Agora Que Eu Sei(2016)

Doctors, Liars, and Women: AIDS Activists Say No to Cosmo(en)

Outraged by the controversial January, 1988 article in Cosmopolitan magazine, the women in the AIDS Coalition to Unleash Power, (Act Up, New York), organized the first AIDS demonstration focused on women. Doctors, Liars and Women:AIDS Activists Say No To Cosmo not only documents the efforts of the Women's Committee to organize this protest, it also serves as a how-to-guide for direct action.

DiAna's Hair Ego: AIDS Info Up Front(en)

A documentary film about AIDS and one unconventional woman's efforts to educate her small, Southern community. DiAna DiAna is a local hairdresser who transformed her beauty parlor into a center for AIDS and safe sex information.

(In)Visible Women(en)

Women who are HIV-positive discuss how they "came out" about their infection and became politically active.

Stiff Sheets(en)

Stiff Sheets indicts public health officials and politicians for the lack of adequate and humane care for people with AIDS in Los Angeles, this time documenting a mock fashion show staged by ACT UP activists.

Fight Back, Fight AIDS: 15 Years of ACT UP(en)

A look at the ACT UP movement from its inception to the present day.

No Regret(en)

Five gay Black men who are HIV-positive discuss how they are battling the double stigmas surrounding their infection and homosexuality.

The Bloody Truth(en)

This film tells the story of the unknown pre-history of the AIDS virus, long before people started to die in the US and Europe. Following a team of scientists we uncover a forgotten medical archive in the Democratic Republic of Congo, that tells of an epidemic a full two decades before anyone knew about the novel killer. From high-tech labs in the US to African medics who have their boots on the ground, we trace HIV back to its origin in the jungles of Cameroon. In the decades around the turn of the 20th century, colonialism fundamentally changed the lives of millions of people in central Africa; it created an environment that allowed HIV to leave its original host, the chimpanzee, and start to spread in humans.

Dead Gay Men and Living Lesbians(de)

As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.

ALHIVE(en)

Linda and Kenya narrate their testimony about being women and living with HIV in a time where stigma, negligence and androcentricity force them to start an activism that is still present in their community.

Artistes en zones troublés(fr)

Daily spleen, drunkenness among friends, conversations and the passage of time: the video diaries composed by Lionel Soukaz chronicle the early 1990s, the comet tail of those never-ending winter years and the nightmare of the AIDS years. But edited thirty years later with Stéphane Gérard, they are also a tribute to Hervé Couergou, the beloved partner at the center of all the filmed scenes. Slowly, in conversations between couples and friends, the dandy spirit and intimate confession overlap. What emerges is a portrait of a way of dealing with the times and their pain, which, beneath the act of commemoration, seeks to inscribe a living presence.

Bright Eyes(en)

One of the earliest documentaries to deal with AIDS.

Doin' My Drugs(en)

The story of musician Thomas Muchimba Buttenschøn - born HIV+ in 1985 - and his crusade to use his music to wipe out AIDS in his native Zambia and beyond.

Positively Naked(en)

No clothes. No apologies. This film marks artist Spencer Tunick's third 'Naked' documentary which feature photo shoots that create art from the naked bodies of men and women. In this shoot, 85 HIV-positive men and women gather in a downtown Manhattan bar where they bare it all for Tunick's camera, creating an unsentimental look at life with AIDS in America today.

Transa y Frontera: Ensaio sobre Imágenes Sidosas(es)

In a record of images and sounds, a young HIV+ man recounts his experience on the border between Argentina, Brazil and Paraguay.”

Body Without Soul(cs)

Documentary look at doomed male prostitutes in Prague, ages 15 to 18, who troll at the public swimming pool, the train station, a video arcade, and a disco. After the boys talk about how they got in the game, the camera follows them to the home of Pavel Rousek. Under the name Hans Miller, he makes gay porno videos, primarily for German distribution. Intercut with a movie shoot chez Rousek is an interview that follows him to his day job at a morgue, where he performs an autopsy as he talks about his work. The sex is without protection; the boys are without family. They talk about their bodies and souls, money, their sexual orientation, AIDS, their dreams, and death.

It Will Always End in the End(fr)

Gabriel Drolet-Maguire, a designer living in Montreal, takes us into their artistic world to discuss their HIV diagnosis. This is a timely and hopeful look at past and present day HIV/AIDS activism in Quebec.

The Salt Mines(en)

Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".

The Transformation(en)

Ricardo was once Sara, a homeless HIV positive transvestite, living in the underbelly of Manhattan. Today he is a churchgoing, married man, "saved" by a Dallas ministry. He has renounced his homosexuality, but is his conversion complete? Susana Aiken and Carlos Aparicio offer an intimate look at Ricardo's transformation.

Não Vai Embora(pt)

From Darkness to Light: The Peter Krueger Clinic(en)

A documentary film that tells the story of the Peter Kruger Clinic (PKC) – one of the first HIV/AIDS clinics in the United States, which was established at Beth Israel Hospital in 1989. Started during the height of the epidemic in New York City, PKC boldly stood against the stigma of the disease and served as a beacon of hope and a model of care for those New Yorkers diagnosed with HIV/AIDS. This powerful film traces the clinic’s origins and its impact over the last 3 decades, as told by the patients and staff that have called it home.