A light-hearted celebration of British sex films from the 1950s to the early 1980s. Presented by Angus Deayton, the programme includes interviews with movie veterans Robin Askwith and Pamela Green, as well as featuring clips from popular X-rated movies like “Come Play with Me” (1977). (IMDb)
A light-hearted celebration of British sex films from the 1950s to the early 1980s. Presented by Angus Deayton, the programme includes interviews with movie veterans Robin Askwith and Pamela Green, as well as featuring clips from popular X-rated movies like “Come Play with Me” (1977). (IMDb)
1995-05-29
3.3
WrestleMania XXIV was the twenty-fourth annual WrestleMania PPV. The event took place on March 30, 2008, at the Citrus Bowl in Orlando. The first main event was a Singles match from the SmackDown brand that featured The Undertaker challenging World Heavyweight Champion Edge for the title. The second was a Triple Threat match from the Raw brand, in which WWE Champion Randy Orton defended against challengers Triple H and John Cena. The third was a singles match featuring ECW Champion Chavo Guerrero defending against Kane. Other matches include a No DQ match with Floyd Mayweather Jr. fighting The Big Show, a Money in the Bank ladder match with Carlito, Shelton Benjamin, MVP, CM Punk, Mr. Kennedy, Jericho, and John Morrison, and a retirement match between Shawn Michaels & Ric Flair.
After a wonderful time in Hungary Sissi falls extremely ill and must retreat to a Mediterranean climate to rest. The young empress’ mother takes her from Austria to recover in Madeira.
WrestleMania 21 was the twenty-first annual WrestleManiaPPV. It was presented by Snickers and took place on April 3, 2005 at the Staples Center in Los Angeles, California. The main match on the Raw brand was Triple H versus Batista for the World Heavyweight Championship. The predominant match on the SmackDown brand was John "Bradshaw" Layfield versus John Cena for the WWE Championship. Another primary match was an interpromotional match between The Undertaker versus Randy Orton. The featured matches on the undercard were Kurt Angle versus Shawn Michaels and a Money in the Bank ladder match. The event also featured the return of Stone Cold Steve Austin who started his part-time appearances with WWE at this event. The event drew a Staples Center record attendance of 20,193 people and grossed more than $2.1 million in ticket sales.
Six vignettes pit an assortment of characters against each other in everyday situations.
A thrilling journey through legends, belief and folklore, this film goes behind the scenes with the British Library as they search to tell that story through objects in their collection, in an ambitious new exhibition: Harry Potter: A History Of Magic. J.K. Rowling, who is lending unseen manuscripts, drawings and drafts from her private archives (which will sit alongside treasures from the British Library, as well as original drafts and drawings from Jim Kay) talks about some of the personal items she has lent to the exhibition and gives new insight into her writing, looking at some of the objects from the exhibition that have fired her imagination.
Groot sets out to paint a family portrait of himself and the Guardians, only to discover just how messy the artistic process can be.
Allies of the Shadows seek revenge against humanity. This movie sets up the series, "Crusade," the sequel to "Babylon 5."
Royal Rumble (2007) was the twentieth annual Royal Rumble PPV. It took place on January 28, 2007 at the AT&T Center in San Antonio, Texas and featured talent from the Raw, SmackDown! and ECW brands. The main event was the annual 30-man Royal Rumble match, which featured wrestlers from all three brands. The primary match on the Raw brand was a Last Man Standing match for the WWE Championship between John Cena and Umaga. The predominant match on the SmackDown! brand was Batista versus Mr. Kennedy for the World Heavyweight Championship. The featured match on the ECW brand was between Bobby Lashley and Test for the ECW World Championship.
A bird raised by mice begins to question where she belongs and sets off on a daring journey of self-discovery.
Sisters Alex and Madison are whisked away to the Bahamas for winter break but soon find themselves crossing paths with a man smuggling stolen artifacts.
A homeless man meets a medical school student who pays him to volunteer for a surgical procedure known as trepanation, drilling a hole in his skull, which ends up giving him the ability to communicate with the dark side of people’s subconscious minds.
The family is pleasantly surprised and puzzled when Beethoven suddenly becomes obedient. Turns out it's a prince and the pauper scenario, with the real Beethoven now living with a pompous rich family.
Beethoven is back -- and this time, he has a whole brood with him now that he's met his canine match, Missy, and fathered a family. The only problem is that Missy's owner, Regina, wants to sell the puppies and tear the clan apart. It's up to Beethoven and the Newton kids to save the day and keep everyone together.
Egon is starting to be a little forgetful; he forgot the zone number, so he fails to open the strongbox. When he gets out of Vridslose State Prison, Kjeld and Benny have become associates of Yvonne's cousin Georg from America. He is not just some old-fashioned strongbox thief that can't remember like Egon, but a young hip IT criminal, that thinks that everyone else is inferior. However, Egon doesn't take lightly to the Georg's patronizing so he sabotages Georg's computer and ruins his cup. This time Egon's ambitions reaches a new high, when he and his gang break in to the World Bank, and they get away with it. Of course, thanks to Yvonne, they aren't rich very long.
James Bowen finds himself the target of an animal welfare investigation that threatens to take away his beloved cat, Bob, at Christmas.
Sissi is now the empress of Austria and attempts to learn etiquette. While she is busy being empress she also has to deal with her difficult new mother-in-law, while the arch-duchess Sophie is trying to tell the emperor how to rule and also Sissi how to be a mother.
