1978-01-01
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The first of 14 Olsen Gang films presents us with Egon Olsen, head of the gang, and his friends Benny and Kjeld, who want to become the best known gang in Denmark and eventually Europe by stealing a famous Bavarian work of art currently displayed in a Copenhagen museum. Although Egon's plan works out fine, there is only trouble ahead for the little gang.
The Olsen gang in Jutland. Ones again Egon Olsen has a plan when he gets out of Vridslose State Prison. He has found out that the Germans left a large sum of money (in American dollars and gold bars) in one of their commando bunkers, when they were defeated in 1945; the only problem it's in Jutland. Egon, Benny and Kjeld "appropriate" a car and drives to Jutland along with Kjelds wife and child Yvonne and Borge. They look forward to fooling the the people in Jutland, but of course, things don't go quite as planed. It ends with Benny, Kjeld, Borge and Yvonne sitting in the train back to Copenhagen, were they are overtaken by Egon in his car on the road next to the track. This is the last time the Olsen gang goes to Jutland.
Egon and the gang are hired to stage a robbery of an antique Chinese vase for an economically challenged baron. Naturally they fooled, which infuriates Egon. The gang tries to get back at the baron by switching the vase with a cheap Hong Kong copy. One attempt is made during the barons hunting party, where Egon ends up being bricked up in the catacombs. In another attempt, the gang has to coordinate breaking through several walls at The Royal Theater in Copenhagen with the "Elverhøj" overture.
The Olsen-Gang must carry out an entrusted task for the Prime Minister's Office itself: H.C. Andersen's original quill must be stolen from the Danish Export Museum, supposedly for the Kingdom's safety and good reputation. But Hallandsen has again taken Egon's ass. There is nothing less than the Danish national feeling, Egon's honor and 30 million at stake. But Egon has a plan - he needs a drill, a glass of honey, a bottle of organic prune juice and a good pile of dead rats. Christiansborg is put on the other end, the metro is delayed more than usual and the Queen's guards suddenly dance the cancan.
New animation featuring the Olsen Gang, the legendary trio of small-time crooks with big money dreams.
The British ITV channel specially broadcasts Tom Daley's latest documentary, looking back on Daley's training and life in the four years since the last Olympic Games. This is also the first time he and his fiance and Oscar winner Dustin Lance Black have framed a documentary. The two looked back on the process of meeting and falling in love, the ins and outs of Daly's difficult decision to come out, and how he returned to the platform now is all the credit of Lance. The engagement of the two was blessed by the family and the whole team, and all kinds of loving interactions were sweet and touching. And Daley's latest jumping method "Fireworks", which incorporates traditional Russian acrobatics, also appeared in the documentary. Hope to see this different firework at the 2016 Rio Olympics.
A documentary that restores to the world, five hundred years after his death, the universal and sensitive genius of one of the greatest artists of the Italian Renaissance: Raphael Sanzio. Guided by the art historian Luca Tomìo, we decided to start our journey from the Renaissance atmosphere of Raphael’s birthplace, the Duchy of Urbino, to retrace, from the very beginning, Raphael's artistic education. From a young age, he found himself confronted with giants of the Renaissance art such as Piero della Francesca and Antonio del Pollaiolo, in the workshop of his father Giovanni Santi, also an excellent painter of the Urbino court.
"Stone-White Man" is an epic documentary in compact form which tells the life story of Viennese artist Richard Erdoes. Erdoes has chronicled the lives and resistance of Native Americans in the United States since the 1950s.
Their ethnic roots are different and they are neither blond nor thin; this a cappella ensemble is their own creation. Three powerfully voiced singers and their pianist tour Austria and Germany, performing a program of soul and gospel. Trendy cafés and village church, everyday life as a musician and survival away from the international charts.
