1943-05-29
0
A BFI-produced documentary about documentary filmmaker John Grierson speaking about documentary.
A group of military men uses explosives to de-root trees.
In this revealing study of Norval Morrisseau, filmed as he works among the lakes and woodlands of his ancestors, we see a remarkable Indigenous artist who emerged from a life of obscurity in the North American bush to become one of Canada's most renowned painters. Morrisseau the man is much like his paintings: vital and passionate, torn between his Ojibway heritage and the influences of the white man's world.
This film aims to capture the stories of the aging Isabella, but also captures her condition and loss of cohesiveness as she loses herself into dementia and Parkinson's. It is also a very personal film since the subject is the grandmother of one of the co- directors. The idea is interesting as it links one strong clear memory, told several times, to other fragments and truths of her condition. Animation is sparingly but cleverly used to complement the delivery and avoid it just being a talking head.
The current situation of the organ grinders in Mexico who have lost their former splendor. They have to adapt to an indifferent and noisy city.
A short film about the changing face of London Soho and the implications of gentrification on Mimi, an aging transvestite.
Explore the origins of skateboarding culture through the lens of the 1965 Palisades Skateboard Team, who reinvented a childhood hobby into a sport, bringing it to the vanguard of popular culture. Features interviews with the team members reflecting on how the sport has changed, 50 years later.
A humorous visit to the turbulent world of the controversial Spanish boxer José Manuel Urtain.
Rare 1977 documentary short hosted by Christopher Lee on the occult. Topics range from witch covens, Astrology, psychic powers, seances and astral projection, amongst others.
Two old sisters, living in the same Warsaw apartment, sit on a bench and talk. The 87-year-old elder one seems to care for the other reluctantly and treat her badly. The younger, who is said to be clumsier, has walking problems.
The action is placed in a cramped flat in Warsaw’s district of Ochota. A father and a son, both bedridden, live in a fascinating symbiosis. The son, a well‑known photographer Bernard ben Dobrowolski, is lying in bed because a chronic condition has deformed his body and immobilized him. The father, Dominik, has recently suffered from a stroke. Now they are taking care of each other and crowds of visitors move through their room.