The year is unknown, the world has been decimated by an unpredictable meteor strike leaving Austin and Eveline as the only survivors.
The year is unknown, the world has been decimated by an unpredictable meteor strike leaving Austin and Eveline as the only survivors.
2017-08-19
0
After the original run of the television series, an OAV music video titled Genesis Climber Mospeada: Love Live Alive was specially (mostly due to demands of hardcore Mospeada fans) released in Japan in September 1985. The music video consisted of both old and new footage. The story of Love Live Alive chronicled the events after the ending of the original Mospeada, featuring Yellow Belmont as the main character. The music video focused on Yellow's concert and also on his flashback of past events.
In a post-apocalyptic nuclear fallout shelter, a young scientist bothers their team leader with a series of progressively inane HR requests.
In a world where pets are genetically engineered to look like miniature copies of their owners, two stories from opposite ends of the world become intertwined.
From the south of France, a science fiction film about the end of the Leisure Class and that which came to replace it.
A recreation of the opening scene from the pilot episode of The Handmaid's Tale, "Offred." Originally directed by Reed Morano, ASC. Original cinematography by Colin Watkinson, ASC, BSC. Original teleplay written by Bruce Miller. Made in Misael Sanchez's "Filmmaking: Visualizing and Creating Moving Images for the Screen" at Sarah Lawrence College.
Set to a score by Mauricio Pauly (The Threshing Floor), multiple microphones, choreographic sequences, scores, and projected images, we are enveloped into a multimodal experience of two bodies in space.
A dog, a Tesla machine, two physics students, and an unexpected turn into another dimension.
A lonely 50s housewife undertakes radical atomic surgery to win back her husband's wandering eyes and to become the perfect wife in the process.
An alienated man, has no idea of what's going on outside his decrepit apartment in Burbank. When surrealistic events start happening around him, an inner struggle begins in which he'll have to figure out whether there's a strange presence haunting him or if it's just all inside his head.
Set in the year 2071, where technology has brought mankind to the brink of colonization on a planet named Gaia, one astronaut takes on an isolated mission and discovers unearthly horrors that could bring an end to human life on this planet.
Years after their "City Slickers" narrative was retired, Westworld hosts Mitch and Phil are still happily driving cattle, however Mitch has started to malfunction and it's up to Stubbs to analyze why he has gone off his loop.
Stuart and Kaylie are enjoying their third date until Stuart reveals a secret that threatens to derail their relationship. Is he telling the truth, or is it just science fiction?
Detective Jack Spencer is investigating several strange disappearances. His investigation brings him to question a local energy consultant, Dr. John Charles. Charles has been assisting the aliens in abducting humans for energy, expecting them to leave when they have enough, not knowing they will never be content.
Deep in the snowy Green Mountains, two damaged lives come crashing back together when they discover something in the forest not of this world.
In the future, nature has evolved to destroy humans. One man fights across a treacherous landscape to reunite with his past. (Post-apocalypse)
The subject matter of Memory Room 451 is the cultural and historical significance of 20th-century hairstyles – the Afro, the conk, dreadlocks – in Black communities on both sides of the Atlantic. Akomfrah has disguised this exploration as a science fiction story – in the manner of the groundbreaking writers profiled in The Last Angel of History – while providing a bravura display of the aesthetics of video art in the 1990s. The tale of visitors from the future who gather dreams from unwitting subjects in order to construct a history of the Black diaspora both defamiliarizes Akomfrah’s ongoing project and points to the danger that extracting history from memory can be a kind of expropriation.
The dystopia of reality through employees who enter the workplace with coffins, an elevator as a cemetery in the plazas, mechanized white-collar people, people who get money out of their heads, businessmen snarling at each other and a boss who throws up money.
Amidst the dead uninhabitable world of the future, the shelter of a forgotten country cottage affords a lone wanderer opportunity to acknowledge the lingering strands of her own humanity.