57 Lawson(2016)

Naked Island - Hipster Headdress(en)

An unapologetic confrontation of cultural appropriation and everything that’s wrong with hipsters in headdresses.

Five Pillars(en)

The lives of vastly separate people collide in interweaving stories of liberty, identity, tolerance, responsibility and class.

Lady Joker(ja)

Men and women caught up in a downward spiral of corruption, discrimination, poverty and death are the focus of this detective-thriller/social-drama inspired by the unsolved 1984 kidnapping of a Japanese candy company president.

You and Me(en)

The extraordinary true story of Barney Miller, an emerging Pro-surfer who became a quadriplegic 17 years ago. Told by doctors he would never use his legs again, Barney defied all medical assessments through grit, self-belief, hard work and sheer guts. When Barney meets and falls in love with Kate, a girl with her own dreams of being a singer, he makes it his mission to only ask Kate to marry him when he can kneel down to propose, stand at the altar and dance at their wedding together.

You Better Take Cover(en)

A film about Men At Work, their hit single Down Under, and the Kookaburra controversy. The band were sued for copyright infringement and faced the label of 'plagiarists', 35 years after their success. An examination of the organic development of the song, its commercial success and cultural significance and questions the relationship between art and law, influence and copyright.

New Towns for Old(en)

Sheffield stands in as 'Smokedale', an industrial Everytown, in this stirring call for "new schools, new hospitals, new roads, new life", after WWII.

The Godless City(af)

One of the earliest exploitation films from South Africa, directed and produced by independent film maker Pierre D. Botha. This is a classic example of a ‘restless youth’ film. The action takes place in Johannesburg (The Godless city of the title) and focuses on the youth sub culture of the ‘Ducktails’ (“a white youth gang subculture which emerged within post Second World War South Africa. Rebellious, hedonistic, apolitical and showing little respect for the law, education or work”).

Koyaanisqatsi(en)

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

The Storymaker(en)

A dark fable about a woman who kills herself with her imagination.

Strawberry and Chocolate(es)

Set in 1979, following a young Communist man's relationship with a gay Catholic writer, exploring tolerance, inclusion, homophobia and challenging its Cuban audience with great humour. Based on the short story by Cuban writer Senel Paz.

MAGANDA! Pinoy Boy vs Milkman(en)

The Milk Man, a psychopathic murderer who preys upon women. Pinoy Boy, the world’s deadliest Filipino who is tasked with tracking him down. Angelo, the filmmaker who created them and is struggling to find an ending as the lines between his reality and the film blur. Underground auteur Matthew Victor Pastor, aka MVP, attacks racism, gender, love and serial killing in his most free-form, assured, challenging film to-date; the final chapter of his Filo-Aus Trilogy.

The Bedroom(en)

Set in one bedroom over six decades, The Bedroom explores the exciting changes to sex and sexuality in Australia.

Don't Throw Stones(en)

Stephen Cummings is one of Australia's most revered rock 'n' roll icons. Rising to fame as frontman of ‘70s legends The Sports, he has spent more than 30 years at the forefront of the local music scene, forging a reputation both as one of Australian rock's greatest lyrical storytellers and also one of its most incendiary critics. Based on his scathing tell-all memoir Will It Be Funny Tomorrow, Billy?, Don't Throw Stones tells Cummings' story in his own words – as well as the words of those he has so gleefully skewered. Featuring interviews with Michael Gudinski, Steve Kilbey, Joe Camilleri and many more, Don't Throw Stones is a revealing portrait of three decades of rock-world gossip, larger-than-life personalities and good, old-fashioned artistic beef.

Cop It Sweet(en)

In the winter of 1991 an ABC film crew spent six weeks following Sydney's Redfern police. The inner city patrol of Redfern is predominantly working class with a large aboriginal and migrant population. The police in this film are general duties officers mostly on mobile patrols. At the time of filming 78% of police at Redfern were under the age of 25.

Aliento(es)

Kymatica(en)

Ben Stewart, the bright young musician and philosopher who brought us the sleeper hit "Esoteric Agenda", unveils his new work, Kymatica!. Kymatica will venture into the realm of Cymatics and Shamanic practices. It will offer insight into the human psyche and discuss matters of spirituality, altered states of consciousness and much more! Not to be missed!

Girls in My Hometown(ko)

Girls in my Hometown, released in 1991, is a melodrama dealing with individualism and sacrifice. A young girl has a friend who has just come back from abroad, bringing with her foreign fashions and foreign ideas. When the solider to whom the friend was engaged becomes blinded in an accident, she decides to put herself first, neglecting her duties to her fiancé and the community she lives in.

Backroads(en)

Two strangers – one white, one black – steal a car in western NSW and head for the coast. Jack is abrasive, cunning and disparaging about Aborigines. Gary doesn’t really care – he just wants to escape. En route, they pick up Gary’s Uncle Joe, a French hitchhiker and a young woman who’s running away. Their petty crimes escalate as they go, heading towards disaster.

Breaker Morant(en)

During the Boer War, three Australian lieutenants are on trial for shooting Boer prisoners. Though they acted under orders, they are being used as scapegoats by the General Staff, who hopes to distance themselves from the irregular practices of the war. The trial does not progress as smoothly as expected by the General Staff, as the defence puts up a strong fight in the courtroom.

The Boys(en)

Brett Sprague is a violent and psychopathic man, who is released on parole after serving a sentence for assault. As he returns to his family house and we watch him and his brothers, Stevie and Glenn, for the next 24 hours, it becomes clear this day will not end well.