An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.
An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.
1983-01-01
5.3
On the 20th anniversary of their edgy little 90's cable show Underground Entertainment, the authors, along with many SF, horror and B celebrities in cameos, remember how they pushed the envelope, shocked, entertained, but also introduced the audience to many movies, comics and conventions.
The first rule is that there are no rules. For the bare-knuckle combatants competing in Musangwe fights, anything goes - you can even put a curse on him. The sport, which dates back centuries, has become a South African institution. Any male from the age of nine to ninety can compete. We follow a group of fighters as they slug it out in the ring. Who will be this year's champion?
In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.
Ermus Daglek, retired Empathtek engineer, commandeers a defunct factory where he creates androids based on persons from his past and recreates a dinner party where he lost the love of his life - until they malfunction and escape.
Broadway partners Vicky Lane and Dan Christy have a tiff over Christy's womanizing. Jealous Vicky takes up with her old flame and former dance partner, Victor Price, and Dan's career takes a nosedive. In hopes of rekindling their romance and getting Vicky back on the boards with him, Dan follows her to a ritzy resort in the Canadian Rockies, where she and Victor are about to open their new act. But things get complicated when Dan wakes after a bender to find that he's hired an outlandish Latin secretary, Rosita Murphy, which makes Vicky think he's just up to his old tricks again.
Francesca Goode is a successful New York banker who goes from being a Boss to being Broke overnight after the feds freeze all her assets when she's wrongfully blamed for unethical banking practices. She's forced to give up her hard-earned, lavish lifestyle and move back home to her humble beginnings with her uniquely hilarious, Southern family that she thought she ditched and left behind in a small town in Georgia. However, it's here that she will rediscover her self-worth, an old love, and the true meaning of family.
The image of a room, its appearance changing with the shades of light. A window front, seen through the window. Changing flower arrangements on a side table. Sounds, entering the room from outside the frame. A construction site hints at changes in the exterior. Rehearsals. Are the sound waves of the piano reaching us from downstairs or from next door? In 21.3 °C Helena Wittmann reduces the filmic elements to the essentials: light, shadow, sound, direction. Out of this minimum, stories emerge that linger, atmospheres that resonate. Little by little the viewer is thrown back upon herself/himself. Through the facing window front someone seems to look back at us. Only the temperature remains the same.
Jakob thinks that everything is going well with his girlfriend, but the relationship ends abruptly. He can not put her behind him, even if a new girl enters the picture.
Romeo and Juliet in 1930s England. The owner of the mill and the local lord are in conflict over water rights. The lord wins threatening the mill owner with financial ruin.
Ah, to see ourselves as others see us. Michael's mid-life crisis was a flame out. Left his wife. Bought a Porsche (used). Now, lonely and looking to make amends, he's seeking forgiveness and counsel from his angry daughter. Laurie sees right though him.
The story of Monica Chowdry, a National Spelling Bee champ…from 15 years ago. Life hasn’t quite panned out as expected for Monica since her big win. When her estranged older brother returns home to help care for their sick mother, the siblings must find a way to reconcile.
Zara Montalve, half Spanish and half America, returns to her native California in time to see her parents murdered for their hacienda and gold by Sheriff Jim Harding and his gang. Posing as Lola Belmont, an American visiting from Detroit, teams up with Joaquin Murietta, posing as Carlos Del Rio, to form a Robin-Hood type band that takes vengeance on the gang and restores stolen gold to its rightful owners, aided by militia leader Dan Hinsdale.
A veritable feast awaits fans of Ian Anderson's Jethro Tull on this elaborate DVD package, which boasts extensive concert footage and a load of extras. The focal point is nearly two hours of performances, filmed in late 2001 (primarily in London, with additional material from several other locations) and featuring material from the band's entire lengthy career, including such staples as "Aqualung" and "Bouree." The current Tull incarnation (featuring, as always, Anderson on vocals, flute, and sundry other instruments) takes center stage; there are also a couple of numbers with a string quartet, and even a small-club reunion of the lineup that made the group's very first album back in 1968. Interviews with band members, testimonials from rabid fans, photos, and even an option for viewing a Tull performance from three different audience points of view are among the generous helping of extra features.
"I only say the sun goodbye." Dionisos captures the existential unease where insomnia echoes and shadows of past regrets linger. As days blend into unconsciousness, the night unveils a haunting struggle between personal demons and the unending flow of existence.
Katerina, a poor girl, finds a job as a secretary and falls in love with her boss on a trip to Rome.
Henri Cartier-Bresson: The Decisive Moment is an 18-minute film produced in 1973 by Scholastic Magazines, Inc. and the International Center of Photography. It features a selection of Cartier-Bresson’s iconic photographs, along with rare commentary by the photographer himself.
