Is it possible for a war criminal to find forgiveness and to reconcile with the past? How do you find your way back to what is known as a normal life when you have been convicted of one of the worst crimes of all – a crime against humanity? Esad Landzo has looked for answers for many years, but in vain. He decides to make one last attempt. The Balkan War criminal travels back to Bosnia to meet his former camp-guard friend, his victims and his family. Will he ever be forgiven? Should he?
Is it possible for a war criminal to find forgiveness and to reconcile with the past? How do you find your way back to what is known as a normal life when you have been convicted of one of the worst crimes of all – a crime against humanity? Esad Landzo has looked for answers for many years, but in vain. He decides to make one last attempt. The Balkan War criminal travels back to Bosnia to meet his former camp-guard friend, his victims and his family. Will he ever be forgiven? Should he?
2017-08-14
7
The Aral “Sea” powerfully reveals the deadly impact of human activities—in this case, the intensive cultivation of cotton in the USSR—on an ecosystem. Daniel Asadi Faezi (The Absence of Apricots, VdR 2018) and Mila Zhluktenko (Find Fix Finish, VdR 2017) film the shore’s last inhabitants, who have lost their way of life to the desertification of their environment. A beautiful and poignant work about our probable future.
The third installment of SD Gundam shorts.
Temp Stop, as the title implies, has a disjunctive quality that separates it from the other parts of Re'Search Wait'S. As if emanating from the basement of Any Ever, each scene plays like a hidden-away epilogue rendering characters comparatively surreal--in part because they are often straightforward and ordinary. The movie opens with a less omnipotent Y-Ready barking an abusive monologue to hypothetical subservients and bidding Able to use The Re'Search to brainwash JJ into a duplicate of Wait. Able's work alter ego, Past Jessica, is battered by her office. She is out of time, and by that extension, timelessness in Any Ever is not equated with limitlessness but with total lack: no time.
A hospital caregiver tries to stop an unidentified female ER patient, in a brain dead state and pregnant, from becoming a heart donor for a VIP patient.
The safe, secure, boring life of Charlie Cross, a wealthy, successful solicitor is irretrievably shattered when he embarks on an illicit, passionate affair with the beautiful, mysterious Viola whom he meets one evening whilst investigating the background of her husband, Edgar Bosco.
Four friends -- Pankaj (Naseeruddin Shah), Bobby (Atul Kulkarni), Shakti Chinappa (Ravi Kissen), Albert Pinto (Kay Kay Menon) -- want to rob a lonely house in a lonely stretch of it's Rs 20 crore fake Indian currency... and the very fake note vending machine that lies in there. Just one problem: They have no plan...
Starflight One, a commercial aircraft that can whisk passengers around the globe in a matter of hours, embarks on its maiden voyage. The trip goes horribly awry, however, when the aircraft is forced out of the atmosphere and into outer space. As it is too dangerous to attempt reentry, Captain Cody Briggs, his passengers and his crew brave declining levels of oxygen while NASA scientists scramble to launch a rescue mission in a race against time.
Twenty-one day is a time period that terminal patients are allowed to stay in hospice. Time is pulsating here according to peculiar inner cycles: getting faster, slower or returning to its ordinary rhythm. We wander through physical and mental spaces: wards, gardens, memories. It is a story of two main protagonists, yet two strangers, for whom the regular talk about death constitutes an integral part of life.
Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.
In 1500, Duke Cesare Borgia hopes to marry his sister to the heir apparent of Ferrara, which impedes his conquest of central Italy. On this delicate mission he sends Andrea Orsini, his sister's lover and nearly as unscrupulous as himself. En route, Orsini meets Camilla Verano, wife of the count of Citta' del Monte, and sentiment threatens to turn him against his deadly master, whom no one betrays twice...
A film-poem created for Counterclock Journal's 2023 Patchwork: Film x Poetry fellowship, featuring an original poem by Mackenzie Duan and animation by Evan Bode.
“The Fight for the Soul of Seattle” examines the role of Seattle’s City Council in allowing the situation to reach what many experts consider epidemic levels under the guise of a compassionate approach to people who suffer from substance addiction and who commit crimes to feed their habit. It documents the heartbreaking condition of people on the streets, and the crushing decisions Seattle entrepreneurs are forced to contemplate as their life savings and dreams are destroyed by theft, vandalism and a dwindling customer base. This documentary also explores potential bold solutions to treat those living on the streets and pair them with agencies and assistance that can provide a clear path away from the endless circle of addiction and crime.
In Berlin, Lieutenant Yartsev's infantry and Tzvetaev's battery fight their way in the U-Bahn. Captain Neustroev's company is selected to hoist the Victory Banner atop the Reichstag.
A Romance of the Three Kingdoms retelling using SD Gundams. (Source: Myanimelist.net)
A young woman is returning from work on the night train. She is taking the big TER train to the outskirts of the city. Lonely, she looks out into the deserted landscape. A chance encounter will make this night memorable.
He was one of the most notorious Nazi war criminals, infamous for his assassination attempts on twins. But at the end of World War II, he simply disappeared...
Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.
Kenzo Okuzaki, a 62-year-old veteran of the New Guinea campaign in World War II, sets out to conduct interviews with survivors and relatives to find the truth behind atrocities committed while the Japanese garrison was surrounded, in particular the unexplained killing of two Japanese privates in his unit.
