At Ngay Ngay, a village in northern Senegal, there are real natural evaporative basins in which depending on the year large or small quantities of sea salt dry out. Located 15 kilometres from Saint-Louis, the village is living around a complex community organisation: men divide the salt fields into plots, and women are those who harvest. In the end, the men receive a share of the crop, while women are those who took great pains over the harvesting.
At Ngay Ngay, a village in northern Senegal, there are real natural evaporative basins in which depending on the year large or small quantities of sea salt dry out. Located 15 kilometres from Saint-Louis, the village is living around a complex community organisation: men divide the salt fields into plots, and women are those who harvest. In the end, the men receive a share of the crop, while women are those who took great pains over the harvesting.
2011-01-01
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A documentary that focuses on the craftspeople who continue to make salt with a technique called Agehama-shiki that has been passed down since ancient times, and the lush natural environment of the northernmost tip of the Noto Peninsula in Ishikawa Prefecture. It is also the feature-length debut of director Ishii Kaori. The process of making salt by collecting sea water and boiling it in a hiragama cauldron temporarily died out during the period of Japan's rapid economic growth following World War II, but one family's efforts to keep it alive has miraculously ensured its continuation. Salt is a vital element of people's lives. The saltmaking artisans who perpetuate their traditions represent a way forward for those of us living in this modern age.
The Unknown Woman is a documentary film scripted and directed by Elina Kivihalme. It depicts the reality of Finnish agriculture and forestry during the war years, when the home front relied entirely upon the work and endurance of the women. All farm work, caring for the children, woodcutting and other forestry operations were undertaken by the civilians, as the men in their prime were on the front.
About an hour's drive from Salt Lake City, Utah is the ski resort of Alta, a former mining town, nestled within the Wasatch Mountains. Skiing and other winter alpine pursuits take place well into mid-spring. The relatively new ski lift is one of the longest in the western US. Some ride the lift not to ski down but to glance at the view from the 1,500 foot summit. Being the end of May, people at nearby Salt Lake are instead enjoying more summerly pursuits, such as boating. Behind only the Dead Sea, it ranks second among all large inland lakes for the saline content at 27%, the buoyancy from which makes it almost impossible to sink in. On shore at Black Rock Beach of the Bonneville Salt Flats is the site of many attempts of land speed records, most records held by Ab Jenkins. Another popular activity in the lake itself is the crystallization of salt around wire forms, the process which requires relatively still water and takes about two hours.
Each year, the pilgrimage of the Muslim brotherhood of the Mourides takes place in Touba. From all over Senegal (and even from all over the world) pilgrims flock to take part in this religious event which will last three days and two nights. Grand Magal in Touba evokes the black Islam, promotes peace and tolerance, born of syncretism between Islam and the blackness of the Sufi brotherhoods in Senegal.
The artist Johanna Faust is about to leave her children to finally devote herself to her art again. A vague memory comes to her mind: Didn't her grandmother do the same thing, with terrible consequences? The intimate road movie tells of lost mothers and abandoned children, of the temptations and the price of self-fulfilment, of the abysses of motherhood and of the deep longing for another life.
Following the steps of Oumar Seye, first black African professional surfer, Cherif, Paké, Assane and Mbabou, childhood friends from Ngor village in Dakar, make a living with their passion, surfing. They’ve been qualified to form the Senegalese national team for the first time at the ISA World Surfing Games in Biarritz, France. A crucial stake for these worthy ambassadors of the "Teranga" spirit.
Since the cult success of Merci Patron!, activist/journalist/filmmaker François Ruffin has become an MP. Here, he attempts to table a law aimed at upholding the rights of what in Quebec are known as caregivers, and shows us in passing how a law whose need seems patently obvious is put together, debated, voted on and . . . dies on the battleground of French politics. A stirring documentary about social injustice that somehow manages to make us bust a gut laughing as we rage with indignation. And also cry at the beauty of it all, thanks to the director’s humanist sensibility and a deft play between reality and fiction.
Four men from a nomadic Tibetan tribe undertake their annual, ritualistic pilgrimage to a sacred salt lake. Salt gathered in this traditional fashion will be sold to provide the economic livelihood of the tribe for the coming year. The journey, necessary for the group's survival, also incorporates a number of rituals necessary for their culture to survive in the modern world.
This animated short challenges enduring myths, spawned by fairy tales and romances, about women in medieval society. It explores the differences and similarities between that distant period and our own, and shows what medieval women’s lives were really like.
Women from Turkey and Mecklenburg are working together side-by-side at a fish-processing factory in Lübeck. As they work, they share stories about their lives, including their sorrows, griefs, hopes, and dreams, while expressing their longing for home and feelings of being lost in a foreign place.
Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.
FENEEN is a journey into Senegal's urban music scene. This project was born from the meeting of Italian producer Frank Sativa with Senegalese pop-star Leuz Diwane G and Italian-Senegalese rapper F.U.L.A. This gave rise to a song, a video clip and a documentary with the same name (Feneen). Feneen portrays the current urban and music subculture of Dakar suburbs. The documentary highlights the fundamental rule of the urban subculture in debunking the stereotypical image of the African continent.
A short documentary exploring how the ocean is an empowering space for women to connect. Told through the personal story of Deguene, a 17 year old surfer, from Dakar, Senegal. She leads us on a journey through the waves of her familial past which is deeply connected to the spirit of the ocean. This powerful story explores the symbiotic relationship between women, the ocean, community and sport.
The story of four Senegalese youths from the suburbs of Dakar who are about to set their country ablaze in 2011, via the grassroots movement called Y’en a marre (We’re fed up).
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"
Mère-Bi is a 2008 documentary film about Annette Mbaye d'Erneville by her son, director Ousmane William Mbaye. The first Senegalese female journalist, she was deeply involved in the development of her country. Both an activist and a non-conformist, she fought for the emancipation of women from the beginning.