Las infieles(1953)

Johan Falk: National Target(sv)

Frank Wagner goes deeper undercover to infiltrate Europe's most dangerous Mafia, the Russian-est, consisting of ex - KGB officers.

Retando A La Muerte(es)

mtDNA 1Ce hg(es)

mtDNA 1Ce hg is a landscape study, shot in northern Iceland at 16mm, approximately 400 feet long. This piece shows an environment stripped of the human figure, evoked only by its vestiges, apparently abandoned in the solitude of a barren terrain and an inclement climate. The title of the piece appeals an archaic link between who looks and the environment that crosses with a certain strangeness in capturing a small fragment of the history of the crossroads.

Johan Falk: The Outlaws(sv)

Johan is a two-fisted Gothenburg cop who finds himself in a shoot-out with jewel robbers. After the smoke has cleared, one robber, shot by his accomplice, and an innocent bystander, are dead. Three witnesses, including Helen, identify thug extraordinaire Leo Gaut as being the dead crook's trigger-happy colleague. Gaut soon threatens the three witnesses, and only Johan, the badge-wearing hero, can save them.

Red(pt)

Titanic(de)

The Three Friends(ar)

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

NJPW G1 Climax 33: Day 16(ja)

The sixteenth night of the tournament took place on August 8th, 2023 at Act City Hamamatsu in Naka-ku, Hamamatsu, Shizuoka, Japan.

Beethoven's 4th(en)

The family is pleasantly surprised and puzzled when Beethoven suddenly becomes obedient. Turns out it's a prince and the pauper scenario, with the real Beethoven now living with a pompous rich family.

Beethoven's 5th(en)

When Sara takes Beethoven to spend summer vacation with wacky Uncle Freddie in an old mining town, the mischievous canine "digs up" the missing clue to a legendary hidden fortune of Rita and Moe Selig. Now everybody wants to be the dog's best friend as his discovery unleashes a frenzy of treasure hunting among the community's cast of kooky creatures. With help from Uncle Freddie and Garrett (a friend or maybe more), Sara and Beethoven try to help uncover a secret that has been in the crazy little town for years.

Film(en)

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

My Wife Is A Gangster 2(ko)

Former Scissor Gang leader Eun-jin, who now suffers from amnesia, nevertheless defends Jae-cheol, a restaurateur who employs her, from a gangster who wants his business.

Fred 2: Night of the Living Fred(en)

When Fred suspects that his new music teacher is a vampire, he and his friend Bertha set out to save the town from this garlic-hating fiend.

Grease 2(en)

It's 1961, two years after the original Grease gang graduated, and there's a new crop of seniors and new members of the coolest cliques on campus, the Pink Ladies and T-Birds. Michael Carrington is the new kid in school - but he's been branded a brainiac. Can he fix up an old motorcycle, don a leather jacket, avoid a rumble with the leader of the T-Birds, and win the heart of Pink Lady Stephanie?

111, Fantaisie(fr)

Beethoven's 2nd(en)

Beethoven is back -- and this time, he has a whole brood with him now that he's met his canine match, Missy, and fathered a family. The only problem is that Missy's owner, Regina, wants to sell the puppies and tear the clan apart. It's up to Beethoven and the Newton kids to save the day and keep everyone together.

Finding Fanon 1(fr)

‘Finding Fanon’ is the first part in a series of works by artists Larry Achiampong and David Blandy; inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation. In the film, the two artists negotiate Fanon’s ideas, examining the politics of race, racism and the post-colonial, and how these societal issues affect their relationship. Their conflict is played out through a script that melds found texts and personal testimony, transposing their drama to a junkyard houseboat at an unspecified time in the future. Navigating the past, present and future, Achiampong and Blandy question the promise of globalisation, recognising its impact on their own heritage.

Eeeny, Meeny, Miney, Moe(fr)

In the autumn of '43, Mina, a little girl of Jewish origin, is entrusted to farmers in the Cévennes. Shocked by Jeroboam's frustrated manners and Deborah's cruel reflections - who is still suffering two centuries later from the struggle between Protestants and Catholics - Mina thinks she'll find refuge with Jeannot. But the young boy doesn't like girls and mistreats Mina. Fortunately, she has a friend: the village pastor. Thanks to him, she can go to school. Despite their constant bickering, Mina takes a liking to Jeannot. She convinces him to come to school with her. Together, they go for walks or take advantage of the passage of maquisards to force open the cellar door where hams hang! The arrival of an "informer" at the little school and encounters with the Germans disturb Jeannot.

People(en)

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times