A retired forest officer's sons Abhijith, Abhilash aka Appu along with their mother Padma live happily. One day, they find that their family friend poet Sidharthan has bequeathed his properties to Abhijith aka Allu, the younger boy in the family, in his osyath (will). Suspicion raises in the mind of Appu, who thinks that Allu is the son of the late poet. His doubts create problems in the family and he has to leave the house for certain reasons.
Hearts collide when the conniving Jaggan (Prem Chopra) convinces Kishan (Amol Palekar) that his wife, Shanti (Rakhee Gulzar), is having an affair with his brother Shambhu (Rajesh Khanna). Of course, all this is done so that Kishan will marry Jaggan's cousin Tulsi (Rekha) according to Jaggan's master plan … even though Tulsi would much rather marry Shambhu. Confused? Don't worry. So are these weary lovers!
Wander is working as an engine operator on a cargo-ship. When he takes a coffee-break, a woman appears in a talkshow on TV. In an instant, Wander recognizes her to be his long lost girl-friend Zelda from childhood days some 20 years ago. In these days, Wander used to live in a boarding-school. From his room window, he can see the house on the opposite river bank where Zelda lives. She's a really adorable young beauty, but she's less affected than one should think, and so Wander gets his chance. They are having a good time until one day when Wander finds Zelda's father in the school kitchen making love to the kitchen maid. Things turn out bad for most of the characters involved, but there's an open end.
Three teens face their inner wildness on a dreamlike journey when they decide to peek under the hair of God.
A group of young women and children enjoy a rowdy picnic in the countryside.
A profoundly empathetic, unpretentious and droll account of a how a swarthy, Hemingway-like sailor upends the droning routines of a nursing home when he checks himself in. Though his subtle interactions with the other residents – including his cantankerous roommate who obviously harbours resentment towards his family for putting him out to seed – the sailor gently whisks up an atmosphere of hope and happiness and allows the movie to deliver its beautifully simple message: that life should be savoured until the bitter end.
Iván decides to propose to Natalia, a creative and intelligent artist, despite the fact that they have been dating for a few months.
The evolution of the zombie from its roots in Haitian voodoo to its coveted role as the world's most popular monster: from being a clumsy corpse to becoming a cannibal killer and the main agent of every infectious pandemic, the zombie has come a long way in seventy years. A look at the rising tide of zombie culture examining why something so dead has so much life in viewers' nightmares and at the box office.
The story follows an elderly man on his deathbed who gives his young grandson a pocket watch and warns the boy against the dangers of letting time slip away.
What, it would seem, could be more innocent than a women's toilet being renovated? In his booths you can hide from the bustle of the big city, discuss lovers, drink, cry, sleep, smoke and have sex... And you can also hide in it what no one should find. An unknown beauty leaves a disc with information in the toilet. Two gangsters come to collect theirs and 7 stalls in the closet of a fashionable nightclub become the stage for one of the most unexpected stories of our time.
A cave-less kid comes to live with the Flintstones on Christmas and ends up getting himself and Fred stuck in prison right before Fred is going to play Santa Claus in the Bedrock parade.
After watching some stand-up comedy, Craig, his friends and the comedians have a drink. While in the bathroom, a man sits in Craig's chair. He behaves inappropriately to the point that Scott has to ask him to leave. Things look like they're going to end in a fight, but then they don't. Craig reflects on how meaningless this interaction was.
In Ub Iwerks' The Frog Pond, many frogs are singing and having a good time until a big bully frog takes some food and basically orders a house built on his lily pond.
A henpecked politician wants his name attached to a new bridge, even if that means destroying another, perfectly serviceable bridge.
A stranger who may be the trickster magician Kummatty comes to a village in Malabar, India.
2 Penkuttikal discussed the issues faced by young girls and women in our society. Achu and Anagha are close friends, who decide to bunk their class to visit a mall in the city.Their visit to the city changes their life and what happens next form the crux of the film
Set against the backdrop of 1971 Indo-Pak war, the movie is inspired by real incidents and the protagonists are inspired by Param Vir Chakra recipients. The movie shows what consequences of war are on the lives of soldiers on either side of the border.
