A Night in Tuscany is the first DVD released by Italian singer Andrea Bocelli of a concert held in his native Tuscany, in 1997, highlighting the unique blend of Classical, Pop, and traditional Italian songs that made him a crossover success as an internationally acclaimed tenor. The concert takes place at the Piazza dei Cavalieri in Pisa. Bocelli performs two opera duets with soprano Nuccia Focile during the concert, before singing Miserere with Italian rock star Zucchero, who discovered him, and Time To Say Goodbye with English soprano Sarah Brightman
A Night in Tuscany is the first DVD released by Italian singer Andrea Bocelli of a concert held in his native Tuscany, in 1997, highlighting the unique blend of Classical, Pop, and traditional Italian songs that made him a crossover success as an internationally acclaimed tenor. The concert takes place at the Piazza dei Cavalieri in Pisa. Bocelli performs two opera duets with soprano Nuccia Focile during the concert, before singing Miserere with Italian rock star Zucchero, who discovered him, and Time To Say Goodbye with English soprano Sarah Brightman
1997-04-13
7.2
A Night in Tuscany
The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.
"MATRIX is a flicker film which utilizes 81 still photographs of my wife's head. It is a film dependent upon variation of intense light changes by calculated combinations of black and white frame alternations with exposure changes. Throughout, the light intensity rises and falls as the head rotates in varying directions within a 360 degree frontal area." — James Cagle
The truth is way stranger than fiction,” muses one interviewee in this unbelievable true account of an incredible war time saga. As the Second World War was coming to a close, the US Office of Strategic Services trained and parachuted two Jewish refugees and a German deserter deep into Nazi occupied Austria. Through vivid first-person accounts, re-enactments, archival footage and learned commentary, the film reveals how their efforts disrupted a vital supply route between Germany and the Italian front to bring about the surrender of Innsbruck to Allied Forces. Their unbelievable adventure has a finale that beats any Hollywood movie hands down — but a story so powerful that it became the basis for Quentin Tarantino’s mega hit.
A young woman tries to make love to a park statue, but despite her passionate efforts, the monument remains cold and heartless. Don’t Believe in Monuments is an early short, where Makavejev subtly ridicules Yugoslav state-sponsored monument and history worship.
"BABYMETAL - Live Legend D" was a monumental concert event that took place on February 1, 2012, at Akasaka BLITZ in Tokyo. The show, dedicated to Su-metal's 15th birthday, was part of the "Live Legend" series and marked a significant milestone in BABYMETAL's early career. Featuring an intense setlist that included early hits like "Doki Doki ☆ Morning" and "Ijime, Dame, Zettai," the performance was characterized by Su-metal's commanding vocals, the synchronized choreography of Moametal and Yuimetal, and the thunderous backing of the Kami Band. The concert's theatrical elements, such as elaborate costumes and dramatic staging, enhanced the mythical atmosphere of the event. "Live Legend D" remains a key moment in BABYMETAL's history, showcasing their rapid rise and the beginnings of their global impact.
Four people traveling in a van run over a lone woman while she is walking in the dark down a country road. After loading her into the vehicle to take her to the nearest hospital, they notice that she is behaving rather strangely. The occupants of the van soon realise that the time has come to fight for their lives, and together they agree on one very simple rule: "do not sit next to her."
Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...
The movie takes place again in the fictional Wangan Station of the Tokyo Metropolitan Police Department the once empty space within Wangan's jurisdiction has become a popular tourist attraction. When a string of murders of company execs begins taking place, Aoshima jumps at the opportunity to pursue something other than his current case, which he finds less than inspiring. However the powers that be have other ideas, and Wangan again plays host to a special investigation team from headquarters. Aoshima's friend Superintendent Shinji Muroi, assigned by headquarters to assist Okita, is again powerless to help the local officers as decisions are made by the higher ups.
Disguised as an Italian medic, Dolas finds himself on a ship evacuating wounded Axis soldiers to Italy. He leaves the ship disguised as a Nazi soldier, but is found out, declared a deserter and sent to the Eastern Front. However, on the flight to Russia, he is able to escape with a parachute, and finds himself back in Poland, now occupied by Nazis.
