Kitna(NaN)

Lipstick Under My Burkha(hi)

Four ordinary women, inflicted by silly societal norms, have to steal, lie, cheat and hide in order to lead the lives that they rightfully deserve.

Derniers recours(fr)

Slimane can't renew his student resident permit. Will he accept the proposal to help his friend Mehdi in his illegal business in exchange for a permanent residency card?

Pupa(en)

Pupa symbolises a dark room; a room that contains the mental conflicts of human identity. Our protagonist is an artist who is left alone in that chaotic space. His disturbed mind undergoes a drastic change when he is exposed to a metaphoric memory.

El folklore de las bestias(es)

A woman is forced to continue working while one of her colleagues lies unconscious on the floor due to the long, hot work days. This fact causes insomnia problems and the suspicion that something is happening at night.

Dunduriņš(lv)

Luz's Motives(es)

Luz is in jail, accused of murdering her own children. Her husband and her mother-in-law say she killed them in cold blood. Dr. Rebollar tries to help the woman, but she refuses to remember anything. Luz thinks of jail as the purgatory: it's only one step to reach the Heaven.

Little Pieces(en)

Michael and Eric, two young men on a collision course with the world around them. As they race violently towards each other their world comes crashing down, changing their lives forever.

Farewell Pavel(nl)

Nirmala(hi)

Nirmala (Devika Rani) is a modern girl - young, beautiful, dressed in the latest fashions, attends college, and is even the only female in an all-male class. She doesn't take second place to the men, besting all but one in the annual exams. She tied with Ramdas (Ashok Kumar). But, at the same time she is tied to the age-old culture, traditions and religion. She yearns for a husband and for motherhood. And this conflict forms the crux of the story.

Pigeon's Milk(ru)

On the Green Carpet(ko)

Pyongyang, DPRK: Two ex-child gymnasts find themselves working together as directors in charge of the production of "mass games" (aka mass gymnastics, a North Korean specialty). Their joint area of responsibility is the youngest children's performance. However the two directors have different personalities and priorities. Their co-operation is less than friction-free as the pressure leading up to the performance increases. The two find that they work no better together as adults than they did as children. However there is still a bit of a spark between them. Will they manage to finish the production in time for the grand opening in front of the country's Leader? Are the children up for the challenge? Will any romance come out of all this....

Kootathil Oruthan(ta)

Arvind, an ordinary man who is never noticed by anyone be it at school or home. However, things change when he falls in love with Janani, a class topper and the one who excels in both academics and extra-curricular activities.

Manamantha(te)

Sairam, an assistant manager in a supermarket treads on an unethical path for a promotion, leading to dire consequences. Gayatri a thrifty housewife manages her middle class household. Mahitha's friend, a street child goes missing and she goes out of her way to find him. Abhiram, the bright student falls in love with Aira and pursues her. Four stories seemingly unrelated are all bound by one string called family.

Zoology(ru)

Natasha is a lonely, middle-aged admin employee at the zoo who still lives at home with her mother. One day her life is turned upside down when she discovers she has grown a tail…

Adú(es)

In a desperate attempt to reach Europe and crouched before an airstrip in Cameroon, a six-year-old boy and his older sister wait to sneak into the holds of an airplane. Not too far away, an environmental activist contemplates the terrible image of an elephant, dead and fangless. Not only do you have to fight against poaching, but you will also have to meet the problems of your newly arrived daughter from Spain. Thousands of kilometers to the north, in Melilla, a group of civil guards prepare to face the furious crowd of sub-Saharan people who have begun the assault on the fence. Three stories linked by a central theme, in which none of its protagonists know that their destinies are doomed to cross and that their lives will no longer be the same.

Naalai Namathe(ta)

Nalai Namathe is about the man who struggles to raise the standards of the society he lives in. The film is based on the concept that government should make Rs. 500 crores the maximum limit for property that could be owned by anyone and should confiscate any excess, to be distributed to the poor and needy.

Toilet: A Love Story(hi)

A woman threatens to leave her husband unless he installs a toilet in their home. To win back her love and respect, he heads out on a journey to fight against the backward society.

Muse of Pasig(tl)

It is a supernatural melodrama of a woman's misfortune and suffering interwoven with the legend of the Pasig. The legend itself is inspired by the immortal kundiman of the director's brother, Nicanor Abelardo.

It's OK(mr)

An introvert girl agrees to visit social gatherings as suggested by her friends. She takes it as tasks to complete to overcome her fear for crowd. Will she succeed?

Jumpman(ru)

Young Oksana puts her newly born Denis in a baby box. Sixteen years later she steals him away from a children's home, intent on making amends for her maternal neglect, and to exploit him to earn money in a corrupt legal system.