A Pátria(1977)

Estudantes, Condicionamento e Revolta(pt)

Six Hours: Surviving Typhoon Yolanda(en)

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

Journey Across the Mainland(zh)

Joseph Kuo's final film.

Hot Wheels AcceleRacers: The Ultimate Race(en)

The Teku and the Metal Maniacs put aside their usual competitive instincts and work together in order to save a fellow driver and the AcceleChargers, which are in danger of falling into the hands of the evil Racing Drones.

The Grotto(pt)

Four bodies are found at a cave accident and forensics point to the only survivor as the culprit. He denies guilt, accusing his wife of committing the crime. But how is this so? She is one of the deceased.

12(en)

After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.

Sweet Obsession(es)

When a university student moves in with a family in Mexico City, conflicts emerge. An inevitable affaire with the father, a rebellious bond with the adolescent daughter and tensions with the mother lead up to a painful secret that will shake the family apart.

Au Cigogne!(nl)

A Dutch family on their last full day of their camping holiday in France. On the moment that nobody wants to join father Aad on the traditional hiking tour, everybody experiences their own adventure.

GULDIK!! GENJI'S LITTLE LIFE COACH(id)

A snackable drama series about the life of GENJI, whose world is constantly overflowing with drama—because everyone around him is way too sweet (literally “too much sugar”). Luckily, there’s GULDIK, always ready to lay down the real talk, offering tips and tricks so GENJI can keep moving forward—just like the main character in the movies.

Gasping for Air(tl)

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

Missing 2(ko)

Three people meet in the same place for very different reasons where two people are waiting to hunt them down.

Xuxa Só Para Baixinhos 7(pt)

British Made(en)

When a man is released from prison for his involvement in a white nationalist gang, he begins to uncover the truth behind his troubled past with violent consequences.

Dracula's Curse(en)

A team of vampire hunters set out to battle an evil vampire clan in the dark underworld.

The Sweeper(en)

A young cop, haunted by the murder of his entire family years earlier, is recruited by a shadowy organization to hunt down criminals who are beyond the reach of the law.

For freedom and justice(da)

A picture of the life of the Danish people from the late 1820s to the introduction of the free constitution in 1849. A fictional character, Rasmus Nielsen, travels around the country, first as a traveling teacher, later in other positions, and through his experiences we are introduced to the conditions of various population groups. The central figure in the portrayal of historical figures is the politician Orla Lehmann.

10 Pesos(en)

Like O'Henry's Tainted Tenner this 10 peso note, found on a sink in a men's room passes from hand to hand through many lives.

Sonneveld(nl)

Snow Is Falling(ru)

One day the snow left the forest and went to the city. At the same time, his leadership was the Snow Law, which says that if you fall out for the first time, you can get up and walk again, if you fall out a second time, you can also get up and go further. And if you fall out for the third time, then you will remain lying until you turn into a puddle.

Gondora(ja)

A short movie about a guy living in his own world.

Automatic Writing(en)

Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).

Every Ambulation a Betrayal(en)

Return to 'burn' only to find out you're already in that urn.

We Could All Do With a Little Back & Forth As Far As It Concerns the To & Fro of Everywhere Each of Us Go(en)

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

Aridity Enclosure 1(en)

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

Blockbuster Where a Giant Monster Destroys a Town(en)

In a village of Cuba devastated after trying to imitate the north american suburb model, a sound recorder tries to tape sounds for an incoming blockbuster about a giant monster that destroys a whole town.

Alaska(de)

Alaska is a wordless experimental film with a simple, droning soundtrack that sounds as if it is a piece for violin and refrigerator hum.

1/57: Experiment with Synthetic Sound (Test)(de)

Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)

Dónde estás en el futuro?(es)

Gaze and Hear(th)

This video art experiment and survey on human's visual and sound perception which have an influence on the way of life, national integration, and people's belief in fact. The video changes the way of human's usual perception by using a Thai ancient tale read by a calm voice, along with the annoying visual and sound.

