Documents a 40-year relationship between Saddam Hussein and the U.S., through accounts given by those who were witness to and participants in those years of violence. It is about a man and a superpower who used each other, in a marriage of convenience between strange bed-fellows. Includes selected archival footage of Saddam's beginnings, filmed to immortalise his exploits, at 20 years of age, in 1959. Includes also images from the film, Saddam Hussein, le maître de Baghdad, directed by Michel Vuillermet (Zarafa Films)
Narrator
Documents a 40-year relationship between Saddam Hussein and the U.S., through accounts given by those who were witness to and participants in those years of violence. It is about a man and a superpower who used each other, in a marriage of convenience between strange bed-fellows. Includes selected archival footage of Saddam's beginnings, filmed to immortalise his exploits, at 20 years of age, in 1959. Includes also images from the film, Saddam Hussein, le maître de Baghdad, directed by Michel Vuillermet (Zarafa Films)
2005-01-01
10
An overview of the Aurora shooting.
Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.
Andreas arrives on a remote Greek island to sell a plot of land inherited from his uncle. But who would buy a barren, rocky field with a stone hut? In order to sell the plot Andreas has to pay off a debt his uncle ran up with Yiannis, a local farmer.
This Best Short Subject Academy Award winning film begins in the spring of 1940, just before the Nazi occupation of the Benelux countries, and ends immediately after the Japanese attack on Pearl Harbor. It chronicles how the people of "Main Street America", the country's military forces, and its industrial base were completely transformed when the decision was made to gear up for war. Original footage is interspersed with contemporary newsreels and stock footage.
In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.
Pretty Joy and her friend come to Moscow to shoot a commercial. A taxi driver, who recruits girls for an underground organization run by a distant descendant of Rasputin, suggests they visit the Rasputin Museum. During the tour, the girls are hypnotized by the evil character, who hypnotizes his victims before using their charms to seduce the rich tourists.
Including world-class artists such as Bryn Terfel, Cecilia Bartoli, Anne Sofie von Otter, Jose Cura, Simon Keenlyside and Agnes Letestu, this 50-minute sampler will give you a taste of many beloved classics in opera and ballet.
Two brothers take their father into the city for the weekend for a rugby game and a night on the town. However, the old man dies in their hotel and the boys need to smuggle his body back to their farm and make it appear that he died there to satisfy a clause in his will or else they won't inherit the property.
A portrait of an impossible love. A man and a woman are leaving everything and everybody behind for a private weekend by the sea. But it soon becomes clear that privacy is not what they are getting, as Frank's 'other life' keeps coming up. Alex, expecting this weekend to be theirs, seems to crack. As an ultimate act of despair, she takes Frank as her hostage. Recognising she has crossed the line of normal behaviour and finally realising that she will always have to share Frank, Alex starts losing her faith in this love. The next morning Alex is gone, leaving Frank a small reminder…
The agent for the Devil takes the soul of a high school sophomore in exchange for a date with the most popular girl on campus.
Adam Green's annual Halloween short film spoofs televisions infamous Slap Chop commercial with an accident prone Bostonian selling a jack-o-lantern carving kit.
Hello! Project concert held at Pacifico Yokohama Exhibition Hall A / B. Disc 1 (96mins), Disc 2 (94mins).
Metachaos, from Greek Meta (beyond) and Chaos (the abyss where the eternally-formless state of the universe hides), indicates a primordial shape of ameba, which lacks in precise morphology, and it is characterized by mutation and mitosis. In fact the bodies represented in METACHAOS, even though they are characterized by an apparently anthropomorphous appearance, in reality they are without identity and conscience. They exist confined in a spaceless and timeless state, an hostile and decadent hyperuranium where a fortress, in perpetual movement, dominates the landscape in defense of a supercelestial, harmonic but fragile parallel dimension. In its destructive instinct of violating the dimensional limbo, the mutant horde penetrates the intimacy of the fortress, laying siege like a virus. Similar to the balance of a philological continuum in human species, bringing the status of things back to the primordial broth.
Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.
Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.
