1973-09-23
6
Kevin Ryan is Hollywood's leading teen heartthrob. He's the star of "Ninja Boy," a hot Martial Arts TV series. The trouble starts when Kevin decides he wants to leave the hit show, so that he can go to high school and lead a normal teenager's life. However, he is the Studio's biggest money maker and the unscrupulous executives are NOT going to let him leave. Their sinister plans involve a desirable young starlet, a muscle-bound mountain man, and an army of inept thugs trying to kill Kevin's loveable, but mixed-up manager, Uncle Bob.
In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.
While walking home late one night, a man notices another man walking as well. Only this man has an eerie smile. What are his intentions?
Lev Sergeyevich Theremin was a pioneering Russian inventor whose eponymous instrument, the thereminvox, revolutionized electronic music; between 1928 and 1938 he enjoyed triumphs in America - sold-out concerts, mass production of his instrument, and high society acclaim - before the Wall Street crash, personal upheavals, and waning fame led to his enigmatic 1938 return to the USSR. Against all expectations, after surviving Stalin’s notorious Magadan labor camp, he resumed work for Soviet secret services and lived on until 1993, passing away at the age of 97.
Agent Coulson informs Agent Sitwell that the World Security Council wishes Emil Blonsky to be released from prison to join the Avengers Initiative. As Nick Fury doesn't want to release Blonsky, the two agents decide to send a patsy to sabotage the meeting...
Over the course of her stay at the remote residence, Ana becomes more and more familiar with Holden’s idiosyncratic methods that require the participating artists to abandon their own identities and live emotionally and psychologically as their characters. Captivated by her artistic investigation, Ana immerses herself wholly into the method and starts living as Violeta, until her fiction loses control.
Go behind the pre-production, production, and post-production process of making New Line Cinema's Final Destination 3, exploring the history of not only the film itself but of its filmmaking partners, Glen Morgan and James Wong, and gain insight on the production as a whole. Includes early development meetings, on-set action, interviews with cast and crew, visual effects development, test screening process as well as an elaborate ending re-shoot.
This captivating documentary on J. Robert Oppenheimer, the architect of the atomic bomb, explores his journey before the historic test and reveals the burden he carried after. De-classified documents, rare film footage and exclusive interviews, including Oppenheimer's grandson, show an intimate exploration of the burden Oppenheimer carried and the profound global impact still being debated today.
The beginning of the 30s of the last century. A leak of classified information was found at the Soviet shipbuilding plant. Arriving under the guise of a scientist, the legendary chekist Karotin begins to unravel the threads of the conspiracy of the fascist spy organization. He is helped by inexperienced but active local detectives. Mastering the basics of the counterintelligence, they fall into a situation the other one funnier.
STOP + Cop = "Stop" or "Slow down" ? Make the right choice. An interactice movie by Ken Arsyn.
Biography of ski instructor, mountain guide, mountaineer and filmmaker-lecturer Lionel Terray. Film-portrait of an emblematic figure of French mountaineering in the 1950s and 1960s, reconstructing the life, the great races and the expeditions of the "conqueror" of the most difficult walls and summits of Europe, the Himalayas, the Andes and North America. Marcel Ichac produced in 1966, the day after the Gerbier accident, this illustrated tribute by bringing together personal archive documents, unpublished animated sequences or extracts from expedition images as well as comments taken from the autobiographical texts of Lionel Terray " The Conquerors of the Useless" and "Battle for Jannu". This film, presented at the Cannes Film Festival, has won numerous awards at specialized film festivals, including the Trente Festival and the Banff Festival.
While scuba diving, Jill's boyfriend Dustin finds a doubloon necklace and the diary of Morganna, a pirate who sailed the coast 200 years ago. With the diary is a treasure map that takes them and their friends Susan and Joe to a mountain cabin. Before setting out in search of the treasure, the four hold a séance using instructions they find in the diary. It brings Morganna and her mate, Captain Tygus, back to life. It's a race for the treasure. Morganna and Tygus will stop at nothing. What about the necklace?
Following the journey of a group of young women as they compete for spots on the 2004 U.S. synchronized swimming team and train relentlessly to win an Olympic medal, Sync or Swim offers a uniquely intimate look at a mocked and misunderstood sport that combines artistic and athletic expression. The film also examines the media storm that threatens the team's Olympic dreams when one of its members suffers devastating injuries and faces manslaughter charges as a result of a tragic car accident. Juxtaposing scenes that are intense and emotional, uplifting and mesmerizing, quirky and entertaining, Sync or Swim is the first-ever behind the scenes documentary about the making of the U.S. Olympic Synchronized Swimming Team.
