My Millennial Life(2016)

Children of the Market(en)

Documentary on Seattle's Pike Place Market, and those who have saved it from destruction over its first 100 years of existence. Covers the history of the Market, the people who live and work there, and the ghosts who still haunt it.

My Mother's Garden(en)

A look at how one woman obsessively collects material things and how her family pulls together to help her out.

Fists of Pride(en)

Fists of Pride follows Little Tiger and his fellow fighters as their Thai coaches prepare them for the annual Water Festival competition. In a boxing camp on the Thai-Burmese border the children of mostly illegal migrant workers fleeing Burma live and train for prize fights. In a region where combat sports have always been a matter of honor and money, the film reveals their daily struggles. Bets are open and as the hope of prize money rizes, the young boxers contemplate what it could mean for them and their families

Dream & Deed(nl)

In the period 1891-1927, Henriette Roland Holst goes through a dramatic development. As an aspiring poet from an affluent bourgeois milieu she throws herself, full with idealism and conviction, into the labour movement. Within the various socialistic parties however, a fierce battle on direction takes place, wherein Henriette has trouble finding her place. After returning disillusioned from a trip to the Soviet Union, she does not feel at home in any leftist party. Later she will recollect on this period in her biography "Het vuur brandde voort" (translation: "The fire rages on"). The film reconstructs this period with the use of old film material combined with texts by Henriette Roland Holst herself: fragments from letters, poems, speeches and books, sparingly supplemented with personal commentary by the filmmaker.

Finding Hillywood(en)

“Finding Hillywood” is an inspirational film about the making of the Rwandan film industry and the power of film to change and heal individuals and communities. It tells the story of how a nation, still healing from the 1994 genocide, creates a film industry as both an outlet for the pain and a way to bring entertainment and a new industry to the population. Hillywood, which is named for Rwanda’s hilly terrain, is a traveling film festival that screens films made by, about, and for Rwandans. The festival goes from town to town, setting up public, outdoor screenings, on inflatable screens, to showcase Rwandan films.

Danse Serpentine (In a Lion's Cage)(fr)

Madame Ondine performs a serpentine dance surrounded by big cats.

Mission Congo(en)

A documentary that examines whether a charity organized by Pat Robertson to aid Rwandan genocide refugees was a front for diamond mining.

Hi-Ho Mistahey!(en)

Alanis Obomsawin tells the story of Shannen’s Dream, a national campaign to provide equitable access to education for First Nations children, in safe and suitable schools. She brings together the voices of those who have successfully brought the Dream all the way to the United Nations in Geneva.

The Dog(en)

In 1972, John Wojtowicz attempted to rob a Brooklyn bank to pay for his lover’s sex-change operation. The story was the basis for the film Dog Day Afternoon. The Dog captures John, who shares his story for the first time in his own unique, offensive, hilarious and heartbreaking way. We gain a historic perspective on New York's gay liberation movement, in which Wojtowicz played an active role. In later footage, he remains a subversive force, backed by the unconditional love of his mother Terry, whose wit and charm infuse the film. How and why the bank robbery took place is recounted in gripping detail by Wojtowicz and various eyewitnesses.

Zipper: Coney Island's Last Wild Ride(en)

When his rented lot is snatched up by an opportunistic real estate mogul, Eddie Miranda and his Coney Island ride the Zipper become casualties of a power struggle between the developer and the City of New York over the future of the world-famous destination.

Finding Dawn(en)

Métis filmmaker Christine Welsh puts a human face on a national tragedy: the murders and disappearances of an estimated 500 Aboriginal women in Canada over the past 30 years. Explores the deep historical, social, and economic factors that contribute to this epidemic of violence against Native women.