Thinking and Drawing: Japanese Art Animation of the New Millennium(ja)

The walls of video rental shops in Japan are lined with hundreds upon hundreds of animation DVDs, but experimental and art animation on DVD are rare. To remedy this situation, Image Forum put together this showcase of the work of contemporary avant-garde animators trained in Kyoto and Tokyo.

Timecode(en)

A production company begins casting for its next feature, and an up-and-coming actress named Rose tries to manipulate her filmmaker boyfriend, Alex, into giving her a screen test. Alex's wife, Emma, knows about the affair and is considering divorce, while Rose's girlfriend secretly spies on her and attempts to sabotage the relationship. The four storylines in the film were each shot in one take and are shown simultaneously, each taking up a quarter of the screen.

Living in the World(en)

An auto-documentary about a disenfranchised Everyman and his struggle to re-integrate himself into society. He fails and turns to crime.

A Letter to Home(as)

Glimpses of lives from a village in Assam reveal the relationship between its history and the present. People’s lives and beliefs are entangled with ecological strings , as nature stands witness to the narratives that unfolded there. A young boy, Rahul, hopes to write a book on his experience of growing up in this village. His mother, being deeply connected with nature can sense messages and signs arising from nature.. Urmila, a pregnant lady, is driven by sensorial experiences. But, In contrast to the serenity and harmonious living; there lurks a violent societal past.These peaceful and quiet lives intersect in a space where traumatic memories of death and loss in Assam’s thirty years of secessionist movement keep resurfacing.

Straits of Magellan: "Drafts and Fragments"(en)

A sampling of forty-nine fragments from Frampton's catalogue of 'actualities', the films from STRAITS OF MAGELLAN: "DRAFTS AND FRAGMENTS" are all silent and unedited. Several invoke, directly, the work of the Lumieres, as in Frampton's reworking of DEMOLITION D'UN MUR (1895) in which a dilapidated farm silo is demolished in place of the Lumieres' wall. He makes reference to his own work and plays homage to the work of contemporaries. A complex range of formal issues are raised in other fragments. Finally, Frampton offers a number of analogues for the act of filming and cinematic seeing that includes a series of appropriated 'lenses' ( a stone portal, a wooden silo) and a set of 'screens' a pool of water, curtains, a dusty window).

Sweet Friday(ja)

An animation mixing hand-drawn and cut-out techniques depicting the daily rituals of weekday morning that is occasionally interrupted by flights of fantasy delivered in stroboscopic flashes. Showing scenes of brushing teeth and face washing, Tanaami describes the film to be like a self-portrait on his favorite day of the week.

Fortune(en)

Norman’s father was a society portrait painter. After his father’s death, Norman faces the burden of inheriting his father’s life’s work. He struggles with conflicting feelings about a man who was a gifted artist, but a difficult and unsupportive father. In this emotional journey Norman reconnects with his own artistic nature, something that had not been possible while his father was alive -- finally emerging from his father’s shadow, and the shadow of his grief.

Chant(en)

Creates a reorientation of vision in a union of sights and sounds which suggest a different way of appreciating and understanding the fundamental integrity of experience.

May 35(en)

A haunting commemoration of the Tiananmen Square uprisings.

Hackney Marshes – November 4th 1977(en)

An improvisation recorded over the course of one day, starting at dawn and finishing after dusk. The film was edited in camera and shot from one camera position in the middle of one of the 112 football pitches that cover Hackney Marsh, a location chosen because of the similarities between the surrounding buildings and objects (identical blocks of flats, goalposts etc.). By cutting between precisely matched framings of similar objects, illusions of movement were produced, disrupting representational readings of the landscape. Unforeseen events occurring in the vicinity were also recorded, determining to some extent the subsequent filming. Through selection of shots and changes in cutting pace and speed of camera movement, the film fluctuates between record and abstraction.