Mayhem is the most notorious group in the annals of black metal. Their nearly 25 years of band history are characterized not only by uncompromising and brutal music, but also by suicide, murder, arson, and many other scandals. Revered by their fans, Mayhem are feared and loathed by the mainstream public. 'Pure Fucking Mayhem' is a 90+ minute DVD documentary featuring exclusive interviews with current and former members of Mayhem. This documentary attains a maximum of authenticity with its rich, often unreleased footage.
Himself
Occultus
Manheim
Necrobutcher
Narrator
When '80s B-movie icon Tim Thomerson wakes up one day to realize the acting roles are not coming his way any more, he sets out on a quest to find his former co-star Lance Henriksen to discover his secret of Hollywood longevity and gets more than he bargained for in the process.
The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people
Four men decided to enter in the oldest Fight Club of the History, The Florentine Football tournament. A father and son, a black guy, an old champion and outsider clerk will enter in an arena of the time to win their fears, to go over their limits, to be heroes for a day.
From dawn to night, Montreal is a living reality, with many faces, many occupations, and the uncertain and blurred colors of industrial cities. The film illustrates different aspects of this reality: the cosmopolitan Montreal, the anthropological Montreal and the plastic Montreal. Images: Electric wires; poles; view of houses and cars; airplane; bridge; men working on construction; mechanical crane pulley; mechanical crane in the street; men walking on constructions (scaffolding); skyscraper; park; lovers lying in the grass; canoe; children in a park; children on a boat; sailboats; bathers; factory chimney; quarry; CN locomotive; public market; traffic of cars and pedestrians; lights shining in the evening; fireworks
Tihar is a heartwarming short film celebrating the cherished Hindu festival of brothers and sisters. Bipana and Kalpana, two sisters living in the United Kingdom, invite their brothers, Suraj, Naresh, Dhiraj, to join them for a special Tihar celebration. The siblings, originally from Nepal, come together on this meaningful day, sharing laughter, love, and traditions far from their homeland. The brothers present thoughtful gifts to their sisters as a token of love, and together they light diyas, exchange blessings, and enjoy a festive meal. The film highlights the essence of Tihar as a time to strengthen family bonds. It reminds viewers that amidst life's challenges, festivals provide a perfect opportunity to pause, reconnect, and cherish time with loved ones. The message is simple yet profound: family gatherings and celebrations are the true essence of life.
Jointly and respectively directed by King Hu, Lee Hsing, and Pai Ching-Jui, three major Taiwan directors of the 1970s, this film consist of three shorts with the same cast of two actors and one actress, who through reincarnation meet in three different times.
A ruthless killer (Gary Hudson), hell bent for revenge, escapes prison and vows to kill the Texas Ranger (Sam Jones) who sent him there. With the aid of his two brothers, he set off on an explosive journey to make his tormentor pay the ultimate price, a slow tortuous death.
During a whole month in late 2005, France made the news headlines the world over: rioting in the French suburbs! Young people from the suburbs all over France – often still in college or high school - came together each night to burn dustbins, cars, even schools. The riot prompted the decree of a state of emergency – something that has not been seen in France since the years of the war of independence in Algeria. In an effort towards appeasement, the government made promises to come to the aid of “abandoned” areas. Today, one year later, what has changed for the people in the suburbs? Have they managed to pick up the pieces? Have official bodies managed to transform promises into real measures on the field? Alice Diop - who grew up in neighboring Aulnay – took the temperature of the area in and around Clichy, the place where the riots broke out following the deaths of two of the town’s youngsters who perished in an electrical transformer station while fleeing from the police.
A Literature professor arrives at a provincial hotel, lonely and consumed. All of the sudden he becomes wrapped up in a game of superstitions that the two women and the young girl that serve him lay out.
Lalou works as a shepherd in the mountains with his friend Clara, who came to take care of the herd before her leaving for the army. Next day, Lalou goes to a remote hotel where he secretly meets up with Harmony, an android he madly loves.
Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.
Misunderstood by their families, buddies Boy and Andoy run away to start a new life and end up switching places with a pair of look-alikes. Just as the two pals make their getaway, twins Mao and Dao flee their city to escape arranged marriages. A mix-up results in Boy and Andoy impersonating Mao and Dao and vice versa, and it's sheer chaos when one set decides to return home.
When Marie’s boyfriend proposes to her in front of his entire family, she doesn't know what to say and flees to the countryside to think it over alone. But her thoughts accompany her. They sit around her in flesh and blood: Her mother pesters her with baby names, exboyfriends climb down trees and a woman in a sari narrates her life in poems. Her would-be fiancé eventually joins her, clashing his own luggage of thoughts with hers. But what if you show your thoughts to each other? How much honesty can a relationship take? In her first feature, director Zora Rux, an apprentice of Swedish filmmaker Roy Andersson, tells a surrealistic story of the search for one’s true self in poetic tableaus.
Deep inside the nation's top chemical weapons facility, a brilliant terrorist takes a Congresswoman hostage. The Navy can't stop him. The Air Force can't reach him. The Coast Guard can't kill him. Only one man can do the job: special agent Ryan Cooper. He's in a race against time to save the world, facing his greatest challenge yet!
Chronicles the history, ideology and aesthetic of Norwegian black metal, a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and visual aesthetics. This is the first film to truly shed light on a movement that has heretofore been shrouded by rumor and obscured by inaccurate and shallow depictions. Featuring exclusive interviews with the musicians themselves, Until the Light Takes Us explores every aspect of the controversial movement that has captured the attention of the world.
