Lost Dziga Vertov-directed Soviet newsreel
Lost Dziga Vertov-directed Soviet newsreel
1922-10-12
7
An experience of breaking into buildings and creating new homes for homeless families in Rio de Janeiro in opposition to a series of forced evictions by the State. These evictions initiate a major intervention project in the city intensified since 2007. In the documentary, the project called “revitalization” is questioned by the residents of various occupations.
With the help of diver and biologist Laurent Ballesta, a scientific expedition explores three sunken Italian volcanic sites in the Mediterranean.
Murder drama set in Soho involving a police inspector, a newspaper reporter and a country girl.
The experimental work consists of several fragments, demonstrating the use of color in film: showing paintings of Soviet art, photography parade on first of May on Red Square in 1934-1935, recording a working amateur and sketch of Soviet Georgia.
Charlie (a newly formed gangster), patiently waits back of the car for the go ahead for his next job. Where he must break into an abandoned pub/bar to rescue the abducted woman and face the danger which lies ahead.
Tasked with finding out the truth behind his fellow colleague's death, a police officer begins by reviewing his previous cases. Slowly, he traces the steps of the murderer until he discovers the killer's master plan.
In almost fifteen years, Low became an institution on the indie and alternative scenes. Famous for their quiet, beautiful slow songs, and fascinating harmonies, as well as their religious background (core members Alan Sparhawk and Mimi Parker are Mormons). For this documentary, a film crew followed Alan and Mimi on tour, at home in Duluth, MN, in their church community, and as parents. It's more than an on-the-road or behind-the-scenes video. It shows Sparhawk as the ambivalent main character in an intriguing movie about religion, violence, conscience, and madness. It can also be seen as a touching love story.
Sixty year old Max is having something of a middle-age crisis. His marriage seems to go nowhere as the passion, tenderness and happiness vanished when their daughter moved out. On top of that he owns an antique hardware store which is close to bankruptcy. While driving home Max is involved in a traffic accident which gives him amnesia. Confused, lost and in a disordered state, he wanders into a camp full of Latin American farm workers. There he finds a new meaning of life, happiness and a sense of belonging. However, as his memory slowly returns, it's inevitable that he must confront his past.
Johanna has fled Nazi Germany to visit a friend in Finland, and from there she continues on to her friend's family's estate. Once at the estate, Johanna passionately argues with her friend's pro-Nazi brother and at the same time, falls for the second, good-looking brother who shares her own anti-fascist feelings. The two are soon engaged in an active sexual relationship that continues as they travel north to an Arctic port.
Birth, life and death of a carnival sculpture. Linked to the mythology of the Orixás, a metaphor of creation based on the Babalotim doll, a boy idol who has lived through many carnivals.
A young woman just released from a mental institution returns home to her mansion and faces a new set of horrors.
Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.
Dziga Vertov-directed Soviet newsreel covering: Streetcar collision / Arms manufacturing plant resumes operation / Assembling an automobile / Bicycle and motorcycle races / A parade of Red Army armored units and an attack exercise.
Vladimir Ilyich Ulyanov, better known as Lenin, is remembered as the instigator of the October Revolution of 1917 and, therefore, as one of the men who changed the shape of the world at that time and forever, but perhaps the actual events happened in a way different from that narrated in the history books…
Starting in 1881 this film shows the personal battle between Lenin's Ulyanov family and the royal Romanovs that eventually led to the Russian revolution.
Dziga Vertov-directed Soviet newsreel covering: A bet is placed on the outcome of the Trial of the Socialist Revolutionaries / The verdict / People in streetcars and on the street / A crashed aircraft / Reconstruction of streetcar line 13 / Peacetime use of tanks – airport construction work.
Dziga Vertov-directed Soviet newsreel covering: Congress of the "Living Church" / Opening of the horse racing season / Demonstration of an American movie camera / Operation of mobile projection units.
Dziga Vertov-directed Soviet newsreel covering: International Youth Day and demonstrations / All-Russian Olympiad / Streetcar collision / Construction of automobiles in a Petrograd factory.
Dziga Vertov-directed Soviet newsreel covering: All-Russian Congress of Trade Unions / Delegations and diplomats / Renaming of a confectionery factory / Unloading supplies / Komsomol Day / Red Army maneuvers.
Dziga Vertov-directed Soviet newsreel covering: IV. Congress of the Comintern / Congress of the Profintern.
Dziga Vertov-directed Soviet newsreel covering: Arts and crafts exhibition / Actions against hunger / Eisenstein's first film "Dnevnik Glumova" ("Glumov's Diary") / Young Pioneers / May 1, parades
On July 5th, 1922, Norwegian explorer, scientist and diplomat Fridtjof Nansen creates a passport with which, between 1922 and 1945, he managed to protect the fundamental human rights as citizens of the world of thousands of people, famous and anonymous, who became stateless due to the tragic events that devastated Europe in the first quarter of the 20th century.
Emmy Awards nominee for "Outstanding Individual Achievement in a Craft: Research: Multi-faceted portrait of the man who succeeded Lenin as the head of the Soviet Union. With a captivating blend of period documents, newly-released information, newsreel and archival footage and interviews with experts, the program examines his rise to power, deconstructs the cult of personality that helped him maintain an iron grip over his vast empire, and analyzes the policies he introduced, including the deadly expansion of the notorious gulags where he banished so many of his countrymen to certain death.
Russia, 1917. After the abdication of Czar Nicholas II Romanov, the struggle for power confronts allies, enemies, factions and ideas; a ruthless battle between democracy and authoritarianism that will end with the takeover of the government by Vladimir Lenin and the Bolsheviks.
Dziga Vertov-directed Soviet newsreel covering: The opening of an electric generating station / Trial of the Socialist Revolutionaries.
Philosophical essay about the October Revolution of 1917 in Russia, its influence on the destiny of the world in the 20th century.
Dziga Vertov-directed Soviet newsreel made to commemorate the first anniversary of the death of Vladimir Ilich Lenin (21st January 1924 - 1925) drawn from 'The Final Journey', a Pravda feuilleton written on the occasion of Lenin's funeral by the man who had introduced Vertov to cinema, Mikhail Koltsov. Contains: First anniversary of Lenin's death: 1. Assassination attempt on Lenin and Soviet Russia's progress under his leadership / 2. Lenin's illness, death and funeral / 3. The year after Lenin's death
Dziga Vertov-directed Soviet newsreel covering: A peasant buys a receiver at the radio shop / Instructions to attach an antenna / A broadcast-station is developed / A concert is broadcast. Though only a third of this final issue of Kino-Pravda seems to survive, there still exists Aleksandr Bushkin’s time-lapse animation and the sequence in which, as Yuri Tsivian describes, “a cross-section of a photographically correct izba (Russian peasant’s log hut) is penetrated by schematically charted radio waves”—a testament to the magical properties and propagandistic uses of radio in reaching out to Russia’s distant peasantry.
Dziga Vertov-directed Soviet newsreel covering: Trial of the Socialist Revolutionaries / Demonstrators carrying banners.
Dziga Vertov-directed Soviet newsreel covering: Trial of the Socialist Revolutionaries / Motor race Moscow – Sevastopol' / Barges loaded with grain are sent to the starving in the provinces / The Caucasus and its resorts.