A couple on a romantic getaway find themselves stranded at sea when a tropical storm sweeps away their villa. In order to survive, they are forced to fight the elements, while sharks circle below.
In the story, the seasons have changed and it will soon be the second spring. Tatsuya and Miyuki have finished their first year at First Magic High School and are on their spring break. The two go to their villa on the Ogasawara Island archipelago. After only a small moment of peace a lone young woman named Kokoa appears before them. She has abandoned the Naval base and she tells Tatsuya her one wish.
In 1971, inmates at Attica State Prison seized control of D-yard and took 35 hostages after peaceful efforts for reforms failed. Attica investigates the rebellion and its bloody suppression, revealing institutionalized injustices, sanctioned dishonesty, and abuses of power.
"Monday's Girls" explores the conflict between modern individualism and traditional communities in today's Africa through the eyes of two young Waikiriki women from the Niger delta. Although both come from leading families in the same large island town, Florence looks at the iria women's initiation ceremony as an honor, while Azikiwe, who has lived in the city for ten years, sees it as an indignity.
"The Apology" explores the lives of former "comfort women," the more than 200,000 girls forced into sexual slavery during World War II. Today, they fight for reconciliation and justice as they struggle to make peace with the past.
Each one of the 15 lighthouses around the island of Puerto Rico tells the story of the lighthouse keepers, wives or daughters that lived in them. Additional testimonies by architects, historians, biologists and fishermen take us on a trip of beauty, hope, perseverance around them, as we witness the magnificence of its structures and its magical surroundings. Some lighthouses are active, some have been restored, others have been abandoned but all have a unique story to tell.
Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment
Michael White might just be the most famous person you’ve never heard of. A notorious London theatre and film impresario, he produced over 300 shows and movies over the last 50 years. Bringing to the stage the risqué productions of Oh! Calcutta!, The Rocky Horror Show and to the screen Monty Python’s The Holy Grail, as well as introducing Merce Cunningham, Pina Bausch and Yoko Ono to London audiences, he irrevocably shaped the cultural scene of the 1970s London. Playboy, gambler, bon vivant, friend of the rich and famous, he is now in his eighties and still enjoys partying like there’s no tomorrow. In this intimate documentary, filmmaker Gracie Otto introduces us to this larger-than-life phenomenon. Featuring interviews with 50 of his closest friends including Anna Wintour, Kate Moss, John Waters and Barry Humphries and, of course, the man himself, Otto pays a vibrant tribute to a fascinating entertainer.
‘You have no choice about being here, you’ll have no choice about when you leave’ proclaims a woman in Xiaolu Guo’s latest film, a documentary about the personal and physical journeys of the people of London’s East End. Herself an immigrant to the area, Guo’s sensitive character studies hint at an affinity with the push and pull of feelings of alienation, a theme she has previously explored as a filmmaker (She a Chinese, LFF 2009) and novelist (A Concise Chinese-English Dictionary for Lovers). This empathy is also apparent in her playful stylistic approach that layers Warhol-esque news reports, archival material and a soundtrack including Linton Kwesi Johnson and Fela Kuti, to comment on the human cost of capitalism. The resulting film is both a penetrating portrait of a frenetic place that feels deeply authentic, and a powerful piece of protest film.
When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.
Taşkafa is a real dog and also a legend on the streets of Istanbul. John Berger begins Taşkafa’s story, reading from his novel, King, the story of the disappearance of a community told from a dog’s perspective. The area’s ordinary people – taxi drivers, shopkeepers, street traders – care deeply about the welfare of the city’s street dogs and they tell us stories about Taşkafa and their other canine neighbours. The animals are a symbol of community living, where people (and dogs) look out for each other, but this is a community in transition; one from which dogs are starting to be expelled. Eccentric, amusing and very warm, the film is a powerful indictment of the impact of global politics and the economic appropriation of public space but, even more, it is a tribute to both the spirit of resistance and to city life that can accommodate people and dogs together.
A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.
A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.
Russian avant-garde filmmaker Sergei Eisenstein and German playwright Bertolt Brecht recount the brief portions of their lives they spent in Hollywood trying to make art that was both radical and popular.
An exploration of Soviet director Sergei Eisenstein's notes and drawings for a science fiction movie that he pitched to Paramount in 1930 about the residents of a skyscraper with walls and floors of clear glass.
The saga of a movie treatment written by German playwright Bertolt Brecht during his unhappy stint in Hollywood based on a Life Magazine article about a farm family who win a week's stay in a model home at the Ohio State Fair, with the catch that they will be on display to the public.
Set deep in the traditional territory of Tahltan First Nation, Northern British Columbia’s Red Chris gold and copper mine is the backdrop to a lyrical tapestry of landscapes and diverse personal stories from the land. Language preservation initiatives and mining opposition evoke emotional tones as the story swells with ravishing images of wilderness as a rough and untamed beauty. A thoughtful shift from Wild’s traditional narrative style of radical point of view documentary, "KONELĪNE" is a meditation on nature, culture, and economy as experienced by those who live and work on the land.
In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"
Women workers stand up to the toxic flower industry in Colombia.
Claire Denis goes to Eastern Chad to the Breidjing camp, the home of 40,000 refugees from Darfur. With great humility, she tells the stories of these men and women, victims of one of the worst humanitarian catastrophes that this century has seen so far.