Oh, for a Man!(1930)

Zombie Fight Club(zh)

It's the end of the century at a corner of the city in a building riddled with crime - Everyone in the building has turned into zombies. After Jenny's boyfriend is killed in a zombie attack, she faces the challenge of surviving in the face of adversity. In order to stay alive, she struggles with Andy to flee danger.

Muxˣ(de)

Mux spent many years in a coma in a clinic with a constant stream of television. But at least he survived a serious car accident! Now he has woken up, and he has a plan: during his time in hospital, he came up with the idea of a fairer society. From now on, Mux sees it as his task to save the world from neoliberalism and goes to France, the motherland of revolutions, with his long-term nurse Karsten and a self-written manifesto.

People(en)

PEOPLE is a new collaboration of riders and filmers from Mack Dawg Productions. Directed by Pierre Minhondo and Justin Eeles. This newly formed collective combines the talents, attitude, and fun-loving folks from such films as kidsKNOW’s “Burning Bridges,” and Neoproto’s “Some Kinda Life”. Learn, watch, and follow these PEOPLE as they show you real snowboarding in their own form. From our cities to yours, look forward to watching: Jon Kooley, Justin Hebbel, Nima Jalali, Jordan Mendenhall, Curtis Woodman, Mitch Nelson, Bryan Fox, Etienne Gilbert, Robbie Sell, Stephen Duke, Pat McCarthy, Shaun McKay, Josh Mills, Marius Otterstad, Jussi Tarvainen, and Ryan Thompson. -Released August 2006.

Terminal(ja)

The masterpiece of Shino Sakuragi, who won the 149th Naoki Prize for "HOTEL ROYAL" in 2013, is now a motion picture. A lawyer burdened with an inexpiable sin, and an accused woman who seals her past and keeps it a secret. In Kushiro, Hokkaido, the pair who chose a faraway town as the terminal station of their lives encounters and develops a moving drama by starting new lives. Koichi Sato enters new territory his performance, while Tsubasa Honda plays a serious character which creates a new image for herself. Machiko Ono, Shidou Nakamura, Shigeru Izumiya and other talented cast members join in the film.

This Is Måneskin(it)

Work(en)

Unable to move on from a breakup, Gabi, a queer Latina freelance editor, impulsively drops into an old job at an underground lap dance party, where she unexpectedly runs into a friend from her past.

Faceless(en)

After waking up disoriented and frightened in a hospital room, George discovers that he has received a full face transplant.

Die, Monster, Die!(en)

A young man visits his fiancé's estate to discover that her wheelchair-bound scientist father has discovered a meteorite that emits mutating radiation rays that have turned the plants in his greenhouse to giants. When his own wife falls victim to this mysterious power, the old man takes it upon himself to destroy the glowing object with disastrous results.

Full Metal Village(de)

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

Bye Bye Barbara(fr)

A chance meeting with an alluring stranger leads a sports journalist down a twisted path of deception.

Blind Man's Bluff(pt)

A blind beggar is robbed of his chest of money. The theft leads to a dramatic situation in the street where he begs every day.

Elektra(en)

The Martin Kušej production of Richard Strauss's "Elektra", filmed live at the Opernhaus Zurich on 30 November and 4 December 2005. Eva Johansson stars as Elektra, with Marjana Lipovšek as Klytämnestra, Melanie Diener as Chrysothemis, Rudolf Schashing as Aegisth, and Alfred Muff as Orest. Christoph von Dohnányi conducts.

Hoffenheim - Das Leben ist kein Heimspiel(de)

Documentary about the rising german football club TSG 1899 Hoffenheim.

Holiday(fr)

During a family reunion in 2000, guests decide to read out laud their "Where I See Myself in 10 Years" wish lists which they wrote down during their 1990 family reunion.

