Hailed by John Grierson as 'one of the best descriptions of life in the country anybody has yet made', the film follows a young couple torn between the choice of emigration to Australia or remaining to work their croft in Shetland.
Enga
Hailed by John Grierson as 'one of the best descriptions of life in the country anybody has yet made', the film follows a young couple torn between the choice of emigration to Australia or remaining to work their croft in Shetland.
1933-01-01
0
Eberswalde, dying industrial city of forty thousand souls just 50 miles East Berlin. Johanna lives in that hopeless place. She lives refusing herself the dreams of following in the footsteps of her father, a boxer. Her irascible character makes her lose job after job and training in the gym where women are nothing but a nuisance. She perseveres supported by the love of a wonderful boy and the intelligence of a woman who knows that beautiful women are not necessarily stupid.
Documentary about the musical and social phenomenon of Brazilian funk (or Carioca Funk), a style derived from Miami Bass, based on repetitive bass drum loops and lyrics full of sexual and violent overtones, not directly related to American funk/soul music. This style emerged in the slums and poor neighborhoods of Rio de Janeiro, and is deeply associated with the lower social classes, but is gradually being accepted on higher social circles. The film is specially interested in women's participation, focusing on its major female stars.
Recently-widowed Leann and her 17-year-old daughter Julina move into an isolated polygamous compound, where the freethinking Julina meets like-minded Ryder, son of the religious compound’s charismatic Prophet, Ervil.
A television hosts wakes up to her true desires when his best friend's video goes viral.
The fate of a German found by the French peasants - a deserter from the Legion of Foreign Affairs fighting in Vietnam.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
In the slums of Rio, two kids' paths diverge as one struggles to become a photographer and the other a kingpin.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
At a party with diverse guests are dealing with the events os August 23rd, 1944. Guests are serving as metaphors for different parts of society.
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.
After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Talking about his father’s loneliness soon leads to a meeting with a young female journalist, who has flown to Seattle to write a story about the boy and his father.
An unlikely love story between polar opposites Uno and CJ two strangers, and how one night changes their lives forever. Unforeseen circumstances collide and force Uno and CJ to live under the same roof as they both deal with their sense of responsibility and their yearning for security. Uno is motivated by his sense of family while CJ is governed by an unconditional love that should put her first above everything else. The unlikely thing that binds Uno and CJ together paves the way for them to find in each other the kind of love they never thought they needed.
In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"
A precocious high school senior finds an unlikely lifeline in her court-mandated therapist after she is ostracized from school after a sexual transgression with her English teacher goes viral.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
A mute Scottish woman arrives in colonial New Zealand for an arranged marriage. Her husband refuses to move her beloved piano, giving it to neighbor George Baines, who agrees to return the piano in exchange for lessons. As desire swirls around the duo, the wilderness consumes the European enclave.
A wealthy Hong Kong housewife, Anna, lives a spoiled, bored life. When her husband suddenly leaves, taking the money and prestige with him, she refuses to accept her changed circumstances. Her chauffeur, Fai, who lives in an ugly barrack across the border in Shenzhen, is trying to get his wife—whose second pregnancy is a violation of the Chinese one-child policy—over the border so she can give birth in Hong Kong.
Over the course of a midsummer night in Fermanagh in 1890, an unsettled daughter of the Anglo-Irish aristocracy encourages her father's valet to seduce her.
Filmmaker Molly Gandour, in her mid-20s, returns to her childhood home in Indiana to speak with her parents in depth for the first time about her sister's death from cancer sixteen years earlier. The filmmaker comes of age as she weaves a deeply observed portrait of a family unearthing a long ago loss. Unflinching and poignant, Peanut Gallery shows us how we can transform when we begin to fill the silences between those closest to us.