Three sisters live together in a large house in the city of Kamakura. When their father – absent from the family home for the last 15 years – dies, they travel to the countryside for his funeral, and meet their shy teenage half-sister. Bonding quickly with the orphaned Suzu, they invite her to live with them.
Kyuta, a boy living in Shibuya, and Kumatetsu, a lonesome beast from Jutengai, an imaginary world. One day, Kyuta forays into the imaginary world and, as he's looking for his way back, meets Kumatetsu who becomes his spirit guide. That encounter leads them to many adventures.
Depicts the bloody siege of the fortress of Port Arthur, one of the most strongly fortified positions in the world, during the Russo-Japanese War of (1904 - 1905). In the story dominated the character Lt Takeshi Kogyo (Teruhiko Aoi), teachers, and a reserve officer who became commander of the platoon and later company. At the same time monitors the conduct of the army commander general Nogi (Tatsuya Nakadai), which was commissioned of the emperor Matsuhito (Toshirô Mifune) to the conquest of the fort.
In July 1945, during the end of World War II, Japan is forced to accept the Potsdam Declaration. A cabinet meeting has continued through days and nights, but a decision cannot be made. The U.S. drops atomic bombs on the cities of Hiroshima and Nagasaki, Japan. General Korechika Anami is torn over making the proper decision and the Emperor of Japan worries about his people. Prime Minister Kantaro Suzuki leads the cabinet meeting, while Chief Secretary Hisatsune Sakomizu can't do anything, but watch the meeting. At this time, Major Kenji Hatanaka and other young commissioned officers, who are against Japan surrendering, move to occupy the palace and a radio broadcasting station. The radio station is set to broadcast Emperor Hirohito reading out the Imperial Rescript on the Termination of the War.
A daughter whose mother was killed and whose virginity was stolen by her stepfather sets a clever trap and plans a horrific murder without getting her hands dirty. A love drama with a touch of mystery, in which Naomi Tani plays the role of an evil woman who looks like a lady and spreads an aphrodisiac-like charm throughout the story.
Near-future Tokyo. Kou, through the help of his high school best friend, finds a surprising way to express his mounting frustration at the insidious forces of commercialism that are forcing out the neighbors he cares most about. Initially inspired by a prank that the writer-director Neo Sora (The Chicken, 2020) had pulled on him in his childhood, a sense of warm nostalgia and cold, material reality intermingle to tell a tale set in the not-so-distant future about disappearing spaces and the forces of policing and gentrification that drills this process forward.
Ryota is an unpopular writer although he won a literary award 15 years ago. Now, Ryota works as a private detective. He is divorced from his ex-wife Kyoko and he has an 11-year-old son Shingo. His mother Yoshiko lives alone at her apartment. One day, Ryota, his ex-wife Kyoko, and son Shingo gather at Yoshiko's apartment. A typhoon passes and the family must stay there all night long.
Liza is a naïve, lonely 30-year-old nurse who wants to fall in love. Her only company is a long-dead Japanese pop star, who turns her into a fox-fairy out of jealousy. Now, every man who desires Liza shall die horribly. Can she overcome the curse?
After dying in a bus crash and falling to hell, high schooler Daisuke joins a demonic rock band so he can be reincarnated back into the mortal world.
In the year 1868, three young men join the elite Shogitai division of the Shogunate. The Shogitai fights to the end and opposes the dismantling of the feudal military dictatorship known as the Bakufu system.
Japan, 1860. The men of the Mito clan, victims of the Ansei purge, anxiously prowl around the Sakurada Gate of Edo Castle with the intention of assassinating Naosuke Ii of Hikone, tairō of the Tokugawa shogunate and responsible for their misfortune.
Four women in their thirties reevaluate their relationships, both shared and private, after a startling revelation concerning one's marriage forces each of them to ask one of life's biggest questions: "Am I who I want to be?"
Meiji Tenno portrays the buildup to the Russo-Japan War. In addition to showing the political events that led to war, it also shows the era from the story of a farm family in rural Japan that sends their son off to war. As such, it could be considered an anti-war movie, showing how, while war is devised by governments, the people do not really understand what war is, and its combatants often do not know what they are fighting for.
Ooshima Shino is a 1st-grade high school student. She has difficulties pronouncing words that start with vowels in front of people. Because of her speech impediment, she does not get along with others. Shino meets Kayo who likes music, but she is tone-deaf. They decide to start a band and Shino begins to change.
Two young swordsmen, Akado Suzunosuke and Tatsumaki Rainoshin, arrive at the city of Edo in their quest to test and improve their skills. Soon they become involved in a conflict against a mysterious group of demonic criminals led by the king of hell, Taira no Masakado — a strugle to which both were destined since the moment they were born.
Wang Xinglian returns from her studies in Japan to visit her father in Hong Kong where she has an encounter with the young Japanese Hasegawa Toru. The two meet again and fall in love in Hokkaido when Wang and her best friend Sugimoto Kanako are going on a holiday. Urged by her friend Zhang Yingming to concentrate on her studies, Wang remains ambivalent about the relationship, and is even more upset to realise that Sugimoto is in love with her fellow countryman. Feigning an engagement with Zhang, Wang initiates a break-up with Hasegawa and finds work in Singapore after graduation. Hasegawa learns the real cause of the break-up from Sugimoto in Hong Kong. A frenzy search finally leads to a reunion and a proposal in Kuala Lumpur. However, their love is doomed by a twist of fate as Wang must leave to see her desperately ill father in Hong Kong while Hasegawa has to leave for America to pursue his career.
Two interwoven stories. The first is a biography of anarchist Sakae Osugi which follows his relationship with three women in the 1920s. The second centers on two 1960s students researching Osugi's theories.
Nick Condon, an American journalist in 20s Tokyo, publishes the Japanese master plan for world domination. Reaction from the understandably upset Japanese provides the action, but this is overshadowed by the propaganda of the time.
Three sisters grow up on a chicken farm in a small town in Gifu. The oldest sister, Yukie Sawada, is engaged to be married, the middle sister, Sachiko works at a beauty salon and the youngest, Mayu, is on the track team in high school. Their happy, carefree lives are changed forever when Yukie's ex-boyfriend Suzuki commits an atrocious crime. Half-crazed and bent on revenge against the Sawada family, Suzuki mistakes Mayu for Yukie and pours acid all over her face. Overwhelmed by physical and psychological trauma, Mayu sinks deeper into depression and isolation, unresponsive to her sisters encouragement. Meanwhile, chilling news of a serial murderer, who preys on the alumni of Mayu's high school, sends shockwaves through their small town...
Kakekomi tells the stories of Edo women in the 1800s that escape abusive husbands and lovers by taking refuge in Tokeiji, a monastery in Kamakura.