A group of women climbs a summer mountain situated in South Korea. They are refugees who have settled into South Korean society after fleeing from North Korea. For them, climbing the mountains has been an unavoidable journey for survival - a matter of life and death.
A group of women climbs a summer mountain situated in South Korea. They are refugees who have settled into South Korean society after fleeing from North Korea. For them, climbing the mountains has been an unavoidable journey for survival - a matter of life and death.
2019-08-08
0
22nd of August, 1945. Japan lost the war and they loaded an 8,000 person Joseon laborer force onto a ship called the Ukisima to take them to the Busan Port. However, the ship sunk into the water due to an unknown blast. This is the story of thousands of Joseon people who dreamed of returning to their families and how they died.
Join National Geographic's Lisa Ling as she captures a rare look inside North Korea - something few Americans have ever been able to do. Posing as an undercover medical coordinator and closely guarded throughout her trip, Lisa moves inside the most isolated nation in the world, encountering a society completely dominated by government and dictatorship. Glimpse life inside North Korea as you've never seen before with personal accounts and powerful footage. Witness first-hand efforts by humanitarians and the challenges they face from the rogue regime.
The Christians of North Gando lose their country and leave their hometown, but gain the Gospel. The cross they hold in their hands is the symbol of daring for independence and a royal summon of the generation they have to endure. Historian Sim Yo Han retraces the footsteps of the late Father Moon Dong Hwan and finds meanings of the anti-Japanese independence movement hidden in various parts of North Gando.
Ryun-hee Kim, a North Korean housewife, was forced to come to South Korea and became its citizen against her will. As her seven years of struggle to go back to her family in North Korea continues, the political absurdity hinders her journey back to her loved ones. The life of her family in the North goes on in emptiness, and she fears that she might become someone, like a shadow, who exists only in the fading memory of her family.
Napalm is the story of the breathtaking and brief encounter, in 1958, between a French member of the first Western European delegation officially invited to North Korea after the devastating Korean war and a nurse working for the Korean Red Cross hospital, in Pyongyang, capital of the Democratic People’s Republic of Korea.
One year after the Korean War, the conflict had reached a stalemate. The two opposing forces began to search for a way to end the grueling war of attrition, eventually settling on a modest village called ‘Pan Mun Jom’ near Gaeseong as the designated site for negotiations. Despite initial hopes for a quick resolution, the negotiating parties encountered obstacles that prevented an agreement. Disputes over the military demarcation line and the repatriation of prisoners of war thwarted their efforts. The film peels back the layers to reveal the untold story of Pan Mun Jom, shedding light on a history that has remained hidden until now.
If the cityscapes and patriotic anthems of this film seem a far cry from the bleak landscape of Seoul Train, that's no accident. Dutch filmmaker Pieter Fleury, with the full permission and cooperation of the North Korean government, created this propaganda film that gives us a glimpse of a day in the life of one of the world's most enigmatic societies. A Day in the Life, largely dictated by the North Korean film bureau, follows a typical North Korean family through their daily duties, largely dedicated to the pride in the North Korean nation of comrades and the glory of General Kim Jong Il. The film is meant to extol the success of modern North Korea. But does it? With straight footage and a total absence of narration, viewers may interpret Fleury's film in a slightly different manner than intended
True crime meets global spy thriller in this gripping account of the assassination of Kim Jong-nam, the half brother of the North Korean leader. The film follows the trial of the two female assassins, probing the question: were the women trained killers or innocent pawns of North Korea?
During the Japanese occupation period, Koreans were forced to deport or drafted to work in other countries. Now 150 years passed, it appears around 7million of those people and their families are spread in 170 countries. There, a world-famous Korean-Japanese musician Yang Bang Ean follows the pathways of Korean diasporas as an inspiration, and performs his cross over music concert called ‘ARIRANG ROAD’.
I, a lesbian filmmaker, encounter people yelling at me to disappear from this world. It is a time of hatred in South Korea. LGBTQ people are the easy targets for hatred. In searching for what makes a marginalized life livable, I embark upon a journey. I encounter a double life of Lee Muk, a 70-year-old Korean “Mr. Pants” and precarious lives of a Japanese lesbian couple, Ten and Non, after 3/11. As an ever-growing number of citizens are becoming the targets of 'witch-hunting' in Korea, true faces of the haters slowly begin to unfold.
Numerous people are on subway trains running up and down the city center endlessly. There are people who run this decent space “underground”. Under the noisy world today, we approach them to see what life is like underground.
The film traces PARK Geun-hye's life back to the 1970s, when the leader-follower relationship began between PARK, who became the first lady of the Yushin regime, and CHOI Taemin, the leader of a pseudo-religion. It then examines the Sewol ferry incident, CHOI Soonsil Gate, candlelight rallies, and finally the impeachment.
The small county of Seongju staged protests against the THAAD. Young mothers led protests from concerns about their kids and the exposure to radiation. Gradually, they learn the system is faulty.
There lives a couple known as "100-year-old lovebirds". They're like fairy tale characters: the husband is strong like a woodman, and the wife is full of charms like a princess. They dearly love each other, wear Korean traditional clothes together, and still fall asleep hand in hand. However, death, quietly and like a thief, sits between them. This film starts from that moment, and follows the last moments of 76 years of their marriage.
"Getting into North Korea was one of the hardest and weirdest processes VBS has ever dealt with. They finally said, “OK, OK, you can come. But only as tourists.” At the airport, the North Korean consulate brought us to a restaurant and these women came out and started singing North Korean nationalist songs. We were thinking, “Look, we were just on a plane for 20 hours. Can we just go to bed?” but this guy with our group who was from the LA Times told us, “Everyone in here besides us is secret police. If you don’t act excited then you’re not going to get your visa. So we got drunk and jumped up onstage and sang songs with the girls. The next day we got our visas. A lot of people we had gone with didn’t get theirs. That was our first hint at just what a freaky, freaky trip we were embarking on…" -VICE Founder Shane Smith
Youngsoon defected from North Korea in 2007. Her husband killed himself and her eldest son is in North Korea. She does her best for her little son who came with her. But he thinks that his mother only loved his big brother in the North and resents her for having brought him to South Korea only to be stigamatised as North Korean defector. Youngsoon, who was born as the daughter of a South Korean prisoner of war detained in North Korea, was always poor and her only hope was her eldest son with exceptional talents. To her, her little son is more work than hope.