Movie: Sasha

  • HomePage

  • Overview

    Sasha is an eight-year-old boy who lives in Ukraine with his mum and five siblings. Their everyday life is involved in misery, poverty and even further complicated by the current war in the country. Sasha leaves Ukraine in order to live during a summer with a Catalan' family in Catalunya. What he will find out, who he will meet, how he will be affected and how he will live are questions that will arise all throughout the film

  • Release Date

    2016-10-26

  • Average

    6.3

  • Rating:

    3.1 starts
  • Tagline

  • Genres

  • Languages:

    CatalàEspañolУкраїнський

Recommendations Movies

Red
55%

Red(en)

1993-01-03

Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.

Gasping for Air
67%

Gasping for Air(tl)

2016-08-05

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

Crime in Connecticut: The Story of Alex Kelly
50%

Crime in Connecticut: The Story of Alex Kelly(en)

1999-03-16

About a notorious Connecticut convicted rapist.

Moscowin Kavery
66%

Moscowin Kavery(ta)

2010-08-27

Moscowin Kavery (English: Moscow's Kaveri ) is a 2010 Tamil romantic drama film written and directed by cinematographer Ravi Varman, making his directorial debut, besides handling the cinematography. The film, which has lyrics written by Vairamuthu and music scored by Thaman, stars Rahul Ravindran and Samantha in the lead roles with Harshvardhan, Santhanam and Seeman essaying supporting roles. Releasing on 27 August 2010, after nearly three years of production, the film was ultimately panned by critics.

No Trace
72%

No Trace(fr)

2021-05-07

In a near future, a callous smuggler hardened by life guides a pious young woman and her child across the border to safety, unaware that their destinies are inescapably linked in this inhospitable land.

12
55%

12(ar)

2020-09-04

not there yet

Sasquatch Mountain
51%

Sasquatch Mountain(en)

2006-09-09

A lonely tow-truck driver gets caught in a deadly struggle between a pair of bank robbers with a beautiful hostage, local cops, and a monster that has come down from the Arizona mountains to eat human flesh.

Síguelo
93%

Síguelo(es)

2023-02-24

Nighthouse
100%

Nighthouse(es)

2016-08-19

Shot in Havana and processed at Phil Hoffman's Film Farm, Marcel Beltrán Fernández's Casa de la noche explores those same histories from the point of view of an insider, as a lived experience that is evocatively mirrored through ripped and torn celluloid.

Duck Dodgers and the Return of the 24½th Century
56%

Duck Dodgers and the Return of the 24½th Century(en)

1980-11-20

Duck Dodgers finds Marvin Martian's hideout.

1-2-3
78%

1-2-3(en)

“1-2-3” explores the harrowing tale of human trafficking in the country.

Do-Re-Me
59%

Do-Re-Me(en)

1980-08-03

Hong Kong movie

Shark
93%

Shark(en)

2021-11-20

His first girlfriend was hit by a car. His second girlfriend fell off a cliff. His wife has come prepared.

God of Gamblers II
68%

God of Gamblers II(cn)

1990-12-13

Sing finds Michael "Dagger" Chan in order to become Ko Chun's next disciple, but the two must put aside their differences when they discover that a gang boss is bent on ruining the God of Gamblers' name.

in side out
100%

in side out(de)

1964-10-01

12
55%

12(xx)

2020-11-20

An old Finnish athlete travels alone through eastern Europe with his van.

Return
64%

Return(en)

2015-11-28

A young couple purchase their new home to start a life together, only to find out the elderly couple next door have other plans for them.

1-2-3
64%

1-2-3(es)

2020-05-26

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.