Corrections Class(ru)

Lena is a bright, disabled girl who, after years spent studying at home, is keen to get back to school. She is assigned to a special class for disabled pupils who have to present themselves before a school commission at the end of the year in order to prove that they merit being moved back into a "normal" class. Her enervated teachers, however, show absolutely no desire to motivate the students and help them improve; on the contrary, they try to quash right from the start any interest Lena shows in more complex study material. Nevertheless, Lena soon involves herself in the school routine and gets together with classmate Anton. Yet their transparent happiness is not to everyone's liking and repercussions soon follow.

Fight Club(ta)

A young boy Selva chasing his football sports dreams suffers a major setback, grows into an angry young man who is drawn into conflicts by evil forces involving him and his family, which he must navigate and reform

Una Hora Por Favora(en)

A woman hires a day laborer for an hour and gets more than she bargained for.

Amadeus(en)

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.

Verdi Otello(en)

Desdemona in Verdi's Otello was a career role for soprano Renata Tebaldi, from her first operatic performance outside of Italy to her final appearance on the opera stage. Between those landmarks she performed the role nearly 100 times all over the world and made studio audio recordings that became reference recordings for the role. This 1962 production with the Deutsche Oper Berlin and Giuseppe Patane was planned as a media event from the outset and blessedly captures a consummate artist in a signature role at the peak of her gifts.

The Phantom of the Opera(en)

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

First Opera Film Festival(en)

An anthology of four abbreviated operas: "William Tell" by Rossini, "The Marriage of Figaro" by Mozart, "Don Pasquale" by Donizetti, and "Carmen" by Bizet. Filmed in Italy with major opera stars, and accompanied by English narration.

Seven Angels(en)

An invitation to enter the soul of an artist - director Erick Ifergan - through a highly personal retelling of the Orpheus tale suffused with Ifergan's striking paintings, sculpture and conceptual photography.

Deidamia(en)

Here is a rare and exceptional example in which the director and costume designer amuse themselves with `silly' costumes, but it actually works. I usually loath the stupid concept of 'clever' producers' of dressing opera singers in an motley set of `modern' and bizarre costumes (mostly tasteless) to help the `stupid' spectators to understand the universality of the opera across time and place. However, in this particular production I enjoyed every moment of it. All my reservations withstanding, I found that the costumes have actually helped highlight the `buffa' aspects of this supposedly `siria' opera. This work may not be among Handel's greatest masterpieces, but the way it is presented and sung here makes it a thorough pleasure for the senses.

Aida - Arena di Verona(it)

The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers. Chinese soprano Hui He has won international acclaim for her portrayal of the eponymous slave girl whose forbidden love for the war hero Radamés (Marco Berti, the experienced Verdi tenor) brings death to them both.

Tosca(en)

This live version of Puccini s superbly dramatic opera was recorded in Rome in the exact locations and at the precise times of day as Puccini had written into his score. The action opens in Rome's beautiful 16th-century church of Sant Andrea della Valle, where Cavaradossi (Plácido Domingo) is innocently painting, moves to the Farnese Palace where Tosca (Catherine Malfitano) dramatically stabs the lustful Scarpia (Ruggero Raimondi), and finally to the battlements of the Castle Sant Angelo at dawn the following day where Cavaradossi is cruelly killed, and Tosca takes her own life.

Mefistofele(en)

The director, Roland Schwab, has created his version of Hell. The set is like a high iron walled hanger and the stage is continually occupied with people who look like fugitives from Mad Max and who interact with Mefistofele. The orchestra and choir are wonderful. Rene Pape gives a nuanced interpretation with a certain amount of sardonic humour under the evil. His singing and acting are first rate, as is that of Kristine Opolais and Joseph Calleja.

Rossini: La Cenerentola(it)

La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale Cendrillon by Charles Perrault. The opera was first performed in Rome's Teatro Valle on 25 January 1817.---- IMDB id refers to Great Performances: Season 24, Episode 12 La Cenerentola (3 Apr. 1996) from Houston Grand Opera so release date is misleading.

Figaros Hochzeit(de)

Shortly after WWII, the DEFA Studios produced a series of operas and operettas which belonged to the classical German musical heritage. This enchanting film, the very first opera production of DEFA, stands out because of its lavish decor and costumes, its outstanding actors and their masterful voices of that time.