Riny (Biju Menon) is the right hand man of jeweller Lolappan (Innocent). He is extremely selfish and doesn't worry about the consequences of his actions as long as it contributes to his growth. He becomes estranged even with his family, but despite this, his rise up through the ranks continue.
An immensely rich farmer lives peacefully with his family in Pala and has no idea about the hectic metro life. He gets introduced to it when he hides a love-stricken couple in his house.
A forest smuggle, lives in the jungle and smuggles sandalwood. He is also involved with other anti-social behaviour and forest controlling activities like robberies, dacoity, murders and drug pedalling. He consequently kidnaps an electrician Rahul and takes him to the jungle, forcing him to teach him how to make explosives. Rahul refuses to help create bombs and is subsequently falsely accused of murder. The rest of the story is about how Rahul proves his innocence to police investigators
Salaam Kashmir revolves around two men - Tomy Eeppan Devassy and Sreekumar. Jayaram plays Sreekumar, a character who does all the domestic work expected from a wife in normal course. Into this peaceful world enters Tomy (Suresh Gopi) disrupting the domestic bliss and bringing out an unexpected twist.
A special battalion of police is deployed by the government to do away with Maoist menace (A banned Left organization) in a tribal village near forest. The police forcibly occupy a tribal primary school for their camp. One day, the police are on lookout for some people in the forest near the school at night. A policeman follows a person deep into the forest and nabs the person. The person arrested happens to be a woman. He tries to come out of the forest with the arrested person, but he loses his way in the wild. The woman knows the path to get out of the forest but she is not willing to show him the way. Thus, both the hunter and the hunted are stranded in the thick forest. Power, Crime, Man, Woman, the Hunter, the Hunted... all such equations change utterly and are no more what they used to be. The film has been very un-expected resemblance with Maoist hunt and killing happened last month in Kerala.
The student politics in a government college has for long revolved around the students' organisation KSQ. Subhash and Paul attempts to change the political scenario by launching a new movement called SFY based on their ideologies.
Soman is brought up by his elder brother Raju and his shrewish wife Janu. Soman is in love with Lakshmi, the daughter of a poor village performer Kaniyan who belongs to a lower caste. Raju, employed by the zamindar and Janu resent the inter-caste marriage between Soman and Lakshmi.
Newspaper Boy is a Malayalam–language Indian film released in 1955. It is the first neo realistic movie in the language. The film, a drama of stark realism, narrates the life of the common man on the street. The film is noteworthy in that the entire production programme from script-writing to direction was controlled and executed by students.
Ayyappan, a tabla player of a touring drama group, goes missing. Later on, Sub-Inspector Jacob Eeraly is assigned to investigate the case and finds out disturbing truths.
Purushan, a student on his way to Delhi, becomes obsessed with the tragic suicide of a young drummer. He collects many people to go with him to tell the boy’s mother.
Pa.Va or Pappanekkurichum Varkeyekkurichum focuses on existential aspects of life in two close octogenarian friends Pappen and Varkey. The movie narrates the love and friendship shared between two close friends - Pappen and Varkey, in the backdrop of Christian families in Central Travancore.
The film interprets a story from the Uttara Kanda of the epic poem Ramayana, where Rama sends his wife, Sita, to the jungle to satisfy his subjects. Sita is never actually seen in the film, but her virtual presence is compellingly evoked in the moods of the forest and the elements. The film retells the epic from a womens' liberationist perspective, and is about the tragedy of power and the sacrifices that adherence to dharma demands, including abandoning a chaste wife.
Sunny, a priest, comes to know that Vavachan is running an old age home with vile intentions. He wants the corpses of the inmates for the medical college run by his son. Sunny decides to expose this.
Nadan is the story of a popular drama troupe owned by Devadas Sargavedi (Jayaram), which was previously possessed by his father and grandfather in the past, and speaks about the problems faced by the owner and his survival. The revival of this mighty art through the sustained effort of the talented theatre artists forms the crux of the narrative.
Panchayat Secretary Ullahanan leads a monotonous life till a college reunion rekindles excitement in his 20-year-old marital life and infuses in him a renewed sense of purpose and love for everything that he once took for granted.