For Serbian filmmaker Mila Turajlic, a locked door in her mother's apartment in Belgrade provides the gateway to both her remarkable family history and her country's tumultuous political inheritance.
Reveals an alternate history of the post-war world. This is a version of history where, in contrast to what we are all told, fascist ideology prevailed. The story of Klaus Barbie, Nazi torturer, American spy, tool of repressive right-wing regimes, is symbolic of the real relationship that the "Western" governments had with fascism and makes us see the world as it is today - and the politicians that inhabit it - in a different way.
At the beginning of Sumadijska street in the vicinity of Slavija Square on the 11th August 1913, the Serbian victorious army from the Second Balkan War led by the Crown Prince Alexander Karadjordjevic was given a huge welcome by the highest military and political authorities of Serbia and Belgrade, representatives of civil organizations and national institutions, as well as several tens of thousands of people from Belgrade, Serbia and Vojvodina.
The Weight of Chains is a Canadian documentary film that takes a critical look at the role that the US, NATO and the EU played in the tragic breakup of a once peaceful and prosperous European state - Yugoslavia. The film, bursting with rare stock footage never before seen by Western audiences, is a creative first-hand look at why the West intervened in the Yugoslav conflict, with an impressive roster of interviews with academics, diplomats, media personalities and ordinary citizens of the former Yugoslav republics. This film also presents positive stories from the Yugoslav wars - people helping each other regardless of their ethnic background, stories of bravery and self-sacrifice.
Ten years after fleeing the regime in Serbia, Marko finds himself defending some of the very people that he fought against while he lived there, including the notorious Radovan Karadzic.
On 11th of July 1995, the most mortifying crimes after World War II in Europe destroyed the Bosnian town of Srébrenica. Shootings and deportations beyondimagination were preceded by a betrayal of humaity: while 40,000 civilians were looking into the sky of Srébrenica, waiting for a sign from the international community, guaranteeing their protection, the headquarters of the United Nations decided to surrender. The betrayal kill 8,372 men, women and children. Sky above Srebrenica (101 minutes) is based on protocols of the secret crisis meetings of the UN headquarters. In a unique way never before released original material of the consequences is shown next to those who are responsible for these.
True stories of the Croatian People's struggle to overcome oppression from communist Yugoslavia and the 1990's fight to save their war ravaged homeland.
Newsreel footage from both sides of World War II make a case for convicting Nazi war criminals.
This is the story of survivors of the Srebrenica genocide, the only holocaust in Europe since WWII. 8,372 Bosnian men and boys were killed in one week.Heartbreaking and mind blowing testimonials - the story told by survivors, contrasted by hauntingly beautiful landscapes and horrifying archive. The film portrays extraordinary characters, people who have been struggling to come to terms with the past as well as dealing with the harsh realities of living in one of the poorest countries in Europe. Their stories raise serious and profound questions about the nature of human existence, war and forgiveness.
Children learn what they see and feel what their elders teach them to feel. If they live surrounded by hate and thirst for revenge, they will learn to hate and take revenge. The documentary collects the stories of these children told by themselves; of the children who live today in the war and of those who, already old, reflect on the childhood they lived in another distant war.
The Scorpions were a Serbian paramilitary unit that gained notoriety for their involvement in war crimes during the Yugoslav Wars of the 1990s. By using the statements of former members of the Scorpions unit, and the materials recorded by the unit itself in the course of its campaignes, this film demonstrates the functioning of a typical combat unit organized by the security service to do dirty jobs in the Balkan wars. Including their treatment of Bosnian Serbs; from refusing them water to the stomach-wrenching murders of six Bosnian Muslim men, some of whom were minors, in Srebrenica in July 1995. Archival footage used in this film includes materials of Humanitarian Law Center, International Criminal Tribunal for Former Yugoslavia.
In the wilderness of British Columbia, two hunters are tracked and viciously murdered by Aaron Hallam. A former Special Operations instructor is approached and asked to apprehend Hallam—his former student—who has 'gone rogue' after suffering severe battle stress from his time in Kosovo.
During the conflict in the former Yugoslavia many soldiers were convinced to kill fellow citizens including friends and relatives in the name of patriotism. The Kolaborator follows the story of Goran, 24, a promising young soccer player who is forced to become a soldier. Goran goes from being a talented athlete to an executioner virtually overnight. Following orders, Goran lines up civilians, shoots them and drags them into mass graves. Justifying his role as a protector of his people, Goran becomes increasingly detached from the task until his soccer coach and life-long friend, Asim, is led in front of him. As a familiar face stands defeated before him, Goran must reconsider his actions and choose between his own life and that of his dear friend.
1991. Harrison Lloyd, a renowned photojournalist covering the war in Yugoslavia, is reported missing. Sarah, his wife, convinced that he is not dead, decides to go to Bosnia to find him.
A former Fascist takes his son and escapes across the border into France, where he tries to avoid being recognized and having to pay for his wartime crimes.
Accused of the genocide of Mayan people, retired general Enrique is trapped in his mansion by massive protests. Abandoned by his staff, the indignant old man and his family must face the devastating truth of his actions and the growing sense that a wrathful supernatural force is targeting them for his crimes.