This is an omnibus of six short films by six different directors, whose lead characters are unconventional women. They are "Hijoshi," females who live true to themselves and their desires.
Chiyo
Adam
A woman working the late shift at a gas station while a killer is on the loose; a man who can't stand the thought of losing his hair; a baseball player that submits to an eye transplant. An anthology of terror.
An anthology of four diverse stories about identity and belonging through prism of love and loss, sexuality, marriage and wish to fulfill dreams.
A horror anthology film starring the U.K.'s own Tromette, Kitty Kiss, more commonly known as Nurse Meow.
Four tales, each centered on a woman, journey inward to explore the enigmatic reality of their lives, connecting through a single narrative thread.
A young Sicilian is swindled twice, but ends up rich; a man poses as a deaf-mute in a convent of curious nuns; a woman must hide her lover when her husband comes home early; a scoundrel fools a priest on his deathbed; three brothers take revenge on their sister's lover; a young girl sleeps on the roof to meet her boyfriend at night; a group of painters wait for inspiration; a crafty priest attempts to seduce his friend's wife; and two friends make a pact to find out what happens after death.
The film tells about the inhabitants of the Russian city of Tsaritsyn-Stalingrad-Volgograd. The film consists of three novellas, united by the theme of love and the scene - a city on the Volga.
An anthology of tales from Hong Kong.
Wasteland is a five-part anthology film that deals with isolation, mental illness, and the subjectivity of reality. Each of the five parts can be watched individually, but when viewed in sequence, each story brings out a more interesting and distinct context to its respective pieces.
On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.
Four different couples have a romantic week over New Year's Eve. Both coming out of failed marriages, Ji-ho and Hyo-young are not open to the possibility of new love, while Jin-ah heads to the other side of globe and encounters Jae-hun.
An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.
Technoburger, a horror-satire anthology, uncovers the unnerving implications of technology addiction as four individuals' lives are disrupted by their digital obsessions, blurring the lines between reality and the virtual world under the omnipresence of a dominating tech corporation.
Includes shorts: Girl on the Run, The Theory & Practice of Teenage Dream, Relay, U and Me and Blue Birds on the Desk.
An unexpected love triangle, a seduction trap, and a random encounter are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.
A collection of magical tales based upon the actual dreams of director Akira Kurosawa.
New York, I Love You delves into the intimate lives of New Yorkers as they grapple with, delight in and search for love. Journey from the Diamond District in the heart of Manhattan, through Chinatown and the Upper East Side, towards the Village, into Tribeca, and Brooklyn as lovers of all ages try to find romance in the Big Apple.
A journalist could marry the daughter of a tycoon, but prefers a relationship with a married woman. An attorney renounces her lover by greed. A soldier tries to approach a widow on a train. A German couple looking for adventure mistakingly aim for the wrong target, yet find love.