy. Their small leather goods store has become an important meeting place of the local LGBTQI+ scene – here people chat about their love stories or seek advice – fighting for acceptance in Sicily, a stronghold of patriarchal culture.
Fred Martinez was a Navajo youth slain at the age of 16 by a man who bragged to his friends that he 'bug-smashed a fag'. But Fred was part of an honored Navajo tradition - the 'nadleeh', or 'two-spirit', who possesses a balance of masculine and feminine traits.
A landmark court decision in Massachusetts allows gay people in that state to marry - forcing activists, legislators, and ordinary people to reconsider how they view same-sex relationships.
Bernhard, an actress-comedienne whose brassy humor attracts a cult-like following, here offers a semiconfessional view of her life's landscape. Childhood memories of her father, a doctor, and her mother, an artist, are warmly rendered in scenes of the Jewish family amiably accommodating itself to the Christmas season, and of the obligatory communal vacations joined by colorful relatives. The abrupt transition to a flamboyant denizen of "downtowns," Los Angeles or New York, to an existence as a character in the lives of marginal people, is evoked in sharply satirical terms, in a melange of humorous fact and fiction, monologues akin to those that make Bernhard an icon of pop culture.
Through the spoken stories and testimonies of 4 LGBTQ+ people over 40 years old about their lives, their joys, their hopes, their struggles, and their advice, this documentary aims to contribute to an archive, to the construction of a queer history. But also to the bridging of the communication gap between generations, showing young queer people that it is possible to have a long and happy life. What are the differences and similarities between their lived experience and the one of younger LGBTQ+ people? What can we learn from them and what should we aim to overcome? What links unify this 'community' and what debates split through it? But more than anything: what does it mean to grow old whilst being gay, lesbian, bi, trans, non-binary...? What does that look like? What does the future, which is sometimes so complicated to imagine, have on hold for us?
"Panic Bodies is a 70-minute, six-part exploration of the ways we experience the body's betrayals: disease, decline and death. The film is a panorama of emotionally charged recollections of strange relatives and estranged siblings, staged recreations of fast-fading pasts and personal mythologies, and reflections on the anxious states created by the body's fragile claims on time and space. It's about being a stranger in your own skin. Panic Bodies perfects the phantom quality of any good work about mourning, but it is not reducible to that. It is also enlivened by the intimacy that comes from having made a spectacle of personal secrets." (Kathleen Pirrie Adams, Xtra)
It wasn’t long until Ethan knew that he wasn’t Irene, meanwhile, Sarah wondered why it wasn’t the colour of her skin that made her feel so different from the others but, in fact, the stigma of living with HIV. Those are some of the stories from "DIVERSXS".
Seizing her power as she confronts her mortality, trailblazing trans activist Connie Norman evolves as an irrepressible, challenging and soulful voice for the AIDS and queer communities of early 90's Los Angeles.
It is late 2004, and 34-year-old Englishman Alistair Appleton is about to fly from London to the Brazilian coast, where he will drink ayahuasca for the first time. With wit, insight, and sensitivity, Alistair shares this experience with us, and chats with some fellow participants before and after the ayahuasca ceremonies. For the past few years, Alistair had been working as a television presenter. In 2000, he started making trips to the Centre for World Peace and Health in Scotland to learn how to meditate. When clinical psychologist Silvia Polivoy opened an ayahuasca healing center in Bahia in 2004, Alistair faced his fears and seized the opportunity to attend.
Facial Weaponization Suite protests against biometric facial recognition–and the inequalities these technologies propagate–by making “collective masks” in workshops that are modeled from the aggregated facial data of participants, resulting in amorphous masks that cannot be detected as human faces by biometric facial recognition technologies.
The hotel Gondolín is home to some 30 transvestites who practice prostitution as the only option to survive in a society that excludes them.
A documentary is an interview that asks questions. With an emphasis on femininity female-male as I interviewed her I wanted to express the "Femininity" in my male body. The movie is like a superposition of the thoughts and feelings of two people who have "femininity" in their hearts as I interviewed her. I would also like to have a voice to express my opinion. In the hopes that someone will come to interview about a life that has been overlooked because the body is not a "woman".
An exciting and colorful glimpse into the lives of the emerging voices of Mexico City's drag scene. We meet Andromeda Dugay, a trans woman from Coahuila who arrives in the city to fulfill her dreams of becoming a star; and Clover Clow, the matriarch of a drag collective whose mission is to take her art to unconventional places.