This is the legendary meeting between a young filmmaker and one of the masters of surrealism: the spanish painter Óscar Domínguez, born in La Laguna, Tenerife, in 1906, died in Paris in 1957. In the "Visite," the artist -admirer of Picasso, rebellious disciple of Breton- is presented in solitude, far from the tumult of the exhibitions and parisian circles. An austere approach, almost “povera”, with no audio, nor flashy camera movements, but rarely attractive. Why Resnais could not finish his movie? Hope one of our experts help us to solve the mystery.
Aqueducts transport water. Images transmit the memory. Images of aqueducts are useless.
A discovery of the pictorial art that Ndebele women traditionally practice in South Africa: painting the walls of their houses.
Letter from Tokyo is a documentary film that looks at art, culture and politics in Tokyo, Japan. Shot over three months during the summer of 2018, and with a particular focus on grass roots arts initiatives, the use of public space, and queer politics, the film provides a snapshot of Japan’s capital in the run up to the 2020 olympics.
A documentary about the Estonian artist Kaarel Kurismaa shows the viewer an insight into the world of artists. Kaarel changed his creative direction several times; he explored different artistic styles. Kaarel Kurismaa laid the foundations for Estonian kinetic and sound art. He is a highly versatile artist whose creative energy is divided between painting, sound, installation, monumental art, and film. On the crest of the avant-garde wave of the 1970s, he created several important sound and kinetic objects in Estonian art history.
This documentary follows the legendary Japanese photographer as he continues to find new ways of seeing the visual assault of Tokyo’s streets and reminisces about his life and work.
A documentary that introduces FIT Hives, a student-run organization whose mission is to educate the FIT community about the importance of bees to the environment, the use of bee-derived resources in the industries related to the majors at FIT and its goal to put a beehive on the roof. FIT Hives is a recipient of an FIT Innovation Grant which also supported the making of this documentary.
The documentary film "Mr. Dial Has Something to Say" investigates the problem of classism and racism in the elite American art world. By following the dramatic, disturbing story of Thornton Dial, a 79-year-old American-African artist from Alabama's Black Belt.
One public housing flat in Moscow stood out above all others: the home of George Costakis, the foremost collector of early 20th century Russian avant-garde art. Its walls were crowded with banned and forgotten works by artists such as Malevich, Tatlin, Kandinsky, Chagall, Lissitzky, Rodchenko, and Kliun; public figures such as Edward Kennedy, Stravinsky, and Alfred Barr visited. Barrie Gavin met the collector in 1982 at his home in Athens. Costakis, a Greek born in Russia, passionately shares his story and those of the great Russian avant-garde artists. Their works are his legacy – without him, they would not have survived the political upheavals in Russia.
Rock'n'roll was a man's world they say. The film documents the often ignored female impact on rock's history, from the groundbreaking guitar stylings of Memphis Minnie and Sister Rosetta to the gnarly singing of Big Mama Thornton. Musicians as different as Suzi Quatro and Kristin Hersh tell about their experiences on and off the grid of stardom and the music industry.
The best known, "Weegee's New York" (1948), presents a surprisingly lyrical view of the city without a hint of crime or murder. Already this film gives evidence, here very restrained, of Weegee's interest in technical tricks: blur, speeded up or slowed-down film, a lens that makes the city's streets curve as if cars are driving over a rainbow. - The New York Times
Calcutta, 1950: Satyajit Ray directs his first film and, by opening his eyes on his country's realities, breaks every convention of Indian cinema. During twenty-five years, Ray's personal photographer Nemai Gosh will be his shadow. This movie tells their parallel destinies, it ventures Satyajit Ray's extraordinary artistic journey through the obsessive lens of Nemai Gosh.
Photographic and sound story, through the encounter of characters with their stories of a time without end.
An experimental self-portrait, MMXIII explores phenomenological subtlety, intersections of construct and verité, and the ways in which technology, landscape, and beauty coalesce.
This is an educational short released by the Los Angeles Public Library explaining what to expect when you get your first period.
Through interviews and guerilla footage of graffiti writers in action on five continents, the documentary tells the story of graffiti from its origins in prehistoric cave paintings thru its notorious explosion in New York City during the 70’s and 80’s, then follows the flames as they paint the globe.
The sun is always changing and NASA's Solar Dynamics Observatory is always watching. Launched on February 11, 2010, SDO keeps a 24-hour eye on the entire disk of the sun, with a prime view of the graceful dance of solar material coursing through the sun's atmosphere, the corona.
The Mona Lisa Curse is a Grierson award-winning polemic documentary by art critic Robert Hughes that examines how the world's most famous painting came to influence the art world. With his trademark style, Hughes explores how museums, the production of art and the way we experience it have radically changed in the last 50 years, telling the story of the rise of contemporary art and looking back over a life spent talking and writing about the art he loves, and loathes. In these postmodern days it has been said that there is no more passé a vocation than that of the professional art critic. Perceived as the gate keeper for opinions regarding art and culture, the art critic has supposedly been rendered obsolete by an ever expanding pluralism in the art world, where all practices and disciplines are purported to be equal and valid. Robert Hughes, however, is one art critic who has delivered a message that must not be ignored.