Freydís and Gudrid(en)

A group of merchants and vikings navigate dramatic events both within and without in this epic musical based on the Icelandic Vinland sagas. As secrets are exposed, two women (Freydís and Gudrid) have a reckoning.

Tristan und Isolde(de)

Take a perfect cast, a great conductor and a groundbreaking staging in-out makes a 'Tristan' for eternity. The 1983 performance in Bayreuth was a great moment for the world of opera. The ensemble performance of René Kollo, Johanna Meier and Matti Salminen with, then as now the Wagner admirer, Daniel Barenboim conducting the Bayreuth orchestra inspired singers and instrumentalists to peak performance. Jean-Pierre Ponnelle created a dream-beautiful stage.

Don Quichotte(en)

This May 2010 production of Massenet's 1910 opera "Don Quichotte" marked the opera's centenary and also Jose Van Dam's operatic farewell at the Theatre de la Monnaie, Brussels. It is beautiful in every way--vocally, scenically, sonically, and visually--and a worthy record of Van Dam's farewell. Van Dam is just shy of 70 in this production, but you would never guess it from his singing or stage movements--a consummate artist. His is a noble portrayal and deeply moving. The Act V death scene is a model of beautiful singing and acting.

Rameau Hippolyte et Aricie(en)

Emmanuelle Haïm has established herself as one of the world’s leading performers, conductors and interpreters of Baroque repertoire, not only with Le Concert d’Astrée, the ensemble she founded in 2000, but with several of the world’s greatest orchestras. Known for her fresh and expressive approach to Baroque music, she has garnered critical acclaim and several international awards with her own ensemble, including Victoires de la Musique Classique, ECHOs, Gramophone Awards, and Grammy nominations.

Werther(fr)

The production was the Vienna State Opera debut for the young Swiss conductor Philippe Jordan – the Argentinian tenor Marcelo Álvarez, took the title role. His Charlotte on this occasion was the young Latvian mezzo-soprano Elīna Garanča. Her performances have been enthusiastically received and she has already been labelled as the new mezzo wonder. Staged by internationally sought-after Rumanian director, Andrei Serban, the apparently sentimental love story – normally presented in 18th century period costumes - reveals a study of personal relationships and a close observation of a woman, who comes of age too late. Serban’s aim was to rid the opera of the unjustified reputation of banality that clings to it despite its underlying tragic mood. By setting the production in the stiff, claustrophobic atmosphere of a small town in the 1950s, he aimed to make the audience more aware of its deeper levels of self-denial.

Castor & Pollux(fr)

Recorded at the Musiektheater, Amsterdam on 21 & 25 January 2008. Performed by De Nederlandse Opera, composer Jean-Philippe Rameau's renowned tragedy "Castor et Pollux" tells the myth-based story of the selfless love between two brothers: Castor, who is mortal, and the immortal Pollux. When Castor dies trying to prevent the kidnapping of the woman he loves, Pollux decides to become mortal and replace his brother in the Underworld. Finnur Bjarnason, Henk Neven and Anna Maria Panzarella star.

The Metropolitan Opera: Werther(en)

Star tenor Jonas Kaufmann brings aching intensity and vocal charisma to the tortured title hero of Massenet’s Goethe adaptation. Sophie Koch, in her Met debut, is an appealing and elegant Charlotte, the object of Werther’s passionate affection that will lead to tragedy. Lisette Oropesa as Sophie, David Bižić as Albert, and Jonathan Summers as Le Bailli co-star. Richard Eyre’s atmospheric production is conducted by rising maestro Alain Altinoglu.

Callas Forever(en)

Aging opera singer Maria Callas tries to make a comeback by performing in a production of Bizet's "Carmen."

Aida(en)

With war and acts of violence in the background, Aida tells the story of a fascinating and tense love triangle between the Egyptian princess, Amneris, Ramades, an officer, and Aida, a Nubian princess, captured and reduced to slavery. The historical scenes and triumphal marches, which have contributed to the popularity of this opera, are followed by intimate but powerful duets and introspective moments of great intensity.