
Czech Photographer Josef Koudelka grew up behind the Iron Curtain and always wanted to know "what was on the other side". Forty years after capturing the iconic images of the Soviet invasion of Prague in 1968, the legendary Magnum photographer arrives in Israel and Palestine. On first seeing the nine-meter-high wall built by Israel in the West Bank, Koudelka is deeply shaken and embarks on a four-year project in the region which will confront him once again with the harsh reality of violence and conflict. Director Gilad Baram, Koudelka's assistant at the time, follows him on his journey through the Holy Land from one enigmatic and visually spectacular location to another.
Himself
7.5Five broken cameras – and each one has a powerful tale to tell. Embedded in the bullet-ridden remains of digital technology is the story of Emad Burnat, a farmer from the Palestinian village of Bil’in, which famously chose nonviolent resistance when the Israeli army encroached upon its land to make room for Jewish colonists. Emad buys his first camera in 2005 to document the birth of his fourth son, Gibreel. Over the course of the film, he becomes the peaceful archivist of an escalating struggle as olive trees are bulldozed, lives are lost, and a wall is built to segregate burgeoning Israeli settlements.
7.5Documentarians Justine Shapiro and B.Z. Goldberg traveled to Israel to interview Palestinian and Israeli kids ages 11 to 13, assembling their views on living in a society afflicted with violence, separatism and religious and political extremism. This 2002 Oscar nominee for Best Feature Documentary culminates in an astonishing day in which two Israeli children meet Palestinian youngsters at a refugee camp.
7.4In August, 2014, a video of the public execution of American photojournalist James Foley rippled across the globe. Foley wore an orange jumpsuit as he knelt beside an ISIS militant dressed in black. That image challenged the world to deal with a new face of terror. And it tested one American family. Seen through the lens of filmmaker Brian Oakes, Foley’s close childhood friend, Jim takes us from small-town New England to the adrenaline-fueled front lines of Libya and Syria, where Foley pushed the limits of danger to report on the plight of civilians impacted by war.
8.2A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.
6.7A man is murdered, apparently by one of a group of soldiers just out of the army. But which one? And why?
7.2The life of internationally renowned artist and activist Nan Goldin is told through her slideshows, intimate interviews, ground-breaking photography, and rare footage of her personal fight to hold the Sackler family accountable for the overdose crisis.
7.2An intimate documentary delving into Rian Johnson's process as he comes in as a director new to the Star Wars universe.
7.2An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.
7.9A documentary examining the decade of the 1970s as a turning point in American cinema. Some of today's best filmmakers interview the influential directors of that time.
7.3A journalist and a photographer set out to memorialize the bedrooms left behind by children killed in school shootings.
6.7As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
7.6When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
6.2An Army cameraman is embedded with a reconnaissance patrol and charts their mission across territory controlled by the North Vietnamese.
7.3Alex Gibney explores the charged issue of pedophilia in the Catholic Church, following a trail from the first known protest against clerical sexual abuse in the United States and all way to the Vatican.
7.2An unprecedented and intimate look at the life, work and enduring legacy of British actress Audrey Hepburn (1929-1993).
7.0A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.
6.0From the heights of her modeling fame to her tragic death, this documentary reveals Anna Nicole Smith through the eyes of the people closest to her.
7.7A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
7.1As his life comes to its end, famous Hollywood director Orson Welles puts it all on the line at the chance for renewed success with the film The Other Side of the Wind.
10.0Filmed on location in the West Bank in the immediate aftermath of the Gaza genocide that began on October 7, this documentary sheds light on the alleged support provided by the Israeli state and army to radical groups. Through the perspectives of both perpetrators and witnesses, it recounts the terror and land theft carried out by radical illegal settlers against Palestinians.
6.2Part activist and part globe trekking photographer, Sebastião Salgado is most famous for recording the migration of people and culture around the world. In this extensive conversation, Sebastiao Salgado revisits his adventurous career via the breathtaking images he captured.
7.0Edward Said, Professor of English & Comparative Literature at Columbia University, was a prominent literary critic of the late 20th century and a leading spokesperson for the Palestinian cause in the US. Born to a Palestinian family in Al-Quds (Jerusalem) in 1935, he and his family were dispossessed in 1948 and settled in Cairo. Educated in the US, he lived in New York for many years. Said was a member of the Palestine National Council. After resigning from the PNC in 1991, Said wrote critically about the post-Oslo peace process, the political failures of Yasser Arafat and the PLO. Said was diagnosed with leukemia in 1991 and struggled with the disease while continuing to write and teach. He stopped giving interviews but made an exception less than a year before his death in 2003, speaking about his illness, work, Palestine, politics, life, and education. The last interview is the final testament of this passionately committed intellectual.
