Charming, light-hearted and fizzing with subversive wit, Neil Armfield's sparkling production of the marriage of Figaro captures Mozart's most popular Opera. In this classic performance, recorded live at the Sydney Opera House, Patrick Summers conducts a energetic fresh-voiced cast, headed up by baritone Teddy Tahu Rhodes and Taryn Fiebig who make a vivacious, appealing pairing as Figaro and Susanna, while Peter Coleman-Wright triumps as the lascivious Count Almaviva.
Susanna
Count Almaviva
Marcellina
Cherubino
Don Basilio
Charming, light-hearted and fizzing with subversive wit, Neil Armfield's sparkling production of the marriage of Figaro captures Mozart's most popular Opera. In this classic performance, recorded live at the Sydney Opera House, Patrick Summers conducts a energetic fresh-voiced cast, headed up by baritone Teddy Tahu Rhodes and Taryn Fiebig who make a vivacious, appealing pairing as Figaro and Susanna, while Peter Coleman-Wright triumps as the lascivious Count Almaviva.
2010-08-18
6
Mozart Opera La Nozze di Figaro
In 1889, seventeen men die under mysterious circumstances, and spooked by recent events, the miners who populate the town leave in droves until there's nothing left but a shell of a community.
Cord Hosenbeck and Tish Cattigan return for their annual round of live Rose Parade coverage. Cord Hosenbeck and Tish Cattigan are no strangers to the iconic New Year’s tradition of the Rose Parade, having covered the event for the past twenty-six years. After a whirlwind year that included traveling abroad to cover the Royal Wedding, the duo are more excited than ever to return to Pasadena. The esteemed Tim Meadows will also return for the festivities.
Denmark, 2016. A blurred note is found in a bottle that has traveled across the ocean for a long time. After deciphering the cryptic note, Department Q follow a sinister trail that leads them to investigate a case that occurred in 2008. At the same time, new tragic events take place that test their faith and deepest beliefs.
In its first 25 years only 10 people have finished The Barkley Marathons. Based on a historic prison escape, this cult like race tempts people from around the world to test their limits of physical and mental endurance in this documentary that contemplates the value of pain.
The worst teachers of France landed in England for an ultra-secret mission. With Boulard, the King of the Dunces, they are parachuted in the best school of the country, and they will apply their famous methods on the future of the nation.
From his village in northern Senegal, Yao is a 13-year-old boy ready to do anything to meet his hero: Seydou Tall, a famous French actor. Invited to Dakar to promote his new book, the latter goes to his country of origin for the first time. To fulfill his dream, the young Yao organizes his fugue and brave 387 kilometers alone to the capital. Touched by this child, the actor decides to flee his obligations and to accompany him home. But on the dusty and uncertain roads of Senegal, Seydou understands that while rolling towards the village of the child, it also rolls towards its roots.
Denmark, 2014. A former police officer asks Carl Mørck, head of Department Q, to find out who brutally killed his young twins in 1994. Although a local inhabitant confessed and was convicted of murder, Carl and his partner Assad soon realize that there is something in the case resolution that is terribly wrong.
Climate is changing. Instead of showing all the worst that can happen, this documentary focuses on the people suggesting solutions and their actions.
When the Italian Premier and his companion find a dead body in his hotel suite, while on a trip to Hungary, they find themselves embroiled in a series of comedic situations as they try to avoid a scandal.
Five teenage girls navigate the twists and turns of their complicated emotional lives, and learn the secrets of the heart through their friendship.
Dooley and his K-9 partner Jerry Lee are ready to retire from the police force. But before he can retire with his pension he must work as a P.I. to find a set of high tech computer chips.
A washed-up Marseilles cop (Auteuil) earns a chance at redemption by protecting a woman from the man who killed her parents as he is about to be released from prison.
In a Mars base, the inhabitants are being infected by a mysterious water creature which takes over its victims. The Doctor is thrust into the middle of this catastrophe, knowing a larger one is waiting around the corner.
Neerja is a portrayal on the life of the courageous Neerja Bhanot, who sacrificed her life while protecting the lives of 359 passengers on the Pan Am flight 73 in 1986. The flight was hijacked by a terrorist organization.
