Songs / Tracks Listing 1. Magic Thriller Intro (2:08) 2. Magic Thriller (4:55) 3. Mad Puppet (6:33) 4. Dr. Frankestein (6:37) 5. Roller (5:04) 6. E Suono Rock(4:42) 7. Aquaman (6:00) 8. Non Ho Sonno (2:54) 9. Death Farm (4:04) 10. Goblin (12:06) 11. L'alba Dei Mortiviventi (7:06) 12. Zombi (5:01) 13. Tenebre (4:42) 14. Suspiria (6:28) 15. School At Night (1:24) 16. Profondo Rosso (4:22)
Songs / Tracks Listing 1. Magic Thriller Intro (2:08) 2. Magic Thriller (4:55) 3. Mad Puppet (6:33) 4. Dr. Frankestein (6:37) 5. Roller (5:04) 6. E Suono Rock(4:42) 7. Aquaman (6:00) 8. Non Ho Sonno (2:54) 9. Death Farm (4:04) 10. Goblin (12:06) 11. L'alba Dei Mortiviventi (7:06) 12. Zombi (5:01) 13. Tenebre (4:42) 14. Suspiria (6:28) 15. School At Night (1:24) 16. Profondo Rosso (4:22)
2016-04-08
9.3
On March 21st, 2016, a few weeks prior to the release of the Santana IV album, the classic line-up of Santana took to the stage at the House Of Blues in Las Vegas. The show they delivered combined tracks from the new album with the classic hits from the band's first three albums, to which Santana IV is the natural successor. This was a hugely anticipated reunion of a line-up that had not performed and recorded together since the early seventies. It brought back the scintillating combination of rock, Latin, blues, jazz and African rhythms which was the band's trademark and made them truly unique. The concert was a celebration of the chemistry, dynamism and pure musical joy that had made the original band so special and earned them a place in so many fans hearts. It is a show to be enjoyed over and over again.
With rare behind-the-scenes footage, a detailed look at the making of Walt Disney’s adaptation of the Jules Verne novel 20,000 Leagues Under The Sea.
The film is based on the motifs of Azerbaijani folk tales.
Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australian experimental cinema. But as this intimate film reveals, his work is suffused with the trauma of migration, and the struggle to recognise himself as a ‘new Australian'. In conversation with documentarian Steven McIntyre, Dirk guides us through more than 40 years of his filmmaking: the early years exploring technique and technology, a subsequent phase of unflinching self-examination brought on by upheaval and overseas travel, and more recent projects where he attempts a fusion of personal, cultural, and historical identity. What emerges is an inspiring, rugged, and at times poignant portrait of an artist committed to self-expression and self-discovery through the medium of film.
Jeeves tries to keep his young master out of trouble.
When a thirty-something travel nurse meets a friendly mortician at a Guns 'N Roses concert, she thinks she's finally found her match -- until he ghosts her the next day. Overwhelmed, she turns to her four gay best friends for support as she confronts hard truths and figures out her next move.
Did he bowl or did he throw? A fascinating record of an early cricketing controversy.
Recorded in Rio de Janeiro on September 17 and 18, 2002
A documentary which follows the most important events of Constantin Brâncuși, a Romanian artist.
A 2004 British television documentary examining controversial music videos.
A sharp, humorous examination of Almedalen Week in the Gotland province of Sweden, an annual event where thousands of politicians, lobbyists, and citizens gather for the ultimate showcase of political theater.
The second show of Danny Boon in 1997 at Theatre Sebastopol Lille.
This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.
A story set in the Green Line in Nicosia, Cyprus, where a wall divides a country. Two soldiers, a Greek Cypriot and a Turkish Cypriot, decide to embark on a secret journey that is dangerous no matter which side you are at.
THE BLUE HOUR tells the story of Tanya, a young woman with a mysterious past who finds herself trapped in a sexual hell in Los Angeles. Punctuated by striking visuals and avant-garde editing, THE BLUE HOUR is a lost masterpiece of late period sexploitation.