With over 23 years in the business, Bruce Joel Rubin has done it all. From his Oscar-winning screenplay for the romantic-comedy-drama Ghost, to the psychological thriller Jacob's Ladder, the family-friendly adventure Stuart Little 2, and the tearjerker My Life, which he also directed. In this in-depth interview, Rubin delivers some insightful stuff: his carpet-laying theory about writing, the story behind the Jacob's Ladder gut-wrenching opening scene, and which of his screenplays came about thanks to a burrito that didn't digest well.
While undergoing treatment himself, comedian Rhod Gilbert goes on a frank, revealing, and frequently funny journey into the world of male infertility. Rhod also meets a man whose wife had eight years of treatment before they discovered that he was the one with the fertility issues.
David Seltzer knows Hollywood. He knows the business, the tricks of the trade and all the hidden truths. He's got the stories from working with Jacques Cousteau, penning the horror classic The Omen and adapting Roald Dahl's Willy Wonka and the Chocolate Factory. He can tell you why writing is like love-making and why there is no such thing as fiction. His advice about directing? Wear comfortable shoes. In this interview, you'll learn that and more, including what recent screenplay is the most elegant he has ever heard spoken on-screen and why you don't win arguments with movie stars.
Simon Kinberg recently burst onto the scene with his script for XXX: State of the Union, and has since worked on comic-to-film adaptations for Elektra and Fantastic Four and penned the third film in the X-Men series, X-Men: The Last Stand. Kinberg's breakthrough hit, Mr. and Mrs. Smith, began as a script that he wrote in college and became one of the top grossing movies of 2005.
The "Mutoid Waste Company" is a group of English travellers who have created an alternative lifestyle for themselves as modern nomads. This film portrays their performance in Vienna.
Susannah Grant received an Oscar nomination for her screenplay for Erin Brockovich, an inspirational story based on the life of a working-class heroine. After her nomination, she went on to adapt In Her Shoes and Charlotte's Web, as well as write and direct Catch and Release. Here, Grant goes into the midwife vs. mother role of novel adaptations, the importance of finding your voice and why sometimes you just have to be able to really, really suck.
Poised to become one of the most successful screenwriting teams in Hollywood, Alex Kurtzman and Roberto Orci are certainly in striking position. A team who became just that after meeting in high school, they have frequently collaborated with writer-director J.J. Abrams and director Michael Bay. As a team their screenwriting credits include The Island, The Legend of Zorro, Mission: Impossible III and the upcoming Star Trek XI.
NIA VARDALOS was nominated for the Academy Award® and the Writers Guild Award in 2003 for her breakthrough screenplay My Big Fat Greek Wedding, which was based on her one-woman play. The film became the highest-grossing independent feature and turned her in to an overnight success, spawning a follow-up sitcom and a cemented spot among Hollywood s elite writers. Listen as she talks candidly about her favorite laugh, tapping into her inner guy, and why her take on the hardest part of screenwriting just might make you blush.
Jeff Nathanson is easily among the A-list of Hollywood screenwriters, His script for Catch Me If You Can earned him much critical praise, as well as the devotion of Steven Spielberg, who also brought him to work on his next movie, The Terminal. Nathanson has also collaborated with Jan de Bont on Twister and Speed 2: Cruise Control and with Brett Ratner on the Rush Hour films. In this interview, learn more about why he dreads pitching, never speaks during a notes meeting, and finds he can do almost all his research with the Internet and old Playboys.
Hamburg wrote and directed the crime comedy Safe Men, which played at Sundance and spawned a devoted cult following. A sure-thing comedy closer, the New York City native built hilarious set pieces and character work into Meet the Parents, Zoolander, and Meet the Fockers that not only helped lift them to huge box office but also pushed a few new catchphrases into the American lexicon. A veteran of the uncredited production rewrite, Hamburg also wrote and directed the romantic comedy Along Came Polly in 2004. In this amusing interview, Hamburg discusses how he developed his talent for writing actor-hooking dialogue in the humorous monologues he performed in college, why he'd do a thousand test screenings if he could, and what it's like to hand a new scene to Robert De Niro and stand there waiting to see if he likes it.