7.5For more than forty years, British journalist Robert Fisk has reported on some of the most violent conflicts in the world, from Northern Ireland to the Middle East, always with his feet on the ground and a notebook in hand, travelling into landscapes devastated by war, ferreting out the facts and sending reports to the media he works for with the ambition of catching the interest of an audience of millions.
7.4A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.
7.0A documentary that follows the life of photographer Daido Moriyama in the present, which has never been revealed before. Even though his charismatic presence has reigned over the world of photography since the late 60’s, his true persona had been hidden behind a veil of mystery, since he had refused any major appearances in front of any media in the past. Follow the charismatic photographer Daido Moriyama as he takes his first digital photos and observe his style of quick snapshots without looking in the finder. His stark and contrasting black and white images symbolize his fervent lifestyle.
7.0What drives a young, well-educated Westerner to volunteer as a “peace activist” in the Middle East? Caiomhe Butterly is one of a growing number of volunteers who risk their own safety to intervene in the long-running and bloody conflict between Israel and Palestine. Several internationals, including her, have now been injured. Some have died. In this film, she describes witnessing the aftermath of the attack on Jenin in April 2002. The film follows her work, the main emphasis being “the accompaniment of communities at risk”. Despite being threatened, shot in the leg and deported later that year, she is determined to go back.
8.5Like all Israeli youth, Atalya is obligated to become a soldier. Unlike most, she questions the practices of her country's military, and becomes determined to challenge this rite of passage. Despite her family's political disagreements and personal concerns, she refuses military duty and is imprisoned for her dissent. Her courage moves those around her to reconsider their own moral positions and personal power. OBJECTOR follows Atalya to prison and beyond, offering a unique window into the Israeli-Palestinian conflict from the perspective of a young woman who seeks truth and takes a stand for justice.
4.3Rachel Corrie, a young American woman and her friends attempt to stop a bulldozer from clearing out some homes and other buildings. Corrie was run over and killed. Witnesses claim it was deliberate.
0.0Despite their children's reluctance, Radi and Mounira, a 65-year-old puppeteer couple, set off on tour between Israel and Palestine in their outdated van. They are exhausted from having to set up and take down the stage, from performing three shows in a row in front of hundreds of wild children under a burning sky. Lost in Jericho, frightened by the bombs falling near Majd Al Shams, destabilized by the Bedouin children of the Negev unable to determine their own identity, they no longer know if their mission is still relevant. Safeguarding the identity of their people through their shows, but at what cost? A quest for Palestinian identity.
Sebastia, a small archaeological town, sits on top of a hill Northwest of Nablus, Palestine surrounded by Shavei Shomron, an illegal Israeli settlement and confiscated agricultural fields of olive groves and apricot trees. This ancient site was excavated multiple times over the last century by colonial archaeologists funded by Zionist individuals and institutions. The first excavation of 1908 led by Harvard University took advantage of Sebastia locals including women, men, and children as cheap labor digging their own land for the sake of biblical archaeology. Each excavation extracted soil and artifacts from the ground, taking what they considered valuable to their home institutions and leaving pottery shards and rubble on the surface. Today, what’s left of the archaeological monuments is contested by the nearby settlement as well as the Israeli military. The Roman Forum is a battlefield, but the locals are incredibly resilient.
7.0A documentary that examines the relationship between celebrity and society.
0.0The NFL has staged 48 Super Bowls. Four photographers have taken pictures at every one of them. In KEEPERS OF THE STREAK, director Neil Leifer tells the story of this exclusive club, made up of John Biever, Walter Iooss, Mickey Palmer and Tony Tomsic. With their cameras, they have captured football's biggest game of the year for almost five decades.
8.0Bunny Yeager, 'The world's prettiest photographer', started out as a beauty contest winner and professional photographer's model in the 50's. She became one of America's top ten glamour photographers during the 50's and 60's. This pictorial shows 100 of her most glamorous models, featuring Bettie Page, and includes photographs and original footage of Bunny with the girls behind the scenes.
Five women – Palestinian, American, Muslim, Christian, and Jewish – tell stories of humiliation and harassment by Israeli border guards and airport security officials.
0.0While the world’s attention has been fixed on the war in Iraq, Dispatches reporter Sandra Jordan and producer Rodrigo Vasquez risk their lives to reveal the shocking level of daily violence and murderous hate in the Gaza Strip.
7.9The Tank and The Olive Tree recalls a certain number of forgotten fundamentals and sheds new light on the history of Palestine. By combining geopolitical analysis, interviews with international personalities who are experts on the subject and testimonies from Palestinian and French citizens, this documentary offers the keys to understanding what the media call the Israeli-Palestinian conflict. Enough to rid people's minds of clichés and prejudices! If The Chariot and the Olivier is intended to be educational, it speaks above all of a magnificent territory, and of a people who constantly affirm that “to live is already to resist”...