Cuba's political and economic exile has yielded a startling upside: A pristine island preserve boasting one of the most diverse and primordial ecosystems in the region. But how will nature fare if the U.S. trade embargo ends and tourists pour in? This episode of the PBS series observes jumping crocodiles, painted snails and other famed residents while profiling the unsung scientists who are studying and protecting the creatures' idyllic habitats.
A hard-as-nails nun must take on a rogue agent to protect a child in her care who harbours a special gift. When she is left for dead and her chapel is destroyed, she is given a second chance at life, fighting back in a brutal pursuit for revenge, doing everything in her power to save the chosen girl from a fate worse than death.
On the 20th anniversary of their edgy little 90's cable show Underground Entertainment, the authors, along with many SF, horror and B celebrities in cameos, remember how they pushed the envelope, shocked, entertained, but also introduced the audience to many movies, comics and conventions.
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.
As Black and LGBTQ+ History Month begin this February, material science clothing brand PANGAIA leads celebrations with a poetic film that honors these two communities. Following a year of isolation, and with it a deeper understanding of the importance of outdoor spaces and the environment, Wè is a portrait of the self-love and acceptance we have learned to show others and gift to ourselves.
The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.
In the year following the 9/11 terrorist attacks, young journalist Claude Baechtold finds himself in the war zone of Afghanistan. Not entirely voluntarily, the avowed anti-militarist is dragged by two fearless reporters on a round trip through the entire country.
Burford met Breer in February 1992 and filmed his actions. Breer manipulates some of his mutoscopes: he leafs through some cards of his film in the making, Sparkill Ave! A dome-shaped sculpture slowly moves across the space.
As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
La Garoupe, a beach in Antibes, in 1937. For one summer, the painter and photographer Man Ray films his friends Pablo Picasso, Dora Maar, Paul Eluard and his wife Nusch, as well as Lee Miller. During these few weeks, love, friendship, poetry, photography and painting are still mixed in the carefree and the creativity specific to the artistic movements of the interwar period.
A look at the feud between graffiti artists King Robbo and Banksy.
Vincent Castiglia paints in human blood.
"Nocturnes at the Golden Gate" - invites us to discover the world and work of Irina Ionesco, a unique figure of contemporary photography. Since the early 70's, she photographer has been working in her apartment near the Porte Dorée, in Paris, principally with the female body. Scraps from the past and elements of the present come together to evoke the coherence and multiple meanings of Irina's baroque universe : the solitude of her Romanian childhood ; her youthful debut in the music hall ; her relationships with her models and her way of building images. Little by little, her work is illuminated and takes on different vibrations, though we have never left the apartment : her workspace, temple and museum.
Bettie Page was the top pin-up queen of the 50s and developed a cult following in the 80s. She is known for her distinctive hair style and is reputed to be the most photographed pin-up model of all time. This compilation shows Bettie's playful side, featuring her scenes from the full-length burlesque films Striporama (1953), Varietease (1954) and Teaserama (1955) and a dozen complete short films from the 50s including Tantalizing Betty Dances Again, Tambourine Dance, Joyful Dance by Betty, Betty's Hat Dance, Dream Dance by Betty, Dance of Passion, Betty's Clown Dance Part 2, Betty's Lingerie Tease Dance, Betty's Second G-String Dance, Betty's Fireplace Dance, and Pin-Up Beauties Fight (with June King).
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.
A handful of prisoners in WWII camps risked their lives to take clandestine photographs and document the hell the Nazis were hiding from the world. In the vestiges of the camps, director Christophe Cognet retraces the footsteps of these courageous men and women in a quest to unearth the circumstances and the stories behind their photographs, composing as such an archeology of images as acts of defiance.
Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight. “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”
From award-winning director Phil Grabsky comes this fresh new look at arguably the world’s favourite artist – through his own words. Using letters and other private writings I, Claude Monet reveals new insight into the man who not only painted the picture that gave birth to impressionism but who was perhaps the most influential and successful painter of the 19th and early 20th centuries. Despite this, and perhaps because of it, Monet’s life is a gripping tale about a man who, behind his sun-dazzled canvases, suffered from feelings of depression, loneliness, even suicide. Then, as his art developed and his love of gardening led to the glories of his garden at Giverney, his humour, insight and love of life is revealed. Shot on location in Paris, London, Normandy and Venice I, Claude Monet is a cinematic immersion into some of the most loved and iconic scenes in Western Art.