In El Salvador, Chelino tells about the indigenous massacre of 1932, of which he survived, while he teaches the melodies of traditional Salvadoran dances.
Key Cast
Key Cast
Guyanese painter Aubrey Williams (1926-1990) returns to his homeland on a “journey to the source of his inspiration” in this vivid Arts Council documentary, filmed towards the end of his life. The title comes from the indigenous Arawak word ‘timehri’ - the mark of the hand of man - which Williams equates to art itself. Timehri was also then the name of the international airport at Georgetown, Guyana's capital, where Williams stops off to restore an earlier mural. The film offers a rare insight into life beyond Georgetown, what Williams calls “the real Guyana.” Before moving to England in 1952 he had been sent to work on a sugar plantation in the jungle; this is his first chance to revisit the region and the Warao Indians - formative influences on his work - in four decades. Challenging the ill-treatment of indigenous Guyanese, Williams explored the potential of art to change attitudes. By venturing beyond his British studio, this film puts his work into vibrant context.
This beautiful short film captures the quiet dignity of a day in the life of a Northern trapper, without use of any dialogue.
Flora Bear’s youngest granddaughter searches for truth and answers about her Indigenous grandmother’s life.
This film, based on the play of the same name, portrays the harsh lives of early Saskatchewan settlers and the foundation of the co-op movement on the Prairies.
Traditional Northwestern Indigenous spiritual images combined with cutting-edge computer animation in this surreal short film about the power of tradition. Three urban Indigenous teens are whisked away to an imaginary land by a magical raven, and there they encounter a totem pole. The totem pole's characters—a raven, a frog and a bear—come to life, becoming their teachers, guides and friends. Features a special interview with J. Bradley Hunt, the celebrated Heiltsuk artist on whose work the characters in Totem Talk are based.
The Living Stone is a 1958 Canadian short documentary film directed by John Feeney about Inuit art. It shows the inspiration behind Inuit sculpture. The Inuit approach to the work is to release the image the artist sees imprisoned in the rough stone. The film centres on an old legend about the carving of the image of a sea spirit to bring food to a hungry camp. It was nominated for an Academy Award for Best Documentary Short.
Exploring the diaspora and how we exist in the Western landscape, we are on this land that has a colonial agenda. At the beginning of the video, I put traditional paintings depicting the “sublime”- which come from the colonist lens, and then I added AI-generated images to re-catalog my experience living in this country. The keywords I put into the system to AI-generate images are words that are relevant to how I grew up, including pop-culture references, key landscapes from where I grew up, and critical political words- the Taiwanese flag in itself is a highly politicized word.
Amá is a feature length documentary which tells an important and untold story: the abuses committed against Native American women by the United States Government during the 1960’s and 70’s: removed from their families and sent to boarding schools, forced relocation away from their traditional lands and involuntary sterilization. The result of nine years painstaking and sensitive work by filmmaker Lorna Tucker, the film features the testimony of many Native Americans, including three remarkable women who tell their stories - Jean Whitehorse, Yvonne Swan and Charon Aseytoyer - as well as a revealing and rare interview with Dr. Reimart Ravenholt whose population control ideas were the framework for some of the government policies directed at Native American women.
In less than 150 years, 97.3% of British Columbia's old growth forests have been logged. These ancient trees and their ecosystems have been lost forever. Fairy Creek (Ada'itsx), one of BC's last untouched old growth watersheds, lies on Southern Vancouver Island on the unceded territories of the Pacheedaht, Ditidaht and the Huu-ay-aht Nations. Despite Premier John Horgan's 2020 election promise to protect the remaining 2.7% of old growth forest, logging of Fairy Creek continues unabated. In August 2020, forest and land defenders began setting up blockades to prevent the destruction of this beautiful and fragile ecosystem. One year later, after mass civil action, over 500 arrests and intense public pressure, the conflict continues. This comprehensive and compelling documentary film sheds light on the issues around the logging and blockades, through conversations with Indigenous Elders, politicians, police, lawyers, front line activists, and many others.
For more than 100 years, thousands of Indigenous children died while in Canada’s residential school system. Pacheedaht Elder Bill Jones survived, but he, like many others, experienced years of beatings and sexual abuse. The scandal has finally brought the Indigenous rights struggle into focus, none more so than at Fairy Creek, an area of forest on First Nations land that protesters are desperately trying to prevent from falling into the hands of logging companies.
"A short documentary amplifying what I witnessed this past long weekend. I hope this film helps spread the word about the importance of the Fairy Creek Watershed. Ancient old growth trees, a watershed connecting waterways and endangered species are all on the chopping block at the Fairy Creek Blockade as RCMP have moved in to arrest peaceful protestors so Teal-Jones can log the watershed."
A film initially was released alongside an injunction granted from the BC court to Teal Jones, enabling them to forcibly remove forest protectors who have been sacrificing their worlds at home to stand and defend some of the last of the 2.7% remaining old-growth on Vancouver Island. In collaboration with filmmaker, Ian MacKenzie, the short-film depicts how much we truly depend on these Ancient Forests for our survival as well.
The ancient forests of the Pacific Northwest are home to giant trees and many secrets, which science is just beginning to understand. But these forests are at risk of disappearing. In British Columbia on First Nation territory, a small band of forest defenders are risking life and liberty to protect some of the last remaining ancient forests.
In this feature-length documentary, three generations of the Caribou Inuit family come together to tell the story of their journey as Canada's last nomads. From the independent life of hunting on the Keewatin tundra to taking the reins of the new territory of Nunavut on April 1, 1999, we see it all. The film is the result of a close collaboration between Ole Gjerstad, a southern Canadian, and Martin Kreelak, an Inuk. It's Martin's family that we follow, as the story is told through his own voice, through those of the Elders, and through those of the teens and young adults who were born in the settlements and form the first generation of those growing up with satellite TV and a permanent home.
In the early 1980s, at the beginning of what would become a 12-year-long civil war, El Salvador's talented football team was one national institution upon which both the left and the right could agree. When the team pulled off a stunning 1-0 upset against Mexico and qualified to compete in the 1982 World Cup, it was a high point for the tiny country's national pride. Unfortunately, the team's Cinderella story devolved into a nightmarish farce.
Conservation groups, First Nations, and scientists come together in this timely short film, as a decades-long battle to protect endangered old-growth forests in BC escalates at Fairy Creek (the last unprotected, intact valley on southern Vancouver Island). The film explores the characters’ individual relationships with ancient forests, and why it’s imperative we collectively protect them. It touches on potential solutions, like a transition away from old-growth in the future of logging, and Indigenous sovereignty.
Mainland reporter hears about protest on Vancouver Island and decides to visit and see it for himself. He spends time to meet people there from both sides, revealing what it is really all about.
The third and final part of a trilogy based on Arctic creation myths. The film is a multifaceted tissue weave of myths and traditions reflected in the symbiosis between reindeer, human and landscape.
This feature-length documentary by Alanis Obomsawin examines the plight of Native people who come to Montreal searching for jobs and a better life. Often arriving without money, friends or jobs, a number of them quickly become part of the homeless population. Both dislocated from their traditional values and alienated from the rest of the population, they are torn between staying and returning home.