Murder, rape, satanism and necrophilia is the staple diet of millions of teenagers who listen to the lyrics of extreme heavy metal music. This World investigates the potential links between "death metal" and a series of gruesome crimes around the world. In Italy a group of young death metal fans formed a satanic cult called the Beasts of Satan. At least four gruesome killings resulted. But death metal musicians deny that they have any responsibility for the actions of people who profess to be their fans. With exclusive access to the families, one of the killers and graphic police footage, the film tells the inside story for the first time. We hear from the musicians, the children and the parents from Oslo to California and ask just how far can music go in its ability to shock, and just how damaging might it be?
Blistering live performance by British black metal pioneers Venom captured at the Hammersmith Odeon in London in June of 1984. One of the most legendary shows in the history of metal featuring the classic line-up of Cronos (vocals/bass), Mantas (guitar) and Abaddon (drums). TRACKLIST: 01. Leave Me In Hell 02. Countess Bathory 03. Die Hard 04. 7 Gates Of Hell 05. Buried Alive 06. Don't Burn The Witch 07. In Nomine Satanus 08. Welcome To Hell 09. Warhead 10. Stand Up And Be Counted 11. Blood Lust
Bill Zebub interviews various musicians about black metal. Includes members of Behemoth, Darkthrone, Dark Funeral, Gorgoroth, Belphegor, Mayhem, Marduk, Immortal, and others.
BLACK METAL SATANICA is an in-depth documentary capturing the dark, mystical and evil history of the Black Metal genre. Based on Scandinavian Viking lore, Black Metal borrows from ancient Viking melodies, lyrics and mythology dating back to the 11th century.
Interviews with central members of early Norwegian black metal bands about Mayhem, the early black metal scene and the crimes they committed.
The main themes of Murder Music are: the musical origins of black metal, from Birmingham, UK hard rock group Black Sabbath to Newcastle extreme metal pioneers Venom; the anti-Christian sentiment of its practitioners; the controversies surrounding the criminal acts (arson and murder) of the early Norwegian scene; and the paradox of a Christian form of black metal, represented by Scandinavian band Frosthardr. The 64-minute documentary eschews much of the tabloid sensationalism that shrouded the genre in the early to mid-'90s, focusing instead on the music itself, an element thus far overlooked by the mainstream media.
Heavy Left-Handed & Candid is Cradle of Filth's second foray into visual entertainment's arena and with it comes a madness the likes of which may preferably never be seen again. A lethal injection of both concert and studio documentation, this DVD is testament to the maxim "Do what thou wilt shall be the whole of the Law," the veritable life code of one Aleister Crowley, who, in his time, was widely regarded as the most dangerous man in the world. Whether Cradle of Filth even come close to the prestigious title of "the most dangerous band in the world" remains as yet to be seen, but if there's one thing watching this marriage of Heaven, Hell, and the worst bits in between will assure you of, it's the Filth's ability to shock, shake, and deliver where it hurts the most... right on your grave. Open up and say.... "Aaarrrggh!"
One Man Metal explores the lifestyle and thoughts of the members of the three one-man bands Xasthur, Leviathan and Striborg
Shadows of Light combines the loud and soft tones of life. The centerpiece is an Austrian mountain pasture where the summer solstice is celebrated with international artists and where tradition and zeitgeist are not contradictory.
Emergence of a unique underground subculture in the volatile Indian subcontinent. A die hard underground music fan embarks upon a journey across countries, cities and towns of the Indian subcontinent, viz. India, Pakistan, Bangladesh and Sri Lanka, unravelling a gripping tale of diverse and equally discordant but well connected nexus of a volatile and extreme subculture."
A 5-part documentary produced by VBS/Vice Magazine focusing on some aspects of the life of black metal vocalist Gaahl, known for his work with Gorgoroth.
In the realm of contemporary music, Adam “Nergal” Darski surely needs no further introduction. Yet the guitarist and singer has even made inroads into general pop culture and shaped social discourse, all the while not moving away an iota from the underground ethos his ongoing career is based on. Rising from his humble beginnings in Cold-war Poland to global fame with his band Behemoth, striving for musical excellence throughout the ignominies of life-threatening illness and dubious legal battles, staying deeply spiritual and focused during even the most casual appearances in mundane limelight, it is safe to say the 1977-born has many faces, the sum of which defies categorization. Satanist or dexterous money spinner? Academically certified historian or shallow media figure? Inspired and inspiring spokesperson of a generation or mere agent provocateur? Make your guesses...
Presented by Grimposium and Uneasy Sleeper. Blekkmetal is a documentary about the one-off 2015 festival celebrating the origins of Norwegian black metal. Featuring exclusive interviews and footage of Enslaved, Taake, Aeternus, Gehenna, Helheim, Old Funeral, Kampfar, Hades Almighty and Gaahls Wyrd performing classic and rare songs from their catalog, Blekkmetal features an all-Canadian production team including director David Hall (alumnus of Concordia University), metal studies scholars Vivek Venkatesh (Concordia University) and Jason Wallin (University of Alberta), and mobile media scholar Owen Chapman (Concordia University). Blekkmetal is co-produced by the festival’s organizers Ivar Bjørnson, Jannicke Wiese-Hansen and Kirsti Rosseland.
WELCOME TO THE GREEN HELL! The making of the music video for the hit song "Green Hell" by the Veggie Killers
A documentary about the rise, fall and resurrection of the Black Metal music and culture in the Egyptian cities Alexandria and Caïro. This subculture was related with satanic rituals and blasphemy by the media and the government. For this reason the national security of Egypt organised a real 'witchhunt ' on all the metalfans and musicians. Many youngsters were arrested.
An in-depth documentary about the french Black Metal band PESTE NOIRE.