We’ve all seen on television the weirdly enthusiastic people selling once-in-a-lifetime-deal jewelry, invisible bras and magical sports equipment that can give you a flat belly. This film delves into the heart of it as protagonist Sue (Bianca Bai, 白歆惠) loses her job as a marketing and communications specialist and ends up working as a salesperson at Carrefour. Shy and awkward in the beginning, Sue learns how to make people buy things through a series of bizarre events and eventually becomes the alpha on a television shopping channel.
What happens when a costumed universal space hero is put out to pasture? Or, rather, the actor portraying him is?
A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
Ranjit is a young man who has been assured a lucrative job. All he has to do is turn up for the interview dressed in a western style suit, but all the city laundries are on strike that morning, and his only suit is dirty.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
Returning wounded from the war Maksym was overcome by self-doubt, in his physiological state. He is undergoing rehabilitation. He loses contact with his wife. He is tormented by dreams. In one of his dreams Maksym goes to the island to catch a lot of fish, as the paramedic advised him. Maksym takes a boat, net, dynamite from the best man and sails to the island.
A provincial, Julie Moret, is hired as a servant in a Parisian bourgeois residence. She is courted by one of the Bouquinquant brothers, Léon, who does not take long to ask her to marry him. Alas, Léon turns out to be violent, alcoholic and lazy. Faced with her misfortune, Julie gets closer to her brother-in-law Pierre, the opposite of Léon, serious and hardworking, and they become lovers. The drama will rush when Julie becomes pregnant with Pierre.
Outskirts of Moscow. A girl comes to an unfamiliar apartment to look after a dog. After a while, she realizes that the owner of the apartment has disappeared. She finds herself into a series of people that have been taking care of the dog for years in that same apartment, creating a weird community around this strange absence of the owner.
Fed up with the bullying from their classmates, Jorge and Emilio plan a shooting at their school.
A brand new look into the story of Kevin McCallister by the polish geniuses Dominik Dudzik and Jas Dmoch.
Nothing is what it seems, greed, revenge and death all impact one another in this taut crime drama.
Characters discover a tarot card. They either choose to believe or ignore the tarot cards that supposedly predict the future, but no one knows how the story will end. Soon after, they experience extreme horrors, that are exactly the opposite of what the tarot cards foretold.
In the austere "Horseshoe Cirque", attempts on ice are so impressive and require such a high degree of skill, that after a discrete beginning in 1976, there was a wait of twenty years before new pioneers dared the challenge. Each has returned, marked for life by the extraordinary experience. The opening of The White Witch in January, 2006 by Philippe Batoux, François Damilano and Benoît Robert was the occasion to revisit this emblematic site. Here is an exceptional panorama where incredible ice formations give way to challenging rocky climbs and vibrant testimonials...
Takeshi Murata and Christopher Rutledge continue their playful investigation of both the sharp-edged hyperrealism of commercial CGI and its oozing, anarchic breakdown in Larry, which propels its titular character—a droopy-eyed canine baller—through a series of increasingly bizarre and messy loops. Set to a soundtrack of maxed-out electronic rhythms, these vignettes form a ludic study in morphology and motion, as its pooch protagonist continually vaults, multiplies, gets buckets, and dissolves into digital goo.