Three people with insomnia get together at a supermarket where they share their experiences.
The Busted Live DVD A Ticket For Everyone follows the Live CD album of the same name, and features concert footage of all the band's hits from their previous 2 million-selling studio albums Busted & A Present For Everyone. Recorded live from the Manchester leg of their arena tour earlier this year, the on-stage footage is accompanied by, amongst others, bonus material including a band documentary, screensavers and videos to several of Busted's biggest hits. Includes the live version of current single, "She Wants To Be Me".
A night of classical music,conducted by famous comedian actor Danny Kaye,is something for the whole family to watch. Danny puts his talents to use while conducting and makes it very special for people of all ages.
It's the end of the century at a corner of the city in a building riddled with crime - Everyone in the building has turned into zombies. After Jenny's boyfriend is killed in a zombie attack, she faces the challenge of surviving in the face of adversity. In order to stay alive, she struggles with Andy to flee danger.
When Jamie's maternal grandmother dies, he and his brother Tommy are separated - Tommy is taken off to a welfare home and Jamie goes to live with his other grandmother and uncle. His life is far from happy, filled with silence, rejection and bouts of violence.
The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people
Sufjan Stevens’ concert at The North Charleston Performing Arts Center on November 9, 2015.
The film is about the relationship between crazy scientist George Edison and his son Leo. After being electrocuted as a child, Leo is no longer able to touch people without electrocuting them.
An experience of breaking into buildings and creating new homes for homeless families in Rio de Janeiro in opposition to a series of forced evictions by the State. These evictions initiate a major intervention project in the city intensified since 2007. In the documentary, the project called “revitalization” is questioned by the residents of various occupations.
Multishow ao Vivo: Vanessa da Mata is a live album and DVD from Brazilian singer Vanessa da Mata, produced by the channel Multishow. Multishow ao Vivo was recorded live at the historic town of Paraty, and brings in the repertoire songs that marked the career of da Mata.
This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre Ypsilon play of the same name shot at various bizarre locations such as airport, botanical garden and winter forest.
Three arias from Antonín Dvořák´s fairytale opera Rusalka turned in to a movie, sung by Gabriela Beňačková (Rusalka), Libuše Márová (Witch), René Tuček (Hunter).
The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
Dalibor is based on events that took place in the 15th century: having led a peasant revolt, the Knight Dalibor of Kozojedy was imprisoned, by order of King Vladislav II of Bohemia, in a tower in Prague Castle that still bears the name “Daliborka” to this day. Legend has it that he learned to play the violin while he was incarcerated, and that the people passing by the tower would be moved on hearing his music.
Few singers have plumbed the depths of the role of Violetta as did she incomparable soprano Renata Scotto. Her interpretation surprises with fresh insights at every turn, illuminating aspects of the character that are latent in the libretto and the schore but rarely dramatized with such completeness. For example, when Germont meets Violetta, he is immediately struck by her strong bearing ( Quai modi! , he exclaims in an aside).
Verdi - Un ballo in maschera / Domingo · Barstow · Quivar · Jo · Nucci · Rydl · Chaignaud · Wiener Phil. · Solti · Schlesinger · Salzburg Festival 1900
The Queen of the Night has begged Prince Tamino to free her daughter Pamina from the clutches of the High Priest Sarastro, who has abducted her. Together with the bird-catcher Papageno, Tamino enters Sarastro's realm to seek her. When he finds her, the two fall in love, but they have to have to undergo ordeals before they can be together. At the end, Papageno is also rewarded with his Papagena.
Robert Lepage’s landmark staging of Wagner’s Der Ring des Nibelungen, unveiled over the course of the 2010–11 and 2011–12 seasons, was the first new Met production of the complete cycle in more than 20 years. Combining state-of-the-art technology with traditional storytelling, it brings Wagner’s vision into the 21st century. With Die Walküre, the story of the Ring enters the world of human beings. Jonas Kaufmann and Eva-Maria Westbroek are Siegmund and Sieglinde, the twin children of Wotan, sung by Bryn Terfel. Deborah Voigt stars in the title role of the Valkyrie Brünnhilde, Wotan’s favorite daughter. James Levine conducts.