Martin Bashir conducts a rare interview with Michael Jackson and is given unprecedented access to the reclusive performer's private life over a span of eight months, from May 2002 to January 2003.
After his girlfriend, Julie, and two best friends are killed in a tragic auto accident, Nick struggles to cope with his loss and grief. Suffering from migraine-like seizures, Nick soon discovers that he has the power to change the past via his memories. However, his time-traveling attempts to alter the past and save his one true love have unexpected and dire consequences.
The sequel to the 2013 short, August sings Carmen 'Habanera'. After Elfie and her nerdy son August successfully proved themselves on their home webcam in MeTube 1, the odd pair venture onto the street to present the biggest, boldest, and sexiest operatic flash mob the internet has ever witnessed!
There are elements of Macbeth in this political fable, in which the ghost of the child that Boris has had killed in order to seize the throne appears as an impostor. Adapting Pushkin's epic poem, Mussorgsky composed a meditation on the solitude of power, a populist drama in which the real protagonist is the Russian people with its burden of eternal suffering. Ivo Van Hove is no stranger to grand political frescos. This is his first production for the Paris Opera.
First performed in Paris in 1843, at the turning point of several eras, Don Pasquale, a composite and varied work, is the apotheosis of opera buffa. Performed for the first time at the Paris Opera, the production has been entrusted to the Italian director, Damiano Michieletto, who transports us directly to the sincerity and dramatic splendour at the heart of an apparently light‑hearted work.
An adaptation of Leos Janacek's opera Prihody Lisky Bystrousky (1925), based on the novel Liska Bystrouska by Rudolf Tesnohlidek. It follows the life of Sharp-Ears, a fox who is captured by a forester as a cub and raised in his home prior to escaping back into the forest.
Elizabeth of Valois is promised in marriage to Don Carlos of Spain, as part of a peace treaty between the two kingdoms. They meet and fall in love – but no sooner have they declared their love than news comes that the terms of the treaty have changed: Elizabeth is to marry Carlos’s father Philip instead. Politics and religion are dangerously entwined in Giuseppe Verdi’s Don Carlo. Performed on November 30th, 2016, at the Opéra national du Rhin, Strasbourg.
Christian Thielemann conducts the Bayreuth Festival Orchestra in this production of Wagner's opera recorded in 2015. Starring Stephen Gould as Tristan and Evelyn Herlitzius as Isolde, the cast also includes Georg Zeppenfeld, Iain Paterson, Raimund Nolte and Christa Mayer.
High Definition recording June 2014, Arena di Verona. This opulent production was directed by Franco Zeffirelli and sung by an international cast of excellent singers: Russian mezzo-soprano Ekaterina Semenchuk, soprano Irina Lungu, tenor Carlo Ventre and Carlos Alvarez. The famous opera is staged as a colourful feast for the eyes, true to its source and convincingly acted by soloists, chorus and ballet alike. Conducted by Henrik Nánási it is a gloriously sung musical experience.
Portrait of a Knight is a musical romance about the way in which historic ideals inform contemporary urban life. Rachel is a young archivist living and working in Wellington, New Zealand. Feeling alone and disconnected from life, she projects her romantic fantasies onto the paintings she loves, until one day her song brings Reginald - a Knight of the Realm - to life. His carefree innocence and zest for life begin to open Rachel up to the beauty around her, but the fates have a way of making trouble when miracles occur...
‘In reality, this Lohengrin is an entirely new phenomenon for the modern consciousness!’ Richard Wagner himself understood the innovative character of his sixth piece of music theatre, completed in 1848, the year of revolutions. Although it is reckoned among his ‘romantic operas’, his new vision of musical drama is already clearly heralded in this work. In his hands, the mediaeval saga of the Knight of the Swan becomes a meditation on the true love that asks no questions. Alain Altinoglu, our Music Director, who has already conducted this work in Bayreuth, guarantees the quality of the music, while the director Olivier Py, known at La Monnaie for his brilliant productions of Les Huguenots and Hamlet, can be relied on not to downplay Wagner’s revolutionary political side. Wagner’s own opinion was that ‘one can only understand Lohengrin if one can liberate oneself from any modern-looking, generalising form of representation so as to see the phenomena of real life’. A challenge to us all?