Iraq War veteran Herold Noel suffers from post-traumatic stress disorder and lives out of his car in Brooklyn. Using Noel's story as a fulcrum, this doc examines the wider issue of homeless U.S. military veterans-from Vietnam to Iraq-who have to fight tooth-and-nail to receive the benefits promised to them by their government.
Casey Conklin joined the 3rd Ranger Battalion as a medic, because he always believed they were the toughest group around. After his experience in the Battle of Mosul in Iraq and receiving his Ranger tab, he doesn't question how tough he is. After returning home, he finds that he still must challenge himself to stay healthy and redefine toughness at home.
PFC Benjamin Tollefson was killed in action during Operation: Iraqi Freedom. His mother tells the story he never got a chance to share.
Pam Roark: Iraq War Nurse is a short documentary about Captain Pam Roark - a Navy nurse whose life-long passion and commitment resulted in an exciting story of female military leadership.
Journalist Maggie O’Kane returns to Iraq five years after Desert Storm to try to understand why she was not able to report the war freely and to investigate some of the stories which did not stand up.
Morgan Spurlock (Super Size Me) tours the Middle East to discuss the war on terror with Arabic people.
The award-winning filmmaker Peter Lilienthal is dedicated to this extremely poignant documentary of U.S. military policy and the living conditions of former resistance fighters in Latin America.
Giorgio Mattia describes his experiences during the second attack on the Italian Army in Nasiriya, Iraq 2006.
"The trauma of 9/11, the ideology of violent retribution, military service as a patriotic family tradition, the “unfairness” of today’s warfare – in their voice-overs, five young Afghanistan war veterans first establish familiar foundations. Joe, Torrie, Mike, James and Justin from Pittsburgh are slow to show us their faces. Physically unharmed but full of inner pain they have become the misunderstood upon their return. Their violent experiences speak a language that the people at home don’t understand.
A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.
Three women, three wars, one dream. Lanja is a journalist in Iraq fearlessly fighting against honor violence. Maia in Abkhazia battles archaic customs like 'bride kidnapping'. Nelly runs a women's shelter in the slums of Monrovia, Liberia. A universal story of women's courage and survival in the aftermath of war.
Gas flaring has long been known to be both a major polluter and a serious health hazard. In Iraq, it's ruining ordinary people's lives, leaving communities ravaged by abnormally high levels of cancer. With oil giants like BP using a loophole to avoid reporting emissions, and governmental promises to end the practice ringing hollow, what will it take to eradicate toxic pollution from Iraq's skies?
American soldiers of the 2/3 Field Artillery, a group known as the "Gunners," tell of their experiences in Baghdad during the Iraq War. Holed up in a bombed out pleasure palace built by Sadaam Hussein, the soldiers endured hostile situations some four months after President George W. Bush declared the end of major combat operations in the country.
A documentary about the 8-day sit-in struggle by GANG Cheolmin, a 22 year-old private in the South Korean army who declared his objection to military service on November 21, 2003 in order to stop the South Korean government from sending troops to Iraq, and the peace groups supporting him.
BROTHERS AT WAR is an intimate portrait of an American family during a turbulent time. Jake Rademacher sets out to understand the experience, sacrifice, and motivation of his two brothers serving in Iraq. The film follows Jake’s exploits as he risks everything—including his life—to tell his brothers’ story.
When a British-born actor abandons his Hollywood career to volunteer to Join the Kurdish YPG to fight ISIS in Syria, many see him as a selfless hero battling America's most insidious enemy. But others think he's a hot-tempered narcissist, staging a publicity stunt to further his career - and when his service ends, neither the UK nor the US welcome him back. Through incisive interviews with the actor, his supporters, his detractors, and top-tier experts - and featuring the actor's own jaw-dropping helmet-cam video of deadly battles with and interrogations of ISIS fighters - Heval gives viewers unprecedented access into a war against evil and one man's controversial role in it.
FRONTLINE tells the stories of soldiers who have come home haunted by their experiences during the Iraq War and asks whether the government is doing enough to help.