Tok Wan Rimau, the custodian of the spiritual tiger, is searching for a female heir to inherit her powers. Tina (Maya Karin) and Ari (Rusdi Ramli) are the relatives of Tok Wan. They are also best friends. Tok Wan`s spiritual tiger protects her family and their village from harm. Tina, who is in love with Ari, nurtures her secret dream of marrying him even though the villagers often ridicule the effeminate Ari as a sissy. Deeply traumatised by these insults, Ari continues to hide behind his close relationship with Tina. Despite parental objections, Tina seems destined to be the next in line as custodian of the mystical tiger. But Ari steps in, offering himself instead.
Tok Wan Rimau, the custodian of the spiritual tiger, is searching for a female heir to inherit her powers. Tina (Maya Karin) and Ari (Rusdi Ramli) are the relatives of Tok Wan. They are also best friends. Tok Wan`s spiritual tiger protects her family and their village from harm. Tina, who is in love with Ari, nurtures her secret dream of marrying him even though the villagers often ridicule the effeminate Ari as a sissy. Deeply traumatised by these insults, Ari continues to hide behind his close relationship with Tina. Despite parental objections, Tina seems destined to be the next in line as custodian of the mystical tiger. But Ari steps in, offering himself instead.
2007-05-31
5.3
Pontianak Harum Sundal Malam 2 is the sequel to the movie of the same title in 2004. The story continues after the "pontianak" (banshee/vampire) has avenged her death by eliminating her murderer (Marsani) and his entire bloodline. The story also explains her possesion of her own daughter and the end of her revenge. The story also sees Meriam coming to terms with her death before releasing her daughter from possesion and dealing with the obsession of her killer's son (Zali). Although the movie is still classified in the horror genre, this sequel delves more into sad emotions compared to the rage inflicted in the first movie.
"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage
"Maintenance by any Means" is about two maintenance men vying for the position of maintenance supervisor in an apartment complex. The maintenance men must compete with each other in order to get the job left open by the former Maintenance Supervisor. They need evaluations by the people who live at the apartments for every work order they finish. The problem is the renters themselves. Each one they run into has their own set of interesting problems. The maintenance men soon discover that a positive review may be hard to come by. Fixing broken down items in the apartments is the least of their worries. Finally one of the maintenance men must win the contest, by any means.
Perception explores the breach of experience that divides us all by glancing into the lives of three individuals: Clarissa, a young idealistic photographer who chooses to live as a homeless person on the streets of New York, supporting herself meal by meal by selling her photography from a blanket in Central Park; Ralph, a successful real estate salesman who struggles for balance against the cut-throat nature of his business; and Tobias, a perpetual student who gets fired a lot. Perception journeys through the same season of time from each character's point of view, detailing how presumption and mistaken intention leads to great misunderstanding. A moment, revisited from another point of view, takes new dimension--and the line between protagonist and antagonist blurs.
Based on the autobiographical notes by Leonhard Lentz the film tells the story of a man who was diagnosed with throat cancer. Besides the progress of the desease this film also focuses on the emotions and insights of the protagonist while being in therapy.
While in competition for a job promotion, the female competitor sues her male counterpart for sexual harassment. Blackmail and murder follow closely behind.
OSTKREUZ tells the episodic story of 15-year-old Elfie, who literally and metaphorically inhabits a no-man’s-land between the two Germanies shortly after the fall of the Berlin Wall. The film deploys a neorealist aesthetic to reinforce the difficulties confronting the girl, and by inference, Germany.
Deciding whether to have a child is an emotionally fraught and deeply personal process. Deciding amid increasingly dire warnings about the climate makes it even more paralyzing. The Climate Baby Dilemma is a documentary charting the growing number of young people either refusing to bring a child into an increasingly unstable world or struggling with the ethics of whether they should or not. As the conversation about intimacy and climate change heats up, we meet activists, journalists, parents and prospective parents, ethicists and scientists to unpack this growing trend.
Savitri and Satyaprakash are introduced to each other through their families for marriage. Both being poles apart, they decide to understand each other by getting into a live-in relationship.
This poignant human drama is phrased as a "small sonata" in three movements -- a novel approach by director and writer Micheline Lactôt to tell the story of two teenage girls. In the first movement, Chantal (Pascale Bussieres) rides the same bus every day and slowly develops an infatuation with the bus driver. Their interactions are expressed through gestures and glances and facial expressions, but not words. Just as Chantal is getting old enough, and maybe courageous enough to actually say something to the driver, fate steps in and she loses her chance. In the second movement, Louisette (Marcia Pilote) hides out on a fishing boat and is discovered by a Bulgarian fisherman who treats her with kindness and consideration and they spend a special evening together -- without being able to speak a word in the other's language. In the third movement, Chantal and Louisette become friends, and as kindred spirits they share a sense of loss and hopelessness.
During the Korean War Sergeant Paul Ryker is accused of defecting to Communist China and then returning to his unit as a spy. He's court-martialed and sentenced to death but his attorney believes Ryker's innocent and asks for a new trial.
Life is good for Nino van Doorn (8). He has a terrific brother Lucas (14), wise father Bruno and an angel of a mother, Marla. When Marla dies, Bruno can't cope with her death. Also the values like order, responsibility, love and care they represented. The two brothers create their own world. But soon the anarchistic world is threatened by the outside world. The two brothers are prepared to fool the system but what happens is that they really become a family again.
A man assists his gravely ill wife to die and wants to face justice for this, but his brothers try everything to keep the family's name clean.
After three years in hiding Spider-Guy's arch nemesis Cheddar Head has found him, and the police are not far behind
A foolish wealthy inheritor, whose household is dependent on his wife's competence, finds his estate threatened by a bully neighbor in this allegory of the difficulty of dealing with unchecked aggression and treachery, and of the tension between traditional Chinese customs and early 20th-century European influences. Originally about 100 minutes, only 41 minutes exist.
Feature version of The Lost City (1920), a fifteen episode serial.