Bizet’s rarely heard opera returned to the Met for the first time in a century on New Year’s Eve 2015, in Penny Woolcock’s acclaimed new production. Star soprano Diana Damrau sings Leïla, the virgin priestess at the center of the story. Matthew Polenzani and Mariusz Kwiecien are Nadir and Zurga, rivals for Leïla’s love who have sworn to renounce her to protect their friendship—and who get to sing one of opera’s most celebrated duets, “Au fond du temple saint.” Nicolas Testé is the high priest Nourabad and Gianandrea Noseda conducts Bizet’s supremely romantic score.
Adaptation of John Gay's 18th century opera, featuring Laurence Olivier as MacHeath and Hugh Griffith as the Beggar.
Audiences went wild for Bartlett Sher’s dynamic production, which found fresh and surprising ways to bring Rossini’s effervescent comedy closer to them than ever before. The stellar cast leapt to the challenge with irresistible energy and bravura vocalism. Juan Diego Flórez is Count Almaviva, who fires off showstopping coloratura as he woos Joyce DiDonato’s spirited Rosina—with assistance from Peter Mattei as the one and only Figaro, Seville’s beloved barber and man-about-town.
It is a rare opera indeed that calls for one soprano diva and no fewer than six tenors. Mary Zimmerman’s fanciful production of Rossini’s drama, designed by Richard Hudson and with choreography by Graciela Daniele, provides the perfect setting for superstar Renée Fleming’s captivating performance of the title role. A beautiful but evil sorceress in the times of the Crusades, Armida sets out to regain the love of the Frankish knight Rinaldo (Lawrence Brownlee) by putting her magical spells on him. She at first succeeds to draw him into her web of sorcery, but ultimately divine intervention—and his fellow soldiers—free Rinaldo from his enchantment—much to the vengeful fury of Armida and her demons.
When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.
Robert Lepage’s remarkable Met Opera production of Wagner’s Der Ring des Nibelungen, the 2013 Grammy Award Winner for Best Opera Recording, is now available as individual DVDs. Siegfried features Bryn Terfel, Jay Hunter Morris, and Deborah Voigt, with Fabio Luisi conducting.
Ring Cycle, pt 4. Siegfried is drugged and tricked into kidnapping his wife, since she has the Ring now. More double-crossings, Siegfried ends up dead. Brunnhilde has had enough of this, tosses the Ring into the river and torches the place.
Stephen Wadsworth’s production of Mussorgsky’s epic masterpiece brilliantly captures the suffering and ambition of the Russian people at a critical time in their nation’s history. René Pape is riveting as the Tsar of the title, giving a commanding and charismatic performance of one of the greatest bass roles in the repertoire—his Boris is dominating, tortured, flawed and utterly unforgettable. The extraordinary cast and the Met Orchestra and Chorus are led by Russian maestro Valery Gergiev, the foremost Mussorgsky interpreter of our time.
The impulsive and charismatic Don Giovanni travels through Europe seducing women, accompanied by his long-suffering servant Leporello. But when Don Giovanni commits murder, he unleashes a dark power beyond his control. Kasper Holten’s production is rich in both colourful comedy and exhilarating drama. Set designs by Es Devlin (Les Troyens) and costume designs by Anja Vang Kragh (Stella McCartney, John Galliano for Christian Dior), with video projections by Luke Halls and choreography by Signe Fabricius, portray the visually entrancing world of Don Giovanni. At the heart of the production are the beauty and invention of Mozart’s dazzling score, which ranges from gorgeous arias and dramatic duets to the brilliant layering of dance melodies that bring Act I to a virtuoso close.
The priestess Norma loves Pollione, leader of the occupying force suppressing her people, and has borne two children by him. But Pollione’s love has withered, and he now loves Norma’s fellow priestess Adalgisa. Meanwhile, the people urgently look to Norma to lead their rebellion.