The Nouba of the Women of Mount Chenoua(ar)

Writer and filmmaker Assia Djebar explores Algerian history, the psychological impact of war, and post-colonial female identity in this 1979 classic of film literature. Named for (and taking its structure from) a traditional song with five distinct movements, the film combines documentary-style observation with loose narrative form to tell the story of Lila, an Algerian expatriate returning to her country 15 years after independence has been won. In comparing her life with the lives and experiences of rural Algeriennes, Lila is able to put her childhood demons to rest and discover a new history -- one written in the ongoing strength of generations of women. Like much of Djebar's writing, the film has a strong subtext dealing with resistance to patriarchy and women's desire to appropriate the means of power and expression -- one of which, of course, is the filmmaker's camera.

A Girl and a Gun(en)

A Girl and A Gun shows the female perspective on an object whose history is deeply bound to men and masculinity. The classic Hollywood portrayals of pistol packin' mamas, tomboy sharp shooters, sexually twisted femme fatales, and high-heeled, cold-blooded assassins are caricatures. In truth, the typical woman who hangs out at rifle ranges and keeps ammo in her purse is the girl-next-door, the single mom, a hard working sister or aunt. Maybe she's a realist or has learned tough lessons from life; either way, she cares about her personal safety and may even find salvation, comfort or something satisfying in possessing a gun. In a word, she is empowered. Breaking through the caricatures, A Girl and a Gun reveals America's diverse and far-ranging female gun community. It depicts how this community is portrayed by the media and targeted by the gun industry; and shows, through personal stories, how guns change women's lives.

The Age of Stone(pt)

A voyage into the far west of Brazil leads us to a monumental structure - petrified at the centre of the savannah. Inspired by the epic construction of the city of Brasília, the film uses this history to imagine it otherwise. "I look at Brasília the way I look at Rome : Brasília began with a final simplification of ruins". Through the geological traces that lead us to this fictive monument, the film unearths a history of exploration, prophecy and myth.

Intimidad(en)

Shot over the course of five years, Intimidad is an in-depth portrait of Cecy and Camilo Ramirez, a young couple struggling to make ends meet in Reynosa, Mexico. They have recently left their 2-year old daughter, Loida, with Cecy's mother in Santa Maria in the hopes of building a proper home and after one year, they return to visit her for the Christmas holidays. But their vacation is barely the respite the couple expected, as Loida hardly recognizes her parents, and a sudden tragedy threatens to tear the family apart.

New Boobs(nl)

For years, filmmaker Sacha Polak has known that she carries the BRCA1 hereditary cancer gene, responsible for breast cancer, but she can't decide what to do. Does she have her breasts removed as a preventive measure to minimize the risk of developing cancer? What if she had them removed, thus forsaking her femininity, for nothing? Sacha decides to make a personal and open documentary about her search.

Tender Fictions(en)

Childhood stories of the artist as a young lesbian and intimate tales of the lesbian as a young artist underscore the filmmaker's life of performances. With a Swiss army knife she robs an American Express Bank in Morocco, accosts a shepherd in a field on International Women's Day, and tap dances on Shirley Temple's star on Hollywood Boulevard. This child movie star was the ideal by which Hammer's ambitious mother measured her own Barbie. Grandma, already a cook for Lillian Gish in Hollywood, introduced the cute, loquacious child and her mother to D.W. Griffith. Lesbian autobiography is a slender genre, so Hammer draws from general culture studies for critique and to provide an ironic edge to the synthesized "voices of authority".

Buitenkampers(nl)

The Galapagos Affair: Satan Came to Eden(en)

Darwin meets Hitchcock in this documentary. Directors Dan Geller and Dayna Goldfine have created a parable about the search for paradise, set in the brutal yet alluring landscape of the Galapagos Islands, which interweaves an unsolved 1930s murder mystery with stories of present day Galapagos pioneers. A gripping tale of idealistic dreams gone awry, featuring voice-over performances by Cate Blanchett, Diane Kruger, and Gustaf Skarsgard.

Two: The Story of Roman & Nyro(en)

Combining over twelve years of footage and narrated by their twin sons, TWO: The Story of Roman & Nyro, follows legendary songwriter Desmond Child and his lifelong partner's loving journey to create their new modern family.