Singapore's first full-length English language film, released in local cinemas in November 1991. Loosely based on the Adrian Lim ritual murders in the early 1980s, the film was shot and produced in Singapore. It was the debut filmmaking effort for its executive producer, Errol Pang, and it has been credited with reawakening Singapore's local film scene. In the movie's ending, the main character based on Adrian Lim escapes from prison and runs into an incoming truck, where Satan catches him and subjects him to eternal torture – this was said to be added to suggest to the audience that crime does not pay.
Yoke Lin
Beverly Watson
May Lin
Wilson Tan
Daisy
Stepfather
Alvin
Singapore's first full-length English language film, released in local cinemas in November 1991. Loosely based on the Adrian Lim ritual murders in the early 1980s, the film was shot and produced in Singapore. It was the debut filmmaking effort for its executive producer, Errol Pang, and it has been credited with reawakening Singapore's local film scene. In the movie's ending, the main character based on Adrian Lim escapes from prison and runs into an incoming truck, where Satan catches him and subjects him to eternal torture – this was said to be added to suggest to the audience that crime does not pay.
1991-11-28
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Zach, a remorseless serial womaniser and con man, meets his match in Li Ling, an alluring and well-to-do woman who makes a wicked bowl of pork rib soup. Things take an unexpected turn when Zach meets Li Ling's younger sister, the drop-dead gorgeous Li Er. Soon enough, Zach turns his lecherous attentions towards Li Er, and they begin an affair behind Li Ling's back. Li Er convinces Zach to help her execute a heinous plot to murder her older sister, whom she blames for causing her mother's death. However, things are not as simple as they seem.
In Singapore, a private detective and the British authorities are on the trail of a crime syndicate that kidnaps a nuclear physicist with the aim of selling him to the highest bidder.
Five troubled teens, abandoned by society and family, form a bond in a world of violence, drugs, and self-destruction, facing harsh realities of modern Singapore.
After a woman shoots a man to death, a damning letter she wrote raises suspicions.
American tattoo artist Jake Sawyer wanders the world, exploring and exploiting ethnic themes in his tattoo designs. At a tattoo expo in Singapore, he gets his first glimpse at the exotic world of traditional Samoan tattoo (tatau), and, in a thoughtless act, unwittingly unleashes a powerful angry spirit. In his devastating journey into Pacific mysticism, Jake must find a way to save his new love, Sina and recover his own soul.
Mia, an ex-prostitute, is trapped in a loveless marriage with the abusive Quan (Sunny Pang, who also stars in Headshot in this year’s Festival lineup), a butcher who runs a roast meat shop. When she meets sensitive funeral director Wu, their passion for one another escalates into an affair. But the path to true love is fraught with jealousy, forcing someone to make a deadly move.
After the war, Matt Gordon returns to Singapore to retrieve a fortune in smuggled pearls. Arrived, he reminisces in flashback about his prewar fiancée, alluring Linda, and her disappearance during the Japanese attack. But now Linda resurfaces...with amnesia and married to rich planter Van Leyden. Meanwhile, sinister fence Mauribus schemes to get Matt's pearls.
When his employee disappears in Singapore, Shyam travels from India to investigate the absence and becomes entangled in a deadly plot.
In 1962 Hong Kong, two neighbors form a strong bond after both suspect extramarital activities of their spouses.
Will Turner and Elizabeth Swann join forces with the revived Captain Barbossa to free Jack Sparrow from Davy Jones' locker. The group must navigate dangerous waters, confront many foes and, ultimately, choose sides in a battle wherein piracy itself hangs in the balance.
A visit to Singapore, an essential port city in Britain's empire, established in 1813 when Raffles negotiated its separation from the independent Malay state of Jahor. The camera observes Singapore's traditional neighborhoods, trade, and small craft, which are dominated by people of Chinese ancestry. Then, we drive the modern causeway to Jahor's small capital, Johor Bahru, for a look at imposing buildings and a visit to the grounds of the sultan. The sultan's son invites the crew in, and we meet the sultan, "H.H." himself. The narrator relates the sultan's commitment to commerce, economic well-being, and tolerance, stemming in part from his European education.
Singapore GaGa is a 55-minute paean to the quirkiness of the Singaporean aural landscape. It reveals Singapore's past and present with a delight and humour that makes it a necessary film for all Singaporeans. We hear buskers, street vendors, school cheerleaders sing hymns to themselves and to their communities. From these vocabularies (including Arabic, Latin, Hainanese), a sense of what it might mean to be a modern Singaporean emerges. This is Singapore's first documentary to have a cinema release. With English and Chinese subtitles.
Booklovers, booksellers, storytellers and writers can easily squeeze into various demos of important issues. This documentary brings this group of people in the limelight, discussing the value of art space in bookshops. The book-loving director Kong King Chu visited independent bookshops in Hong Kong, Singapore and Malaysia for three to four years, tried to understand how a bookshop can become a dynamic, inspiring and heartwarming space, even these booksellers carry different attitude towards life, books and community, as well as management beliefs. These booksellers do not care about the commercial value emphasized by the capitalist society and they are content in their own way by sharing their enthusiasm about books with the others in spite of all difficulties. Thus, they keep trying new methods to sharpen their touch on social issues and become an important starting point for the general public to reflect upon conflicts in our society.
Two playboys try to forget previous romances in Singapore – until they meet a beautiful dancer.
A fallen woman seeks redemption at a Singapore rubber plantation. Melodrama.
An American-born Chinese economics professor accompanies her boyfriend to Singapore for his best friend's wedding, only to get thrust into the lives of Asia's rich and famous.
Three tales of love wrap around the true story of a blind and deaf woman named Theresa Chan. In the first an elderly shopkeeper is devoted to his sick wife. In the second, two teenage girls become soul mates and lovers. In the third a chubby security guard tries to find the courage to woo a beautiful woman who works in his building.
Dismembered limbs. Topless mermaids. Crabs with human heads. These Chinese folklore-themed statues, in all their surreal, grotesque glory, are seared into the mind of Singapore's Haw Par Villa. But no one knows them as well as Teo Veoh Seng. Decades ago, he started out as an apprentice at the park, which opened in the 1930s; now, at 83, Teo has finally decided to retire. Though his successors prepare for his departure, what will be lost when the master craftsman steps down? Interspersing interviews with animation, this documentary weaves personal and national histories into the portrait of an unlikely Singapore hero. It sheds light on an artisan whose quiet dedication has preserved a uniquely charming slice of a city hounded by rapid urban developments.
This short film was commissioned to commemorate the 60th anniversary of May 13, 1954, in which a peaceful assembly of more than one thousand boys and girls in Singapore was brutally broken up by riot police. The students had gathered to seek exemption for classmates affected by a new conscription law. To continue their protest, 800 students proceed to occupy Chinese High School. The film depicts a possible day in the occupation.