Nirmala (Devika Rani) is a modern girl - young, beautiful, dressed in the latest fashions, attends college, and is even the only female in an all-male class. She doesn't take second place to the men, besting all but one in the annual exams. She tied with Ramdas (Ashok Kumar). But, at the same time she is tied to the age-old culture, traditions and religion. She yearns for a husband and for motherhood. And this conflict forms the crux of the story.
Nirmala (Devika Rani) is a modern girl - young, beautiful, dressed in the latest fashions, attends college, and is even the only female in an all-male class. She doesn't take second place to the men, besting all but one in the annual exams. She tied with Ramdas (Ashok Kumar). But, at the same time she is tied to the age-old culture, traditions and religion. She yearns for a husband and for motherhood. And this conflict forms the crux of the story.
1938-10-14
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Life without friends is like living in hell but when you have friends who are no less than devils, your life can be a living hell. Love Day - Pyaar Ka Din explores the journey of three childhood friends; Monty (Ajaz Khan), Sandy (Sahil Anand) and Harry (Harsh Nagar). Sandy and Harry often fall into trouble due to Monty’s antics. Sandy’s and Harry’s families do not approve of their friendship with Monty and separate the three friends. However, Monty returns to his friend’s lives after five years with a plan that would make them all rich. Monty’s plan backfires and his friends land into trouble again. Will Sandy and Harry regret their lifelong friendship?
A woman seeks to escape her engagement to a violent politician, but when a stranger comes to her aid, the two face an onslaught of bigotry and hate.
Sundar, a waiter, is in love with Radha but does not have the courage to tell her. When he becomes a successful comedian, he confesses his feelings to her, only to find that she loves someone else.
A college student must win an inter college competition to save his college from being demolished by property builders.
Amidst the bustle of a magnetic and multifaceted city, the budding love between two dreamers is tested by duty and religious divides.
Four ordinary women, inflicted by silly societal norms, have to steal, lie, cheat and hide in order to lead the lives that they rightfully deserve.
Captain Ranvir is assigned the task of apprehending two terrorists named Shaka and Dara. Upon arrival in the region, he meets with and falls in love with Radhika, the daughter of Rajasaheb, who also is a Mantri. The latter approves of him, and arranges his wedding with his daughter. Before the engagement could take place, Ranvir finds out that he has a rival in Shaka, who was in love with Radhika before, and is all set to prevent this marriage at any and costs. Ranvir decides to postpone his wedding until such time he arrests Shaka and his associates - a decision that will not only pit him against well-armed terrorists, but also result in the abduction of a bus-load of Vaishnodevi devotees - which include Radhika and her Bua.
A young law student is forced into an arranged marriage though he is in love with somebody else. Following the wedding the drama focuses on the bride's mistaken identity and the search for her husband.
Amal, a young boy with an incurable disease is trapped inside the house by the local pandit-doctor’s orders. He spends the day chattering with passersby and villagers while daydreaming about those encounters later. When the chowkidar tells him the new building across the road from his house is a new Post Office belonging the Raja, Amal starts fantasising about visiting the King beyond the hills, and getting a letter or delivering the letters going all around, setting out from the confine of his house
When a successful manager decides to sell his plantation in his ancestral village to another company, his young daughter begins acting strangely.
Usha, a well-educated girl, is married to Kumar by her drunkard father. Being illiterate, Kumar gets jealous of Usha's education and her frank nature. He abuses her and she leaves their home and begins to battle for women's right. She gives birth to a son and starts to work in a factory, where male workers start to dominate her.
Two sets of identical twins are accidentally separated at birth. Several years later, when they are coincidentally in the same town, there is a lot of confusion and misunderstanding when people mistake them for each other.
A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.
The lives of Calcutta's most powerful gangsters - Bikram and Bala, changes when Nandita enters it. Then a counter-force takes charge and a thriller unfolds.
The journey of Indian film industry's first stunt woman Reshma Pathan, it will trace the life of Reshma and her stint in movies as a body double for various actresses. Bidita Bag plays the lead role of feisty stunt-woman.
CLUB 60 is about Letting Go after spending the required time in grieving for the loss of a loved one. But what is the required time-frame to grieve? And is it right to always stay in a grieving position? What about the people around you, who are also hurting because of your grieving? And does grieving endlessly really help the one who is gone away? Club 60 is also about embracing life, post 60.
A 90-year-old man struggles to care for his mentally handicapped son.