The Sniper of Kobani(2016)

No Obvious Signs(uk)

What is left backstage of the heroic videos of our warriors in Ukraine? What do they have to face, one on one, in peaceful life, and where does the war stop?

We are Soldiers(fr)

Tree Ukrainian volunteers, injured during the war with the Russians and the separatists, are treated at the military hospital of Kyiv. Three generations, three social environments, three different regions. Dmytro, Oleksii and Anatolii are recovering, hoping and preparing for their future.

For Sama(en)

A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.

Germany - Handle with Care!(en)

This "March of Time" entry examines the many problems, both human and economic, that faced the Allies in their respective zones of Germany -- USA, England and Russia -- following the end of World War II, and the Allied occupation of what was left of the country following the Nazi reign of Adolf Hitler. The Cold War issues had not yet fully surfaced, so this entry, with fleeting glances into each Zone of the time, traced what economic recovery had been made by the end of 1946, and how the average German citizen of 1946 was living...or getting by.

The White Helmets(ar)

As daily airstrikes pound civilian targets in Syria, a group of indomitable first responders risk their lives to rescue victims from the rubble.

2017 Oscar Nominated Short Films: Documentary(en)

The Wind(ar)

The tragedy of the Syrian people: War, conflict, loss, migration, exile, asylum, detention, drowning… A deserted place. Abandoned people. Abandoned country. The doors slammed shot; the doors are now locked - the keys thrown away...for what seems forever.

Daraya: A Library Under Bombs(fr)

At the heart of the Syrian civil war, a group of activists created an underground library in the besieged outskirts of Damascus. After years of blockade, they were forced to leave their city. But they managed to save their videos illustrating a unique experiment of cultural resistance under the bombs. This film, built between the past and the present, follows the story of three friends who met during the 2011 revolution and never gave up on their cultural resistance and peaceful struggle. Despite ceaseless bombing, they not only saved books from the rubble, but created a secret library, which quickly became a safe haven for peace, freedom and democracy: a special experience that they filmed and documented meticulously. Separated by war and exile, they are striving to reunite with each other. They reminisce on the past and tell us the extraordinary story of the library, based on dozens of hours of video archives. “A Library Under Bombs” is a story of hope and survival.

The Enclave(en)

Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.

Terror Studios(fr)

How the Islamic State has created a powerful propaganda factory that manipulates and twists at its convenience the subjects and icons of the Western popular culture in order to lure into darkness certain young people and recruit them to achieve a dreadful purpose, an industry of fear that overcomes the infamous Nazi machinery and the methods used by both sides during the Cold War.

The Fog of Srebrenica(en)

This is the story of survivors of the Srebrenica genocide, the only holocaust in Europe since WWII. 8,372 Bosnian men and boys were killed in one week.Heartbreaking and mind blowing testimonials - the story told by survivors, contrasted by hauntingly beautiful landscapes and horrifying archive. The film portrays extraordinary characters, people who have been struggling to come to terms with the past as well as dealing with the harsh realities of living in one of the poorest countries in Europe. Their stories raise serious and profound questions about the nature of human existence, war and forgiveness.

The Fog of War(en)

Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.

Black Box Syria: The Dirty War(de)

A look back over nine years of the Syrian Civil War, an inextricable conflict, like a black box, due to the competing interests of the many factions in presence and those of the foreign powers.

Inside Prora(de)

On the island of Rügen in the Baltic Sea lies one of the most megalomaniac projects built by the Nazis. The ‘Monster by the Sea’, a colossus of brickwork that stretches for kilometres, intended as a futurist holiday resort for the inhabitants of the Third Reich. A paragon of ‘guilty architecture’. Later occupied by the communist regime, it has since the fall of the Wall fallen victim to property developers who have found it a tough nut to crack. Nico Weber’s Inside Prora uncovers the storied history of a project that symbolises the utopian intentions of modernism and the emergence of mass tourism.

Someone Else's War(en)

Parents try to understand why their children traveled from Britain to join the Kurdish army in their fight against Isis, in Syria, where they died fighting fighting someone else's war.

HyperNormalisation(en)

We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…

Enemy Image(en)

An examination of the how television news in the US has covered war from Vietnam to the present day

Safeguarding Military Information(en)

World War II propaganda short which focuses on the dangers of inadvertent dispersal of military information.

Born in Syria(es)

This intimate documentary follows a group of Syrian children refugees who narrowly escape a life of torment and integrate into a foreign land.

Silvered Water(fr)

Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.