A tale of an international counterfeiting-ring operating in Mexico starts with Patrick Nevil viewed as a suspicious character by newspaper woman Agnes Stuart, who is working on a story to expose racketeering night-club owner Doc Lilley.
Himself - Continental Orchestra Leader (as Eddie LeBaron)
A tale of an international counterfeiting-ring operating in Mexico starts with Patrick Nevil viewed as a suspicious character by newspaper woman Agnes Stuart, who is working on a story to expose racketeering night-club owner Doc Lilley.
1946-03-20
0
Tom, now in his 40s, begins to write the memoirs of his 1960s childhood, as the little boy whose mother Rose was a glamorous Shanghai nightclub singer. When Rose meets Aussie sailor Bill, they are quickly married, and she packs up Tom and his older sister May to head for Melbourne. The marriage just as quickly breaks up and Rose moves with the kids to Sydney. After a succession of male friends and little success, in 1971 Rose moves back to Melbourne, in an uncomfortable arrangement living again with Bill – and his mother. With Bill called away to sea, Rose takes up with young Chinese cook Joe, but despair and conflicts over May's relationship with Joe tear the family further apart. Little Tom is deeply hurt, but May's ongoing conflict with her mother takes a respite when Rose tells her daughter about her traumatic teenage years.
In 1914, the Mexican revolutionary Pancho Villa invites studios to shoot his actual battles against Porfírio Diaz army to raise funds for financing guns and ammunition. The Mutual Film Corporation, through producer D.W. Griffith, interests for the proposition and sends the filmmaker Frank Thayer to negotiate a contract with Pancho Villa himself.
Lalo is a little boy who lives in an orphanage and dreams of singing in the choir of the church. His companions make fun of him and beat him, so he is unjustly punished afterwards. Very soon, everyone will discover in him an extraordinary change of direction in his life.
Faced with sudden doubts about her marriage, a young New York mother teams up with her larger-than-life playboy father to tail her husband.
A police officer must clear his son's name in the murder of a beautiful woman amidst the exciting and erotic world of heavy metal night clubs.
United States Federal agent Rigby travels to the Central American island Carlotta to investigate a stolen aircraft engines smuggling racket.
Eddie Miller struggles with his hatred of women, he's especially bothered by seeing women with their lovers. He starts a killing spree as a sniper by shooting women from far distances. In an attempt to get caught, he writes an anonymous letter to the police begging them to stop him.
A stranded ship. A man and two boys go to its rescue - uncle Arturo and his two nephews. The ship is empty, except for a little girl - the only survivor.
Nearly thirty years after making his surrealist La Formula Secreta, director Rubén Gámez returned to filmmaking with this impressionistic portrait of modern-day Mexico. Reminiscent in some ways of Godfrey Reggio’s Koyaanisqatsi, Tequila appears to be a cinematic extension of Mexico’s muralist tradition, a contemporary equivalent of Diego Rivera or David Alfaro Siqueiros with vignettes, quick ideas, visual puns, cartoons, and political statements.
Buster is a small time crook who pulls a big time job. When he finds that the police will not let the case drop, he goes into hiding and can't contact his wife and child. He arranges to meet them in Mexico where he thinks they can begin again, but finds that he must choose between his family and freedom.
Harper is a cynical private eye in the best tradition of Bogart. He even has Bogie's Baby hiring him to find her missing husband, getting involved along the way with an assortment of unsavory characters and an illegal-alien smuggling ring.
Nick, a mob hired hand is sent to investigate the theft of five million dollars taken from the Blue Lizard, a club mixed with dance, live performances and gambling. Nick's life takes a turn when he confronts Ariana, his ex-lover and co-manager of the club about the stolen cash. Unfortunately for Nick, his expected meeting with Ariana brings up old emotions that leads them both down a violent path.
James “Brick” Davis, a struggling attorney, owes his education to a mobster, but always has refused to get involved with the underworld. When a friend of his is gunned down by a notorious criminal, Brick decides to abandon the exercise of the law and join the Department of Justice to capture the murderer.
A group of gangsters escape from prison and attempt to destroy a rival organisation holed up in a convent in Mexico.
After Police Captain Dan McLaren becomes police commissioner, former detective Johnny Blake publicly punches him, convincing rackets boss Al Kruger that Blake is sincere in his effort to join the mob. "Bugs" Fenner, meanwhile, is certain that Blake is a police agent.
In Mexico, a mad general is leading his own war against the Church. Priests are rounded up, churches burned down and religion outlawed. The suffering of one pious catholic priest could bring the tide of change however.
Quiet, organised Dr Talbot meets nightclub singer Nora Prentiss when she is slightly hurt in a street accident. Despite her misgivings they become heavily involved and Talbot finds he is faced with the choice of leaving Nora or divorcing his wife. When a patient expires in his office, a third option seems to present itself.
Visiting Medical Researcher gets involved with a cult Priestess somewhere deep in the jungle.
Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.
After his mother's death, a young man edits the family's home videos to bring back her image. As he delves into the occult he begins to reveal the paradoxical magic of memories and cinema.