The delightful light operatic farce by Johann Strauss is presented at the Morbisch Lake Festival (Seefestspiele Mörbisch) starring Herbert Lippert, Richard Samek, Heinz Zednik and Dagmar Schellenberger.
Main hero is a singing boat refugee – orange boy Maroc. He dreams about freedom. Lemon girl Lisa collects singing seashells and dreams about love. Lisa’s father is a businessman, owner of a ketchup factory and tomato plantation. He loves money. And so the opera begins: Poor Maroc escapes from his homeland and defying stormy waters take a boat across the sea to the “promised land”. Upon arrival he is forced into being a slave worker in a tomato plantation instead of freedom, democracy, wealth and parties he had hoped for. Despite the initial let down our orange boy is destined to gain happiness – selfish Lisa falls in love with him and sets him free. We see an orange revolution – houses are blown up and tomatoes are made from ketchup, all in the name of democracy! Movie that is full of rebellion and love has happy ending – we will see sour-sweet culmination of lemon girl’s and orange boy’s love.
Elijah Moshinsky’s witty production deftly walks the line between the lighthearted humor and the profound philosophical underpinnings of Strauss and Hofmannsthal’s opera, masterfully conducted here by Met Music Director James Levine. Deborah Voigt stars as Ariadne, the mythical heroine abandoned on the island of Naxos by her lover, and Richard Margison is Bacchus, the young god who eventually takes her away to a new life. The spectacular Natalie Dessay as Zerbinetta leads the troupe of comedians who unsuccessfully try to cheer Ariadne up. Susanne Mentzer is delightful as the young Composer of the opera-within-the-opera, and Wolfgang Brendel sings the Music Master.
John Dexter’s brilliant production of Britten’s searing opera stars Dwayne Croft in the title role of the handsome young sailor whose kindness and innocence cause his downfall. The great James Morris is Claggart, master-at-arms on the 18th-century warship Indomitable, who falsely accuses Billy of inciting a mutiny. Philip Langridge sings Captain Vere, the honest commander who knows that Billy is innocent but finds himself unable to save him. Steuart Bedford, Britten’s close collaborator during the last years of the composer’s life, is on the podium.
Clara is given an enchanted Nutcracker doll on Christmas Eve. As midnight strikes, she creeps downstairs to find a magical adventure awaiting her and her Nutcracker. The magician Drosselmeyer transforms the drawing room into a battle between mice and toy soldiers. During the battle, Clara saves the Nutcracker’s life – so breaking a magical spell that turned him from a boy to a toy – and the Mouse King is defeated. In celebration, Drosselmeyer sweeps Clara and the Nutcracker off to the Kingdom of Sweets, where they meet the Sugar Plum Fairy and take part in a wonderful display of dances. The next morning, Clara’s adventures seem to have been more than just a dream.
Film version of the Rimsky Korsakov opera from the Pushkin story. Motsart i Salyeri (Mozart and Salieri), based on a legend that Salieri poisoned Mozart, meditates on the nature of creativity while introducing, in brilliantly compressed speeches, what was to be one of the important Russian themes—metaphysical rebellion against God.
A devil is at work in the Ukrainian village of Sorochintsy, terrifying residents and travellers alike. Among them a farmer whose daughter is not allowed to marry her lover because her quarrelsome stepmother is against it.
Les Huguenots is a monumental fresco featuring various impossible loves in the context of the Saint Bartholomew Massacre. Andreas Kriegenburg places these timeless conflicts of love and religion in an immaculate setting in which the costumes appear yet more flamboyant and the victims’ blood more violently red.
Robert Lepage’s landmark staging of Wagner’s Der Ring des Nibelungen, unveiled over the course of the 2010–11 and 2011–12 seasons, was the first new Met production of the complete cycle in more than 20 years. Combining state-of-the-art technology with traditional storytelling, it brings Wagner’s vision into the 21st century. In this first part of the epic, the theft of the Rhinegold treasure sets in motion the course of events that will change the world and end the rule of the gods. Met Music Director James Levine conducts a cast of some of the greatest Wagnerian singers of our time, including Bryn Terfel as Wotan, Stephanie Blythe as Fricka, and Eric Owens as Alberich.