Alexander Birgukov shot and killed his two commanding officers. He was sentenced to death but when it was alleged that one of his victims had sexually harassed him, his sentence was commuted to life in prison. Tenderly revealing two lives lived in limbo, this film bears witness to the first and final visit of his mother, Lubyov.
Herself
Himself
Alexander Birgukov shot and killed his two commanding officers. He was sentenced to death but when it was alleged that one of his victims had sexually harassed him, his sentence was commuted to life in prison. Tenderly revealing two lives lived in limbo, this film bears witness to the first and final visit of his mother, Lubyov.
1998-01-01
2
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Dramatic Escape follows inmates at Sing Sing Correctional Facility in Upstate New York, as they attempt to mount a behind bars production of A FEW GOOD MEN. Tracing the inmates' steps from auditions through their curtain call, we are witness to their journey - both as individuals and as a players ensemble. All of the obstacles involved with putting on a stage production on the outside become all the more difficult behind bars. Hear the inmates' stories and candid retelling of the crimes that landed them in prison. Witness their everyday struggle with what they have done and listen as they contemplate whether redemption is ever achievable either to themselves or to the outside world.
The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.
Imagine a prison with some ten thousand prisoners, many of them dangerous and, to control them, only a few unarmed employees. Small in number, these employees work in shifts. They are almost prisoners themselves, in a routine of tension, but also of humor and emotion. This prison was all too real. While it was in existence, the Carandiru was the largest prison in Latin America, administered by a reduced number of employees. The documentary shows, from the point of view of these few employees, holding the keys, how the prison operated: the delicate balance in the relationship with the prisoners, affinity among employees, moments of tension and, even, of happiness. These are stories told by former employees, among them, Dr. Dráuzio Varella, author of the book Estação Carandiru. These are the secrets of a place that no longer exists.
The 2014 Winter Olympics in Sochi, Russia will be the first ever to be held in a subtropical resort. The most expensive games ever break all records when it comes to corruption and megalomania. Putin's administration has everyone at its beck and call, from oligarchs down to the ordinary people who have to pay the Olympic bill. Both the powerful and the weak speak out in this investigative documentary, which unveils the hidden story behind Putin's games. Government critic Garry Kasparov says that Putin's Olympic propaganda is really all about speeding up the privatization of land in Sochi. Many inhabitants have had to make way for hotels, ski jumps and a large harbor, which were subsequently swept away by storms and landslides – the Olympic village was built on a swamp in the hottest region of Russia. To a large extent, the story of these environmentally unfriendly Olympic Games is one of threats and enormous misappropriations of money.
Behind the walls of the Compound, LA’s most violent juvenile offenders await their trials. To their advocates, they’re kids. To the system, they’re adults. To their victims, they’re monsters. Who are they to you?
While locked-up for six years in federal prison, artist Jesse Krimes secretly creates monumental works of art—including an astonishing 40-foot mural made with prison bed sheets, hair gel, and newspaper. He smuggles out each panel piece-by-piece with the help of fellow artists, only seeing the mural in totality upon coming home. As Jesse's work captures the art world's attention, he struggles to adjust to life outside, living with the threat that any misstep will trigger a life sentence.
Dr. Zhivago is one of the best-known love stories of the 20th century, but the setting of the book also made it famous. It is a tale of passion and fear, set against a backdrop of revolution and violence. The film is what most people remember, but the story of the writing of the book has more twists, intrigue and bravery than many a Hollywood blockbuster. In this documentary, Stephen Smith traces the revolutionary beginnings of this bestseller, to it becoming a pawn of the CIA at the height of the Cold War.
For decades, the United States has been fixated on incarceration, building prisons and locking up more and more people. But at what cost, and has it really made a difference? FRONTLINE goes to the epicenter of the raging debate about incarceration in America, focusing on the controversial practice of solitary confinement and on new efforts to reduce the prison population, as officials are rethinking what to do with criminals.
Kunashir, one of the biggest islands of the Kuril Archipelago, is situated 16 kilometers from Japan. It was occupied by the Soviet army in 1945. One year later, after a short period of cohabitation, 17.000 Japanese and Ainu people who were living in the Kurils and on Sakhalin were deported to the island of Hokkaido. Since that time Japan has been demanding the return of the Kuril Islands. A peace treaty between the two countries still has not been signed.
In this documentary we meet five children in Sweden and see what happened in their lives. Robin was nine years old, but he already knew what a prison looked like and the bad a punishment can do. Frida was not yet born when we filmed her mother Angela in 1983. Her sister Malin lived for several years in a foster family. Bosse was 14 years old and in 9th grade when we met him in 1978. He was the only guy in the class who had glasses. Marie received many postcards and letters from her father, but very rarely met him while she was growing up.
In this deeply personal film, director Roger Ross Williams sets out on a journey to understand the complex forces of racism and greed currently at work in America's prison system.
North Philadelphia, PA – Kev, El and Andy are three men united by one struggle: they are trying to defy gravity. As part of the 700,000 prisoners released into society every year, they find themselves faced with a chilling outlook: 67% of ex-offenders re-offend within three years. What explains this invisible force that keeps former inmates in a seemingly unending cycle of incarceration? Filmed on the street over the course of two years, Pull of Gravity is an intimate portrait of these three men that confronts head-on the gritty details of lives cut short by poverty and drugs, where dealing is seen as the only route to economic prosperity, where using offers an escape from powerlessness, and where prison is too often the next stop. The film’s unfiltered lense captures its subjects as they lay bare their stories, fears, and tentative dreams.
The film focuses on Ernesto Rossi (1897 – 1967), who was imprisoned by the fascist regime between 1930 and 1943 for his political ideas. Exiled on the island of Ventotene, he co-authored the Ventotene manifesto.
This delicate and impressive collection of life experiences centers on a group of foreigners -- Chinese, Peruvian, North American, Senegalese, Australians, French -- who are trapped in Brazilian jails.
In Lepoglava, one of the most notorious penitentiaries in Europe, many regimes have trained their strictness by imposing the brutal methods of the so-called prison rehabilitation. Lepoglava is still the central Croatian penitentiary, in which several prisoners have decided to take up Shakespeare. This is the story about those of them who would today, were Shakespeare alive, be the heroes of his plays.
A knife in the pocket, adrenaline in the blood and only one dream in mind: to be a gangster - and the biggest one at that. Yehya was 15 years old and close to realizing his dream when he met the filmmaker Christian Stahl in the stairwell. Yehya wasn't just the nice boy from next door, he was also "the Boss of Sonnenallee" - one of the gangster runners of the Berlin borough of Neukölln. And gangster runners want to make it in the gangster world. In the eyes of the authorities, he is an "intensive offender"; in his own eyes, Yehya is "one of the top ten of Neukölln. I got my own prosecutor!"