"Jakob is my dear brother. He used to love to party, make music, and let himself drift through Berlin. Then six years ago, he suddenly became a Muslim. He broke off contact with his old friends and his old ways. Now as a Salafi, every question has an answer by the rules of fundamental Islam. By filming him, I go in search of our lost bond of brotherly love and suddenly find myself on a journey with him, that goes beyond a religious exploration." - Eli Roland Sachs
"Jakob is my dear brother. He used to love to party, make music, and let himself drift through Berlin. Then six years ago, he suddenly became a Muslim. He broke off contact with his old friends and his old ways. Now as a Salafi, every question has an answer by the rules of fundamental Islam. By filming him, I go in search of our lost bond of brotherly love and suddenly find myself on a journey with him, that goes beyond a religious exploration." - Eli Roland Sachs
2016-01-11
7
Kathleen Madigan drops in on Detroit to deliver material derived from time spent with her Irish Catholic Midwest family, eating random pills out of her mother's purse, touring Afghanistan, and her love of John Denver and the Lunesta butterfly.
Although he hates dogs, Toni is engaged in finding lost animals and then sentimentally blackmails the masters in order to obtain beautiful large amounts of money. Because of an old and ugly Pekinese that Toni cannot succeed of getting rid of, feelings of affection awake in him that surprise even Toni.
Canadian actress and filmmaker Sarah Polley investigates certain secrets related to her mother, interviewing a group of family members and friends whose reliability varies depending of their implication in the events, which are remembered in different ways; so a trail of questions remains to be answered, because memory is always changing and the discovery of truth often depends on who is telling the tale.
As the police launch a full-scale crackdown on organized crime, it ignites a national yakuza struggle between the Sanno of the East and Hanabishi of the West. What started as an internal strife in Outrage has now become a nationwide war in Outrage Beyond.
Esen, a young man who has been expelled from his village, escapes with the daughter of one of the most powerful men in the village. Whilst being pursued, he is forced to fight for her hand in a battle that results in the destruction of a sacred totem tree. This puts the whole village in jeopardy, and it is up to Esen to redeem himself and save them all.
In a future where social media dominates every moment of our lives, "X" has attained unprecedented celebrity but obscurity is just a click away.
After the Club Med and skiing, what happened to the Bronzés 27 years later? Early response: the same, and worse.
Hopkins’ career has spanned several decades, which is why we will also use many interviews that he gave throughout his life, allowing us to put him back into the context of each period and will be helpful in understanding his role in the history of cinema, because he was far from following the trends. He never belonged to any film movement; he is a chameleon that has always preferred natural acting, ‘non-acting’ when method acting was the fashion.
The father of a family of North African immigrants living on a Paris housing estate finds it hard to impose his will on his two teenage daughters. Lya, 17, and Chirine, 18, respond to their father’s bouts of violence by rebelling in the same way as most French adolescents. When Chirine is offered work as a model, she jumps at the chance, but soon realizes she may be about to fall into the prostitution racket...
Someone from another planet crashed on Earth and evil is chasing him, and then love appears, and it defeats evil through an amulet.
When John Doe is convicted of being a vigilante serial killer, a vigilante group named 'Speak for the Dead' emerges in support of John's cause—elevating the debate about justice versus vengeance.